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The Geographer's Library

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<strong>The</strong> Geographer’ s <strong>Library</strong><br />

row for a single car, though it swelled slightly as it dead-ended unceremoniously<br />

at a patch of scraggly trees and dirt. Across from each other and closest<br />

to the turnoff from the main road, two identical flagstone houses with grayblue<br />

shutters and wraparound porches stood like sentries in silent communication<br />

with each other. On a different street or a different day, the effect would<br />

have been precious; here it was unsettling, particularly as smoke rose from<br />

both chimneys but I could see lights in neither house.<br />

<strong>The</strong> next home back on the left was a large, rambling, yellowish clapboard<br />

house that looked as though it had been airlifted in from Rockport or<br />

Gloucester, right down to the widow’s walk on top. Across from it was number<br />

4, Pühapäev’s house: squat and brown, with peeling white trim and sagging<br />

gutters. A forlorn-looking maple tree stood in the center of a yard of<br />

patchy grass, mud, and twigs. On the small front porch, a swing that still bore<br />

a few scabs of pink paint had come off its chain on one side, and it slumped<br />

on the porch like a fat old man too tired to move.<br />

I pulled in behind a Lincoln police car—the Lincoln police car, actually.<br />

As I walked toward the house, I glanced across the street and saw a hand<br />

draw the shade back from an upstairs window. I knocked at the open front<br />

door of Pühapäev’s house, then called out and stepped over the threshold.<br />

“Jesus Christ,” said an exasperated voice. “This isn’t a museum; this is<br />

somebody’s house.”<br />

“Is it also a crime scene?” I asked, stepping back outside and craning my<br />

neck in.<br />

“That your business? You a tourist or looking to be a homeowner?” A<br />

pudgy policeman packed into his uniform like a sausage stepped into view,<br />

holding his cap under one arm and a clipboard in the other. He had a goofy<br />

little sleeping-caterpillar mustache parked on his upper lip, and several<br />

strands of reddish hair whirled strategically around an otherwise bald head. I<br />

had seen him before but never met him: my father always advised keeping<br />

well away from small-town cops, and as a result I had never even gotten a<br />

parking ticket in Lincoln. I usually saw him with a partner, a slender guy who<br />

always seemed about to disappear from sheer vagueness. If Art had ever told<br />

me his name, I had forgotten it. “Who are you?” he asked.<br />

“I’m from the Carrier. Name’s Paul.” I extended my hand, and he shook<br />

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