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Danny Schechter - ColdType

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206<br />

The chances of a just outcome are only possible if and when<br />

“the People,” in whose name all this was done, and rationalized,<br />

rise up to demand it be undone. James Cramer, the<br />

much maligned cable TV “moneycaster,” often a caricature to<br />

be scorned, has it right in the pages of Lapham’s Quarterly.<br />

There, he notes, that more banks today are robbing than being<br />

robbed: “It’s more of a James Steinbeck tale,” he writes, “and<br />

we are the victims, a new generation of Tom Joads, and it’s the<br />

damn bankerman who broke us. No there won’t be a police<br />

offer to investigate, and the government, at least this federal<br />

government won’t save us … Get ready, many more dollars<br />

will vanish before you discover you’ve been robbed.”<br />

And you won’t hear that from the chattering upper classes<br />

on CNBC. In fact by August 2009, CNBC’s ratings began to<br />

slide.<br />

The Observer newspaper commented: “The drop in ratings<br />

is irresistible fodder for CNBC’s critics. The channel is loathed<br />

by many on the left for its shouty style and unrestrained<br />

embrace of Ayn Rand-style capitalism. It apes the machismo<br />

of the trading floor and in gaps between genuinely informative<br />

reportage, its presenters jostle to out-opinion each other.<br />

Tom Rosenstiel, director of the Pew Research Center’s Project<br />

for Excellence in Journalism, says many of its shows are built<br />

around ‘punditry and personality’ rather than any genuine<br />

attempt to report business news ...<br />

“Rosenstiel says that despite devoting its entire output to<br />

finance, the channel failed to flag up warning signs sufficiently<br />

prominently before the credit crunch began: ‘They missed the<br />

financial meltdown. They missed the effect of derivatives and<br />

toxic mortgages on the financial system. They missed the big<br />

stuff.’ ”<br />

By the fall of 2009, I felt vindicated as other journalists, filmmakers<br />

and writers piled on. Michael Moore was out with a<br />

film he called a comedy, Oliver Stone was making Wall Street<br />

2, and my own investigative film on the crisis as a crime story,

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