Archaeology and nature: hyblean cultural landscape and territorial ...

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2. Amalfi and the eastern side The image of Amalfi is emblematic of the towns eastern side of the sea, which summarizes all the features, interpreting them in the most noble and complete. The view from the sea shows the similarity of their system, strongly influenced by the size of the valley in which are situated: very close to that outlined by Dragone Atrani, wide to Maiori, where Reginna expands increasingly in descending Tramonti [4]. The former capital of the Duchy stands in a majestic setting, surrounded by high jagged peaks: Mount Aureo east, crowned by the Tower of Ziro and ending at the sea in Cape Atrani said, improperly fitted the tower called "Saracen", to impassable west and rugged peaks, steep, which seems to cling to the complex of the Capuchins, now a hotel. Behind the beach, separated from the mouth of Canneto, stood the village, located inside the gorge for the full depth of the stream and collected on the side slopes, the East dominated by the long colonnade of cemetery monuments - the largest nineteenth-century architectural creation of the Coast - culminating in the opposite quarter Vagliendola, who closed the city from this side. The shape of the blocks is determined mainly by the need to adapt as best as to the orography of the land and enjoy the most advantageous exposure. The narrowness of the site generates an aggregate very concentrated - at first sight, chaotic - in which the volumes are superimposed along the slopes that line the main road, creating small neighborhoods interspersed with forest and terraced by sharp jumps and natural. In a well articulated together play a vital role connections, trust in the way hierarchical connotation. The central axis, which crosses the city from the ancient north gate to the cathedral, was obtained between the thirteenth and fourteenth century with the coverage of the stream, defining the main director of commercial expansion, the new route roughly parallels that replaced the old, satisfying the lines of lesser slope, running toward the north, at higher levels. Dark, winding stairs climb up the sides cross the hills, often becoming galleries underpassing buildings, reaching the highest areas, even reaching to the neighboring centers. This network, which includes monuments of great importance - on which this is not the place to linger - and small buildings, is dotted with Medieval, Baroque, nineteenth and early twentieth century and even more qualified by the recent discovery of structures traced back to Classical times. In the dense urban network remains the original appearance of Amalfi, on which we have settled the next steps, to this day. Unlike most of the common neighbors, thankfully, modern infrastructure was affected only on the band immediately behind the coast, leaving almost unchanged the back, though seriously disturbed by tampering or by altering and incongruous growths contemporaries. Eastern centers reproduce on more or less reduced scale the same structure. Atrani, which follows, enters the valley of the Dragon, which, extending to the north, separated from Ravello Scala. The agglomeration, enriched by important artistic and architectural emergencies, draws further suggestion by the presence in the field of higher rock chapels and large natural cavities. Unfortunately, it is irreparably altered the sight overboard with multiple spans of the viaduct on which the carriage passes, erected on the beach, in the first half of the nineteenth century, to connect the logs of road from Amalfi and Minori. Continuing his journey, the artery bursts in Minori, cutting through the western area and proceeding parallel to the beach, up to the altitude of which stands the tower Mezzacapo ledge that marks the border with Maiori. The original village stood on slopes, almost perpendicular to the west. Behind the coast lies the Figg. 2-3: Atrani. 1111
Fig. 4: Maiori, plan 1848. Fig. 5: Maiori, plan today. important archaeological site of Roman villa, not far from the basilica of St. Trofimena point of convergence of the old pedestrian from small villages, to the high position and the rugged terrain and convoluted, retain most of their plant. Instead, in the valley, the national road has driven following settlements, encouraging, especially in the second half of the twentieth century, a mainly speculative housing. The contiguous Maiori, second city of the area after Amalfi, extends over a wide area facing a long sandy beach, enclosed by headlands, each with a tower - the western transformed into the castle Mezzacapo, the East called 'Normanna'. In the middle of the beach leads to the Reginna, who, descending from Tramonti, divided the territory for the full depth, drawing on the sides of a flat band, which expands more and more, as it approaches its mouth, until, in last sector, roughly the width of the beach. The first settlements were on the banks of the river - around which, in the northern areas there were numerous factories - and on the steps that wound along the side slopes, the West topped by medieval Church St. Maria a Mare. Large architectural complexes are still present, both religious and civil, facing the last stretch of the river, whose coverage generates a kind of long square, condition almost unique to the Coast. The interior and the sea areas now saturated with buildings, most of which show recognizable interventions of the last half century, which concluded the work of urbanization of fertile arable land between the houses and the coast, started to mid-nineteenth century, together with the stock, with a workforce program by architect Pietro Valente. The idea, a real town redevelopment project the image in order to demonstrate the economic Influence experience, led to the revision of the western sector, drifting the mother church and reversing the orientation, opening the entrance to the valley, above an imposing staircase that emulates that of the cathedral of Amalfi. Being into the valley, the village becomes more and more scarce, giving way to numerous plants, both served by modern provincial road Maiori-Chiunzi, which runs on the eastern edge, is the stretch that goes on the opposite shore, coinciding with the way driveway of age Bourbon, Tramonti direct and Sarno Valley, then abandoned, opting for the route along the coast to Vietri. At the high, you will find the villages of Vecite and Ponteprimario, perched in the foothills overlooking the gorge, on the border with Tramonti. The small fishing village of Cetara, distorted by today's port facilities, forward sinuously into the gorge defined by the stream, covered in the urban section, which ends on the beach, dominated to the east by the Angevin tower, increased age viceroy. On both sides of the river, there are the most ancient areas, between the eastern and defensive garrison church of S. Peter, from the western plot thinned, gathered around the former convent of the Friars Minor, now Town Hall. The road runs behind, above the main road with a bridge and creating a striking effect to almost touch the majolica dome of the church adjacent to the communal house; but unfortunately not as pleasing buildings are decidedly out of scale, which rise on its margin. Vietri sul Mare, which marks the edge of the Coast, lives a unique condition, related to the proximity to the 1112
Page 1 and 2: Archaeology and nature: hyblean cul
Page 3 and 4: 2. Kaukana project: territorial reg
Page 5 and 6: The main goal of the planning inter
Page 7 and 8: The Time of Flight 3d laser scanner
Page 9 and 10: Fig. 12-13: The archaeological land
Page 11 and 12: Industrial heritage, collective ide
Page 13 and 14: vertical reduction of market prices
Page 15 and 16: Fig. 3: The mining site of Grottaca
Page 17 and 18: Fig. 5: Laser scan 3D of the Pozzo
Page 19 and 20: Fig. 6: Palazzo Pennisi. meanings,
Page 21 and 22: Le tanneries di Barjols: uno spazio
Page 23 and 24: Fig. 2 - Piano del quartiere delle
Page 25 and 26: Fig. 4 - Sviluppo verticale anni ci
Page 27 and 28: Riferimenti bibliografici [1] AA.VV
Page 29: to compact settlements, in which th
Page 33 and 34: Fig. 8: Furore,Conca dei Marini and
Page 35 and 36: Fig. 10: Positano. 4. The mountain
Page 37 and 38: which the driving force derived fro
Page 39 and 40: The urban development of the lower
Page 41 and 42: Fig. 2: Roman time, overlap Paget h
Page 43 and 44: Fig. 4: 3D model, a. Greek time, b.
Page 45 and 46: Fig. 6: Acropolis of Cuma Overlappi
Page 47 and 48: We think that 3D PDF could be an us
Page 49 and 50: having an infrastructure in a certa
Page 51 and 52: Cana le Pic. 3 Territorial context
Page 53 and 54: Shape: 1. Bridge dimensions and sha
Page 55 and 56: AUGÉ Marc. Nonluoghi - introduzion
Page 57 and 58: productive landscape design restric
Page 59 and 60: Tehran’s outskirt Fig.4, 5: Agric
Page 61 and 62: Appropriate interaction among urban
Page 63 and 64: Allotment garden: is designed for t
Page 65 and 66: 5. Conclusion Restoration of biodiv
Page 67 and 68: irrepressible expression of a cultu
Page 69 and 70: The competition titled Pylons of th
Page 71 and 72: Fig. 9: An iconographic repertory o
Page 73 and 74: Camillo Sitte meets Robert Venturi
Page 75 and 76: Fig. 1: Berlin southern beltway at
Page 77 and 78: The design of sustainability in rel
Page 79 and 80: To safeguard fertile, dynamic and a
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“The loss of place, asserts Chris
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3. Sustainable morphology as integr
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In truth, we are witnessing today -
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Recognizing Cultural Heritage for S
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emember our past. The relationship
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State’s social offer (health, edu
Page 93 and 94:
Besides, the achievements of this u
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evident the impact the park had on
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Archaeology and nature: hyblean cultural landscape and territorial ...

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