The Devil and Commodity Fetishism in South America - autonomous ...
The Devil and Commodity Fetishism in South America - autonomous ...
The Devil and Commodity Fetishism in South America - autonomous ...
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Pollution, Contradiction, <strong>and</strong> Salvation 113<br />
state of th<strong>in</strong>gs the simultaneous recognition of the negation of that<br />
state, of its <strong>in</strong>evitable break<strong>in</strong>g up (Korsch, 1971: 55-56). Sensitivity<br />
to contradiction makes us aware of the unstable <strong>and</strong> tensioned <strong>in</strong>terplay<br />
between opposites, which otherwise assume the aura of fixed<br />
<strong>and</strong> mean<strong>in</strong>gful th<strong>in</strong>gs <strong>in</strong> themselves. This is the case with the dichotomies<br />
of the Western Church, which reify good apart from evil<br />
as essences symbolized by God <strong>and</strong> by Satan <strong>in</strong> a quasi-Manichean<br />
world view. <strong>The</strong> concept of contradiction urges us to consider, as a<br />
card<strong>in</strong>al pr<strong>in</strong>ciple, that God <strong>and</strong> Satan are not opposed essences.<br />
Rather, they represent two operations of the Div<strong>in</strong>e, "the shadow<br />
<strong>and</strong> light of the world drama" (Watts, 1968 :80-81). In Blake's idea of<br />
the marriage of heaven <strong>and</strong> hell, "good" <strong>and</strong> "evil" are reunited as<br />
angel <strong>and</strong> devil <strong>in</strong> the lower depths. <strong>The</strong> divorce of heaven from hell<br />
is tantamount to the suppression of life's energies by lifeless regulations<br />
<strong>and</strong> precisely mirrors the difference between Church <strong>and</strong> folk<br />
religion. In Blake's words: "Without contraries is no progression. Attraction<br />
<strong>and</strong> Repulsion, Reason <strong>and</strong> Energy, Love <strong>and</strong> Hate, are necessary<br />
to human existence" (Blake, 1968:34).<br />
Based on the mythology of the Fall <strong>and</strong> salvation, the folk religion<br />
<strong>and</strong> magical cur<strong>in</strong>g of the southern Cauca Valley are just this affirmation<br />
of the dialectical oneness of good <strong>and</strong> evil. <strong>The</strong> devil symbolizes<br />
the antithetical processes of dissolution <strong>and</strong> decomposition, on<br />
the one h<strong>and</strong>, <strong>and</strong> growth, transformation, <strong>and</strong> reformulation of old<br />
elements <strong>in</strong>to new patterns, on the other. Thus, <strong>in</strong> the devil we f<strong>in</strong>d<br />
the most paradoxical <strong>and</strong> contradictory process, <strong>and</strong> it is this dialectic<br />
of destruction <strong>and</strong> production that forms the basis of the association<br />
of the devil with agribus<strong>in</strong>ess production—liv<strong>in</strong>g death <strong>and</strong> florescent<br />
barrenness. With the proletarian devil contract, wages grow,<br />
yet they are barren <strong>and</strong> redolent of death. Under these conditions<br />
production <strong>and</strong> destruction become <strong>in</strong>terchangeable <strong>and</strong> <strong>in</strong>terchang<strong>in</strong>g<br />
terms.<br />
<strong>The</strong> alleged proletarian devil contract is more than an ascription<br />
of evil to agribus<strong>in</strong>ess. Over <strong>and</strong> beyond that, it is a reaction to the<br />
way <strong>in</strong> which the system of market organization restructures everyday<br />
life <strong>and</strong> the metaphysical basis for comprehend<strong>in</strong>g the world.<br />
This reaction registers not only alienation but also its mediation of<br />
the contradiction between antithetical modes of production <strong>and</strong> exchange.<br />
This mediation can be expressed <strong>in</strong> many ways. I choose to<br />
analyze it both as the antithesis between use-value <strong>and</strong> exchangevalue<br />
<strong>and</strong> as a response to the contrast<strong>in</strong>g modes of precapitalist <strong>and</strong><br />
commodity fetishism.