Racine: Phaedra

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446 GOLDSMITH Hardcastf^e. Who gone? Mrs. Hardcastle. My dutiful niece and her gentleman, Mr. Hastings, from town—he who came down with our modest visitor, here. Sir Charles. Who, my honest George Hastings? As worthy a fellow as lives, and the girl could not have made a more prudent choice. Hardcastle. Then, by the hand of my body, I'm proud of the connection. Mrs. Hardcastle. Well, if he has taken away the lady, he has not taken her fortune ; that remains in this family to con- sole us for her loss. Hardcastle. Sure, Dorothy, you would not be so mercenary ? Mrs. Hardcastle. Ay, that's my affair, not yours. But you know, if your son, when of age, refuses to marry his cousin, her whole fortune is then at her own disposal. Hardcastle. Ay, but he's not of age, and she has not thought proper to wait for his refusal. Enter Hastings and Miss Neville. Mrs. Hardcastle [aside] . What ! returned so soon ? I begin not to like it. Hastings [to Hardcastle]. For my late attempt to fly off with your niece, let my present confusion be my punishment. We are now come back, to appeal from your justice to your humanity. By her father's consent, I first paid her my ad- dresses, and our passions were first founded in duty. Miss Neville. Since his death, I have been obliged to stoop to dissimulation to avoid oppression. In an hour of levity, I was ready even to give up my fortune to secure my choice. But I'm now recovered from the delusion, and hope from your tenderness what is denied me from a nearer connection. Mrs. Hardcastle. Pshaw, pshaw! this is all but the whining end of a modern novel. Hardcastle. Be it what it will, I'm glad they're come back to reclaim their due. Come hither, Tony, boy. Do you refuse this lady's hand whom I now offer you? Tony. What signifies my refusing? You know I can't refuse her till I'm of age, father.
SHE STOOPS TO CONQUER 447 Hardcastle. While I thought concealing your age, boy, was likely to conduce to your improvement, I concurred with your mother's desire to keep it secret. But since I find she turns it to a wrong use, I must now declare, you have been of age these three months. Tony. Of age ! Am I of age, father ? Hardcastle. Above three months. Tony. Then you'll see the first use I'll make of my liberty. [Taking Miss Neznlle's hand.] Witness all men by these presents, that I, Anthony Lumpkin, Esquire, of blank place, refuse you, Constantia Neville, spinster, of no place at all, for my true and lawful wife. So Constance Neville may marry whom she pleases, and Tony Lumpkin is his own man again Sir Charles. O brave 'Squire Hastings. My worthy friend Mrs. Hardcastle. My undutiful oflFspring! Marlow. Joy, my dear George, I give you joy, sincerely. And could I prevail upon my little tyrant here to be less arbi- trary, I should be the happiest man alive, if you would re- turn me the favor. Hastings [to Miss Hardcastle]. Come, madam, you are now driven to the very last scene of all your contrivances. I know you like him, I'm sure he loves you, and you must and shall have him. Hardcastle [joining their hands']. And I say so, too. And, Mr. Marlow, if she makes as good a wife as she has a daughter, I don't believe youHl ever repent your bargain. So now to supper, to-morrow we shall gather all the poor of the parish about us, and the Mistakes of the Night shall be crowned with a merry morning. So, boy, take her ; and as you have been mistaken in the mistress, my wish is, that you may never be mistaken in the wife. Classics. Vol. 36—
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Dramatic Masterpieces BY GREEK, SPA
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P/V V. / CONTENTS / rAse Prometheus
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DRAMATIS PERSONS Prometheus. OCEANU
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4 yESCHYLUS Disperse with retrickt
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6 .ESCHYLUS Hephaestus.—Thy speec
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8 .ESCHYLUS On the high-jutting roc
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lo JESCHYLUS Chorus.—Remove the v
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I a ^SCHYLUS Then let it pass from
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14 '^SCHYLUS Can break thy fetters
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i6 ^SCHYLUS OcEANUS.—Thy doom, Pr
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l8 ^SCHYLUS In hollow caves unsunne
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20 ^SCHYLUS Strophe I. Chorus.— N
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2 2 JESCHYLUS The waters round And
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24 ^SCHYLUS lo.— What reason, the
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26 ;eschylus So hard to behold, So
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28 .CSCHYLUS lo. And can it ever be
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30 iESCHYLUS Those sharp-mouthed do
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3a JESCHYLUS A royal race in Argos.
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34 yESCHYLUS To shame, and lower th
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36 iESCHYLUS Prometheus.—If it be
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38 ^SCHYLUS Self-will for prudent c
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CEDIPUS REX BY SOPHOCLES [Metrical
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CEDIPUS REX SCENE.—THEBES In the
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CEDIPUS REX 45 Than o'er a realm di
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CEDIPUS REX 47 Creon.—The Sphinx,
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GEDIPUS REX 49 And the sad anthem s
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CEDIPUS REX 51 And for the God's, a
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(EDIPUS REX 53 I knew it all too we
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CEDIPUS REX 55 Why, when the monste
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CEDIPUS REX 57 Strophe I. Chorus.
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CEDIPUS REX 59 Creon.—And was it
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GEDIPUS REX ei And as a proof of th
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CEDIPUS REX 63 Creon.— I will go,
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CEDIPUS REX 6$ JocASTA.—A servant
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CEDIPUS REX €7 Depart unseen from
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CEDIPUS REX 69 Earth's central shri
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CEDIPuS REX 71 The Pythian hearth o
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(EDIPUS REX 73 (Edipus.—Didst tho
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CEDIPUS REX 75 Or was it He who rul
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CEDIPUS REX 77 Shepherd.— Augurie
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CEDIPUS REX 79 Such horrors does it
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CEDIPUS REX 81 What Power with one
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CEDIPUS REX 83 And dam mine ears ag
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They still partook of with me ; CED
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MEDEA BY EURIPIDES [Metrical Transl
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MEDEA SCENE.—BEFORE THE PALACE Nu
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MEDEA fl Of evil fortune that befal
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MEDEA 93 Nurse.—Why should the so
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MEDEA 95 Diffuse ecstatic pleasures
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MEDEA 97 Of childbirth. But this la
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MEDEA My temper uncomplying, though
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MEDEA loi Yet think not that my sor
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MEDEA' 103 For ne'er on our uncultu
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MEDEA lOS In thee to court another
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MEDEA i07 As could not be avoided,
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MEDEA 109 Jason.—You uttered impi
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MEDEA 1 1 Mgeus.— From Apollo's a
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MEDEA "3 To you here makes you are
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MEDEA 115 But now to you the whole
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MEDEA 117 From Cephisos' amber tide
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MEDEA 119 Enter the sons of Jason a
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MEDEA lai Which erst the sun my gra
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MEDEA 123 Some great calamity, by t
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MEDEA Of Utter wretchedness, and th
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MEDEA 127 For a loud rumor instantl
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MEDEA 129 Infolded, kissed it oft,
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MEDEA 1 51 2nd Son [within].— I c
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MEDEA 133 For I that reason have re
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MEDEA 135 Beneath the shattered rel
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THE KNIGHTS BY ARISTOPHANES [Metric
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THE KNIGHTS After a noise of lashes
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THE KNIGHTS 141 Demosthenes.—Shri
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THE KNIGHTS 143 Demosthenes.—Bull
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THE KNIGHTS 145 Demosthenes.— Fil
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THE KNIGHTS 147 Sausage-Seller [wit
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THE KNIGHTS 149 Sausage-Seller.—B
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THE KNIGHTS 151 Oftener than I can
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THE KNIGHTS 153 Sausage-Seller [in
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THE KNIGHTS 155 Chorus.— Even in
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THE KNIGHTS 157 Chorus.—We like y
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THE KNIGHTS 159 Golden sweet secret
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THE KNIGHTS i6i This hurricane will
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THE KNIGHTS 163 Rouse up your power
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THE KNIGHTS 165 Then he saw, for a
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THE KNIGHTS 167 Gallantly that stee
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THE KNIGHTS 169 Charges and attacks
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THE KNIGHTS 171 Of pilchards being
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THE KNIGHTS 173 Cleon.—I'll claw
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THE KNIGHTS 175 To make a dash, but
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THE KNIGHTS 177 In nests of the roc
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THE KNIGHTS 179 Chorus.—O thou, t
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THE KNIGHTS l8i Demus.—I see your
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THE KNIGHTS 183 Sausage-Seller.—
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THE KNIGHTS 185 Demus.— Away with
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THE KNIGHTS 187 Sausage- Seller.—
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THE KNIGHTS 189 Sausage- Seller.—
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THE KNIGHTS 191 Like a sovereign or
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THE KNIGHTS 193 Cleon.—See this p
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THE KNIGHTS 195 Sausage-Seller.—T
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THE KNIGHTS 197 Epirrhema.* To revi
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THE KNIGHTS 199 No, thank heaven, f
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THE KNIGHTS 90I Agoracritus.—More
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THE KNIGHTS 203 To dine with me in
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DRAMATIS PERSONS Basilio, King of P
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ao8 CALDERON Long-ear'd lightning,
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2,o CALDERON Some fairy had exchang
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,,, CALDERON Within that square of
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a, CALDERON Segismund.— Nor Natur
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9j5 CALDERON Pipe.— There, his wo
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2x8 CALDERON Clotaldo [aside].—So
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2 20 CALDERON Scene II. The Palace
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J23 CALDERON EsTRELLA [kneeling],
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924 CALDERON Of holy faith, and in
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226 CALDERON As shall at once all d
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DaS CALDERON But come—already wea
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230 CALDERON With its bewilder'd se
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939 CALDERON Again to call me so ?
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234 CALDERON Chamberlain.—Oh, my
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CALDERON 236 Clotaldo.— As sure a
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238 CALDERON Segismund.— Were to
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240 CALDERON Your dignity ; but, kn
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242 CALDERON My subjects—traitors
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CALDERON 244 King.— Oh, Segismund
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246 CALDERON Unto yourself alone, w
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248 CALDERON Segismund.—He prophe
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85© CALDERON Under the ashes of th
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252 CALDERON Segismund.—Oh, rathe
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254 CALDERON Under this tower, wall
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256 CALDERON Well — 'tis this cou
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258 CALDERON Soldiers.—Segismund
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26o CALDERON Begone ! I know I must
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,62 CALDERON And of a noble stock I
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264 CALDERON Scene II. A wooded pas
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266 CALDERON Segismund.—Princes a
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268 CALDERON The word of civil just
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THE MISANTHROPE BY EAN-BAPTISTE POQ
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THE MISANTHROPE ACT FIRST Scene I.
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THE MISANTHROPE 275 shameful displa
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THE MISANTHROPE 177 ners of the age
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THE MISANTHROPE 279 me blind to her
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THE MISANTHROPE 281 ment, I come, b
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THE MISANTHROPE 283 Alceste. I do n
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THE MISANTHROPE 185 Scene III. Phil
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THE MISANTHROPE 287 have more reaso
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THE MISANTHROPE tSg Celimene. I ins
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THE MISANTHROPE 291 out some injust
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THE MISANTHROPE 293 AcASTE. I see h
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THE MISANTHROPE 295 Alceste. What p
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THE MISANTHROPE 297 Clitandre. Have
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THE MISANTHROPE 199 prove my friend
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THE MISANTHROPE 301 that over-estim
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THE MISANTHROPE 303 makes me feel f
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THE MISANTHROPE 305 ACT FOURTH Scen
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Alceste. Ah, madam ! THE MISANTHROP
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of my heart were true ; THE MISANTH
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THE MISANTHROPE 311 ardly enough no
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THE MISANTHROPE 313 to make it out.
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THE MISANTHROPE 315 and men are mad
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THE MISANTHROPE 317 Oronte. Madam,
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THE MISANTHROPE 3x9 Scene IV. Arsin
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THE MISANTHROPE 331 Scene V. Celime
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THE MISANTHROPE 323 Celimene. Solit
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DRAMATIS PERSONyE Theseus, Son of J
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328 RACINE In seeking him I shall b
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33© RAQNE Between us? By my father
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J32 RACINE Whose daughter 'twas my
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334 RACINE CEnone.— What can you
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336 RACINE But Venus in her might s
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338 RACINE ACT SECOND. Scene I. Ari
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340 RACINE You know, besides, with
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342 RACINE Athens, by him protected
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344 RACINE Aricia.—You cannot, no
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346 My heart RACINE I cannot hide m
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348 RACINE Your arm. Strike home. O
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350 RACINE Hope stole into my heart
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354 RACINE Ph^dra.— My husband is
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354 RACINE For, when our rqjutation
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J56 RACINE Of what the gods have le
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358 RACINE CEnone.—Sire, I have t
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36o RACINE I think beyond all else
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36a RACINE With his destruction. 'T
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3^4 RACINE Shunn'd the bright day,
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366 RACINE A terror to all those wh
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368 RACINE Between us. Torches do n
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J70 RACINE And yet, despite my ster
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372 RACINE Turning and twisting in
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374 RACINE Scene VII. Theseus, Phce
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SHE STOOPS TO CONQUER BY OLIVER GOL
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PROLOGUE By David Garrick, Esq. Exc
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SHE STOOPS TO CONQUER ACT FIRST Sce
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SHE STOOPS TO CONQUER 383 Hardcastl
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SHE STOOPS TO CONQUER 385 plishment
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SHE STOOPS TO CONQUER 387 the impro
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SHE STOOPS TO CONQUER 389 Tony. As
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SHE STOOPS TO CONQUER 391 barn, you
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SHE STOOPS TO CONQUER 393 think of
Page 407 and 408: SHE STOOPS TO CONQUER 395 Marlow. T
Page 409 and 410: SHE STOOPS TO CONQUER 397 at first,
Page 411 and 412: SHE STOOPS TO CONQUER 399 Hardcastl
Page 413 and 414: SHE STOOPS TO CONQUER 401 lesome. B
Page 415 and 416: SHE STOOPS TO CONQUER 403 —To-mor
Page 417 and 418: SHE STOOPS TO CONQUER 405 who, want
Page 419 and 420: SHE STOOPS TO CONQUER 407 !n a lett
Page 421 and 422: SHE STOOPS TO CONQUER 409 Mrs. Hard
Page 423 and 424: SHE STOOPS TO CONQUER 411 ACT THIRD
Page 427 and 428: SHE STOOPS TO CONQUER 415 cut thing
Page 429 and 430: SHE STOOPS TO CONQUER 417 Mrs. Hard
Page 431 and 432: SHE STOOPS TO CONQUER 419 Miss Hard
Page 433 and 434: SHE STOOPS TO CONQUER 421 Enter Har
Page 435 and 436: SHE STOOPS TO CONQUER 423 unaccount
Page 437 and 438: SHE STOOPS TO CONQUER 425 Marlow. I
Page 439 and 440: SHE STOOPS TO CONQUER 427 Marlow. H
Page 441 and 442: SHE STOOPS TO CONQUER 429 Enter Ton
Page 443 and 444: SHE STOOPS TO CONQUER 43X Mrs. Hard
Page 445 and 446: SHE STOOPS TO CONQUER 433 Miss Nevi
Page 447 and 448: SHE STOOPS TO CONQUER 435 Hastings.
Page 449 and 450: SHE STOOPS TO CONQUER 437 Marlow. A
Page 457: SHE STOOPS TO CONQUER 445 shows me
Page 461: SHE STOOPS TO CONQUER 449 EPILOGUE
Page 467: I UULA-Young Research Library PN611
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