Racine: Phaedra

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386 GOLDSMITH threatened—I can scarce get it out—I have been threatened with a lover! Miss Neville. And his name Miss Hardcastle. Is Marlow. Miss Neville. Indeed Miss Hardcastle. The son of Sir Charles Marlow. Miss Neville. As I live, the most intimate friend of Mr. Hastings, my admirer. They are never asunder. I be- lieve you must have seen him when we lived in town. Miss Hardcastle. Never. Miss Neville. He's a very singular character, I assure you. Among women of reputation and virtue, he is the modest- est man alive; but his acquaintance give him a very different character among creatures of another stamp: you understand me? Miss Hardcastle. An odd character, indeed ! I shall never be able to manage him. What shall I do? Pshaw, think no more of him, but trust to occurrences for success. But how goes on your own affair, my dear ? Has my mother been courting you for my brother Tony, as usual ? Miss Neville. I have just come from one of our agreeable tete-d-tetes. She has been saying a hundred tender things, and setting off her pretty monster as the very pink of per- fection. Miss Hardcastle. And her partiality is such, that she actually thinks him so. A fortune like yours is no small temptation. Besides, as she has the sole management of it, I'm not surprised to see her unwilling to let it go out of the family. Miss Neville. A fortune like mine, which chiefly consists in jewels, is no such mighty temptation. But, at any rate, if my dear Hastings be but constant, I make no doubt to be too hard for her at last. However, I let her suppose that I am in love with her son, and she never once dreams that my affections are fixed upon another. Miss Hardcastle. My good brother holds out stoutly. I could almost love him for hating you so. Miss Neville. It is a good-natur'd creature at bottom, and I'm sure would wish to see me married to anybody but himself. But my aunt's bell rings for our afternoon's walk through
SHE STOOPS TO CONQUER 387 the improvements. Allans. Courage is necessary, as our affairs are critical. Miss Hardcastle. Would it were bedtime and all were well. [Exeunt. Scene II.—An Ale-house Room 'Several shabby fellows, with punch and tobacco. Tony at the head of the table, a little higher than the rest: a mallet in his hand. Omnes. Hurrea, hurrea, hurrea, bravo! First Fellow. Now, gentlemen, silence for a song. The 'Squire is going to knock himself down for a song. Omnes. Ay, a song, a song. Tony. Then I'll sing you, gentlemen, a song I made upon this ale-house, the Three Pigeons. SONG. Let school-masters puzzle their brain, With grammar, and nonsense, and learning Good liquor, I stoutly maintain, Gives genus a better discerning Let them brag of their heathenish Gods, Their Lethes, their Styxes, and Stygians; Their Quis, and their Qu?es, and their Quods, They're all but a parcel of Pigeons. Toroddle, toroddle, toroll When Methodist preachers come down, A-preaching that drinking is sinful, I'll wager the rascals a crown, They always preach best with a skinful. But when you come down with your pence, For a slice of their scurvy religion. I'll leave it to all men of sense. But you, my good friend, are the pigeon. Toroddle, toroddle, toroll Then come, put the jorum about. And let us be merry and clever. Our hearts and our liquors are stout, Here's the Three Jolly Pigeons for ever.
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Dramatic Masterpieces BY GREEK, SPA
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P/V V. / CONTENTS / rAse Prometheus
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DRAMATIS PERSONS Prometheus. OCEANU
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4 yESCHYLUS Disperse with retrickt
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6 .ESCHYLUS Hephaestus.—Thy speec
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8 .ESCHYLUS On the high-jutting roc
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lo JESCHYLUS Chorus.—Remove the v
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I a ^SCHYLUS Then let it pass from
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14 '^SCHYLUS Can break thy fetters
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i6 ^SCHYLUS OcEANUS.—Thy doom, Pr
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l8 ^SCHYLUS In hollow caves unsunne
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20 ^SCHYLUS Strophe I. Chorus.— N
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2 2 JESCHYLUS The waters round And
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24 ^SCHYLUS lo.— What reason, the
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26 ;eschylus So hard to behold, So
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28 .CSCHYLUS lo. And can it ever be
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30 iESCHYLUS Those sharp-mouthed do
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3a JESCHYLUS A royal race in Argos.
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34 yESCHYLUS To shame, and lower th
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36 iESCHYLUS Prometheus.—If it be
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38 ^SCHYLUS Self-will for prudent c
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CEDIPUS REX BY SOPHOCLES [Metrical
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CEDIPUS REX SCENE.—THEBES In the
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CEDIPUS REX 45 Than o'er a realm di
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CEDIPUS REX 47 Creon.—The Sphinx,
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GEDIPUS REX 49 And the sad anthem s
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CEDIPUS REX 51 And for the God's, a
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(EDIPUS REX 53 I knew it all too we
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CEDIPUS REX 55 Why, when the monste
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CEDIPUS REX 57 Strophe I. Chorus.
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CEDIPUS REX 59 Creon.—And was it
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GEDIPUS REX ei And as a proof of th
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CEDIPUS REX 63 Creon.— I will go,
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CEDIPUS REX 6$ JocASTA.—A servant
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CEDIPUS REX €7 Depart unseen from
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CEDIPUS REX 69 Earth's central shri
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CEDIPuS REX 71 The Pythian hearth o
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(EDIPUS REX 73 (Edipus.—Didst tho
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CEDIPUS REX 75 Or was it He who rul
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CEDIPUS REX 77 Shepherd.— Augurie
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CEDIPUS REX 79 Such horrors does it
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CEDIPUS REX 81 What Power with one
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CEDIPUS REX 83 And dam mine ears ag
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They still partook of with me ; CED
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MEDEA BY EURIPIDES [Metrical Transl
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MEDEA SCENE.—BEFORE THE PALACE Nu
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MEDEA fl Of evil fortune that befal
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MEDEA 93 Nurse.—Why should the so
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MEDEA 95 Diffuse ecstatic pleasures
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MEDEA 97 Of childbirth. But this la
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MEDEA My temper uncomplying, though
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MEDEA loi Yet think not that my sor
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MEDEA' 103 For ne'er on our uncultu
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MEDEA lOS In thee to court another
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MEDEA i07 As could not be avoided,
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MEDEA 109 Jason.—You uttered impi
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MEDEA 1 1 Mgeus.— From Apollo's a
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MEDEA "3 To you here makes you are
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MEDEA 115 But now to you the whole
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MEDEA 117 From Cephisos' amber tide
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MEDEA 119 Enter the sons of Jason a
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MEDEA lai Which erst the sun my gra
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MEDEA 123 Some great calamity, by t
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MEDEA Of Utter wretchedness, and th
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MEDEA 127 For a loud rumor instantl
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MEDEA 129 Infolded, kissed it oft,
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MEDEA 1 51 2nd Son [within].— I c
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MEDEA 133 For I that reason have re
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MEDEA 135 Beneath the shattered rel
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THE KNIGHTS BY ARISTOPHANES [Metric
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THE KNIGHTS After a noise of lashes
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THE KNIGHTS 141 Demosthenes.—Shri
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THE KNIGHTS 143 Demosthenes.—Bull
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THE KNIGHTS 145 Demosthenes.— Fil
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THE KNIGHTS 147 Sausage-Seller [wit
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THE KNIGHTS 149 Sausage-Seller.—B
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THE KNIGHTS 151 Oftener than I can
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THE KNIGHTS 153 Sausage-Seller [in
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THE KNIGHTS 155 Chorus.— Even in
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THE KNIGHTS 157 Chorus.—We like y
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THE KNIGHTS 159 Golden sweet secret
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THE KNIGHTS i6i This hurricane will
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THE KNIGHTS 163 Rouse up your power
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THE KNIGHTS 165 Then he saw, for a
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THE KNIGHTS 167 Gallantly that stee
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THE KNIGHTS 169 Charges and attacks
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THE KNIGHTS 171 Of pilchards being
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THE KNIGHTS 173 Cleon.—I'll claw
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THE KNIGHTS 175 To make a dash, but
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THE KNIGHTS 177 In nests of the roc
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THE KNIGHTS 179 Chorus.—O thou, t
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THE KNIGHTS l8i Demus.—I see your
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THE KNIGHTS 183 Sausage-Seller.—
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THE KNIGHTS 185 Demus.— Away with
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THE KNIGHTS 187 Sausage- Seller.—
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THE KNIGHTS 189 Sausage- Seller.—
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THE KNIGHTS 191 Like a sovereign or
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THE KNIGHTS 193 Cleon.—See this p
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THE KNIGHTS 195 Sausage-Seller.—T
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THE KNIGHTS 197 Epirrhema.* To revi
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THE KNIGHTS 199 No, thank heaven, f
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THE KNIGHTS 90I Agoracritus.—More
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THE KNIGHTS 203 To dine with me in
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DRAMATIS PERSONS Basilio, King of P
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ao8 CALDERON Long-ear'd lightning,
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2,o CALDERON Some fairy had exchang
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,,, CALDERON Within that square of
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a, CALDERON Segismund.— Nor Natur
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9j5 CALDERON Pipe.— There, his wo
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2x8 CALDERON Clotaldo [aside].—So
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2 20 CALDERON Scene II. The Palace
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J23 CALDERON EsTRELLA [kneeling],
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924 CALDERON Of holy faith, and in
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226 CALDERON As shall at once all d
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DaS CALDERON But come—already wea
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230 CALDERON With its bewilder'd se
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939 CALDERON Again to call me so ?
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234 CALDERON Chamberlain.—Oh, my
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CALDERON 236 Clotaldo.— As sure a
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238 CALDERON Segismund.— Were to
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240 CALDERON Your dignity ; but, kn
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242 CALDERON My subjects—traitors
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CALDERON 244 King.— Oh, Segismund
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246 CALDERON Unto yourself alone, w
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248 CALDERON Segismund.—He prophe
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85© CALDERON Under the ashes of th
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252 CALDERON Segismund.—Oh, rathe
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254 CALDERON Under this tower, wall
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256 CALDERON Well — 'tis this cou
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258 CALDERON Soldiers.—Segismund
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26o CALDERON Begone ! I know I must
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,62 CALDERON And of a noble stock I
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264 CALDERON Scene II. A wooded pas
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266 CALDERON Segismund.—Princes a
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268 CALDERON The word of civil just
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THE MISANTHROPE BY EAN-BAPTISTE POQ
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THE MISANTHROPE ACT FIRST Scene I.
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THE MISANTHROPE 275 shameful displa
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THE MISANTHROPE 177 ners of the age
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THE MISANTHROPE 279 me blind to her
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THE MISANTHROPE 281 ment, I come, b
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THE MISANTHROPE 283 Alceste. I do n
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THE MISANTHROPE 185 Scene III. Phil
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THE MISANTHROPE 287 have more reaso
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THE MISANTHROPE tSg Celimene. I ins
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THE MISANTHROPE 291 out some injust
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THE MISANTHROPE 293 AcASTE. I see h
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THE MISANTHROPE 295 Alceste. What p
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THE MISANTHROPE 297 Clitandre. Have
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THE MISANTHROPE 199 prove my friend
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THE MISANTHROPE 301 that over-estim
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THE MISANTHROPE 303 makes me feel f
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THE MISANTHROPE 305 ACT FOURTH Scen
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Alceste. Ah, madam ! THE MISANTHROP
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of my heart were true ; THE MISANTH
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THE MISANTHROPE 311 ardly enough no
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THE MISANTHROPE 313 to make it out.
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THE MISANTHROPE 315 and men are mad
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THE MISANTHROPE 317 Oronte. Madam,
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THE MISANTHROPE 3x9 Scene IV. Arsin
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THE MISANTHROPE 331 Scene V. Celime
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THE MISANTHROPE 323 Celimene. Solit
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DRAMATIS PERSONyE Theseus, Son of J
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328 RACINE In seeking him I shall b
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33© RAQNE Between us? By my father
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J32 RACINE Whose daughter 'twas my
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334 RACINE CEnone.— What can you
Page 348 and 349: 336 RACINE But Venus in her might s
Page 350 and 351: 338 RACINE ACT SECOND. Scene I. Ari
Page 352 and 353: 340 RACINE You know, besides, with
Page 354 and 355: 342 RACINE Athens, by him protected
Page 356 and 357: 344 RACINE Aricia.—You cannot, no
Page 358 and 359: 346 My heart RACINE I cannot hide m
Page 360 and 361: 348 RACINE Your arm. Strike home. O
Page 362 and 363: 350 RACINE Hope stole into my heart
Page 364 and 365: 354 RACINE Ph^dra.— My husband is
Page 366 and 367: 354 RACINE For, when our rqjutation
Page 368 and 369: J56 RACINE Of what the gods have le
Page 370 and 371: 358 RACINE CEnone.—Sire, I have t
Page 372 and 373: 36o RACINE I think beyond all else
Page 374 and 375: 36a RACINE With his destruction. 'T
Page 376 and 377: 3^4 RACINE Shunn'd the bright day,
Page 378 and 379: 366 RACINE A terror to all those wh
Page 380 and 381: 368 RACINE Between us. Torches do n
Page 382 and 383: J70 RACINE And yet, despite my ster
Page 384 and 385: 372 RACINE Turning and twisting in
Page 386 and 387: 374 RACINE Scene VII. Theseus, Phce
Page 389 and 390: SHE STOOPS TO CONQUER BY OLIVER GOL
Page 391 and 392: PROLOGUE By David Garrick, Esq. Exc
Page 393 and 394: SHE STOOPS TO CONQUER ACT FIRST Sce
Page 395 and 396: SHE STOOPS TO CONQUER 383 Hardcastl
Page 397: SHE STOOPS TO CONQUER 385 plishment
Page 401 and 402: SHE STOOPS TO CONQUER 389 Tony. As
Page 403 and 404: SHE STOOPS TO CONQUER 391 barn, you
Page 405 and 406: SHE STOOPS TO CONQUER 393 think of
Page 407 and 408: SHE STOOPS TO CONQUER 395 Marlow. T
Page 409 and 410: SHE STOOPS TO CONQUER 397 at first,
Page 413 and 414: SHE STOOPS TO CONQUER 401 lesome. B
Page 415 and 416: SHE STOOPS TO CONQUER 403 —To-mor
Page 417 and 418: SHE STOOPS TO CONQUER 405 who, want
Page 419 and 420: SHE STOOPS TO CONQUER 407 !n a lett
Page 421 and 422: SHE STOOPS TO CONQUER 409 Mrs. Hard
Page 423 and 424: SHE STOOPS TO CONQUER 411 ACT THIRD
Page 427 and 428: SHE STOOPS TO CONQUER 415 cut thing
Page 429 and 430: SHE STOOPS TO CONQUER 417 Mrs. Hard
Page 431 and 432: SHE STOOPS TO CONQUER 419 Miss Hard
Page 433 and 434: SHE STOOPS TO CONQUER 421 Enter Har
Page 435 and 436: SHE STOOPS TO CONQUER 423 unaccount
Page 437 and 438: SHE STOOPS TO CONQUER 425 Marlow. I
Page 439 and 440: SHE STOOPS TO CONQUER 427 Marlow. H
Page 441 and 442: SHE STOOPS TO CONQUER 429 Enter Ton
Page 443 and 444: SHE STOOPS TO CONQUER 43X Mrs. Hard
Page 445 and 446: SHE STOOPS TO CONQUER 433 Miss Nevi
Page 447 and 448: SHE STOOPS TO CONQUER 435 Hastings.
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SHE STOOPS TO CONQUER 437 Marlow. A
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SHE STOOPS TO CONQUER 439 Hastings.
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SHE STOOPS TO CONQUER 441 Hardcastl
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SHE STOOPS TO CONQUER 443 Hastings.
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SHE STOOPS TO CONQUER 445 shows me
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SHE STOOPS TO CONQUER 447 Hardcastl
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SHE STOOPS TO CONQUER 449 EPILOGUE
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I UULA-Young Research Library PN611
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