The Devil and Commodity Fetishism in South America - autonomous ...
The Devil and Commodity Fetishism in South America - autonomous ...
The Devil and Commodity Fetishism in South America - autonomous ...
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8 <strong>Devil</strong> <strong>and</strong> <strong>Commodity</strong> <strong>Fetishism</strong> <strong>in</strong> <strong>South</strong> <strong>America</strong><br />
social relations <strong>in</strong> market society that has facilitated the <strong>in</strong>sensitivity,<br />
if not bl<strong>in</strong>dness, to this position, so that the scope <strong>and</strong> manner of<br />
the m<strong>in</strong>d's attention is expla<strong>in</strong>ed only as physical or biological fact,<br />
<strong>and</strong> not as social fact, as well. In other words, the social fact works<br />
<strong>in</strong> our consciousness to deny itself <strong>and</strong> to be consumed <strong>in</strong> the physical<br />
<strong>and</strong> biological.<br />
In Franz Boas's anthropology we f<strong>in</strong>d further support for the concept<br />
of culture that I wish to use. In highlight<strong>in</strong>g one of Boas's early<br />
papers, George W. Stock<strong>in</strong>g, Jr., writes, that this paper "sees cultural<br />
phenomena <strong>in</strong> terms of the imposition of conventional mean<strong>in</strong>g on<br />
the flux of experience. It sees them as historically conditioned <strong>and</strong><br />
transmitted by the learn<strong>in</strong>g process. It sees them as determ<strong>in</strong>ants of<br />
our very perceptions of the external world" (1968 :159). But Boas's<br />
conception is denuded of the tension that is imparted by the mean<strong>in</strong>g<br />
of modern history that conditions the learn<strong>in</strong>g process. It is not<br />
just that our perception is historically conditioned, that the eye becomes<br />
here an organ of history, that sensations are a form of activity<br />
<strong>and</strong> not passive carbon copies of externals, but that the history that<br />
<strong>in</strong>forms this activity also <strong>in</strong>forms our underst<strong>and</strong><strong>in</strong>g of see<strong>in</strong>g <strong>and</strong> of<br />
history itself. And the most forceful <strong>and</strong> cloy<strong>in</strong>g legacy of modern<br />
history shap<strong>in</strong>g our experience <strong>and</strong> therefore our conceptual tools is<br />
undoubtedly the alienated relations of person to nature, of subjectivity<br />
to its object, <strong>and</strong> the relations that are formed by social class,<br />
by commodity production, <strong>and</strong> by market exchange. <strong>The</strong> abstractions<br />
we br<strong>in</strong>g to bear on any concrete phenomena will of necessity<br />
reflect these alienated relations, but <strong>in</strong> be<strong>in</strong>g aware of this <strong>and</strong> its<br />
implications <strong>and</strong> <strong>in</strong> rais<strong>in</strong>g it to our consciousness, we can choose<br />
whether we will cont<strong>in</strong>ue to disguise the categories unth<strong>in</strong>k<strong>in</strong>gly as<br />
manifestations of the natural or whether we will reveal them <strong>in</strong> all<br />
their <strong>in</strong>tensity as the evolv<strong>in</strong>g product of mutual human relations,<br />
albeit concealed by their reified appearance <strong>in</strong> a society based on<br />
commodity production.<br />
<strong>The</strong> recognition of this choice is the first essential of the historically<br />
sensitive dialectician, who must then proceed to work a way<br />
out of the socially stamped validation of social facts as physical <strong>and</strong><br />
<strong>autonomous</strong> entities ak<strong>in</strong> to immutable <strong>and</strong> natural th<strong>in</strong>gs. Marx<br />
struggles with this paradox <strong>in</strong> his analysis of the commodity as both<br />
a th<strong>in</strong>g <strong>and</strong> a social relation, from whence he derives his concept of<br />
commodity fetishism as a critique of capitalist culture: the animate<br />
appearance of commodities provides testimony to the th<strong>in</strong>g-like appearance<br />
of persons, appearances that dissolve once it is po<strong>in</strong>ted out<br />
that the def<strong>in</strong>itions of man <strong>and</strong> of society are market <strong>in</strong>spired. Similarly,<br />
Karl Polanyi berates the market mentality <strong>and</strong> the market