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A Grammar of Miya - UCLA Department of Linguistics

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386 A <strong>Grammar</strong> <strong>of</strong> <strong>Miya</strong><br />

Recapitulation <strong>of</strong> a preceding event<br />

... j-ee baa-za jfy kuw(a) aabfy aa uh pay t-aaManglla. Daga kuw(a)<br />

then go-Iep Pet draw water from in pond <strong>of</strong>-Mangila when draw<br />

aabfy, d" kiya ghama-za ...<br />

water Sjn take head-her<br />

, ... then she went and drew water from the pond <strong>of</strong> Mangila. When she had drawn the<br />

water, she took it on her head ... '<br />

dilw, "Tilway fly wana m"n saw." Dag-dy kiJd'dy fiy air tlarkdy, d"<br />

he said bring flour that I-Sjn drink when dip flour into calabash Sjn<br />

kiya azOOa waua d" ara-ya uh ...<br />

take silver that Sjn put-it in<br />

' ... he said, "Bring that gruel so I can drink some." When she had dipped some gruel<br />

into a calabash, she took that silver and put it in (the calabash) ... '<br />

In the second example, the dag-dy clause recapitulates an event implied by the quote.<br />

Temporal context<br />

Daga aam(a) ee-wfya, 'an ta son n-aaGftuwa dg b-aaz(a) ee kilw(a)<br />

when reach anotber(day) wife <strong>of</strong> man <strong>of</strong>-Gituwa Sjn go-Iep inorder drawing<br />

aabfy aaMangila.<br />

water on Mangila<br />

'Sometime later [when one had reached another day], the wife <strong>of</strong> the man from Gituwa<br />

went to draw water on Mangila.'<br />

Dag-ee s,niHlan tsir, d" suw bahfy ee rfnj-aabfy-ay.<br />

when spendday-ICP two Sjn Tot going in order fishing-water-Tot<br />

'When a couple <strong>of</strong> days had passed, they went fishing.'<br />

Diig-ee g-aa cdmazd, d" buwa-z(a) aa yawun ...<br />

when [ ... J night Sjn go-Iep PS elephant<br />

'When night came, the elephant went ... '<br />

The last example uses the apparently nonverbal construction g-da + TIME. This has a<br />

parallel in kwda clauses which set temporal context. See end <strong>of</strong> §2.1.1.2 for discussion.<br />

First event moving narrative in a new direction<br />

Saa'in nan d" ugma lyaap aa B"gaw, d" mbala-ya-y d" saake pfyaaka<br />

At that time Sjn do crime PS BQgaw Sjn depose-him-Tot Sjn repeat replacing<br />

ga-ndg Tashay.<br />

"indeed" Tashay<br />

Biigaw har yanzu.<br />

Bagaw again<br />

Too, daga<br />

well when<br />

mfy-uws aa Tashily, yawwa, d" saakee pfyaka<br />

die-IeP PS Tashay yeah Sjn repeat replacing<br />

'At that time, Bggaw committed a crime, he was deposed, and they again put Tashay in<br />

his place (as chief <strong>of</strong> <strong>Miya</strong>). Well, when Tashay died, yeah, they again installed<br />

Bggaw another time.'<br />

Movement <strong>of</strong> the actor into a new situation<br />

14. Adverbial Clauses and Phrases (§3) 387<br />

Here one could say that the clause contains the true initiating event <strong>of</strong> a sequence rather<br />

than providing background or cohesion, but the verbs are usually "bland" verbs such as<br />

'go', 'come', 'arise', etc. which add no content or could easily be deduced from the<br />

primary action which follows:<br />

d-aa gaya 'iyaaliy uiyza. Daga buwd-tlim da 'lyda/!y nlyza, duw ...<br />

d}-Ipf wait family her when come-Iep PS family her Qt<br />

' ... she was waiting for herfamily. When her family came, she said .. .'<br />

Dilw, "Wiya dzaya!" Daga tl-uwsi d" wiya tiujam d60 gwalfg.<br />

Qt jump down indeed when arise-IeP Sjn jump down id into chieftancy<br />

'She said, "Jump down!" When he had risen, he jumped down tan jam into a chieftainship<br />

(i.e. a position <strong>of</strong> wealth).'<br />

Perception<br />

The daga/dag-ee clause states the actor's perception <strong>of</strong> some aspect <strong>of</strong> the preceding<br />

event:<br />

J-ee b-uwsa dg bfy mar-uwsa. Daga nay-uwsJ aa nakd s;}n n-aaGftuwa,<br />

then go-Iep Sjn Prt find-him when see-him PS that man <strong>of</strong>-Gituwa<br />

j-ee u"nga-ya barka aa buwikg.<br />

then say-to him welcome with coming<br />

'Then hej went and found himj. When the man from Gituwaj saw himj then hej wished<br />

himj greetings on his arrival.'<br />

a cam rna wuya ndyaam iladuwn-uw. Dag-dy diJkay(a) aa LaBee, d"<br />

Pf love NEG another(t) all world-NEG when hear PS La6e Sjn<br />

baa-za d" jfy b;.la maa-za ...<br />

go-Iep Sjn Pct tell mother-her<br />

' ... he didn't love anyone else in the whole world. When LaBe heard that, she went<br />

and told her mother ... '<br />

3.2. Sequence marking<br />

3.2.1. Subjunctive. Once a sequence <strong>of</strong> events is established in a discourse (perfective<br />

or imperfective), the simple Subjunctive is the most frequently used method for signaling<br />

the events in sequence which move the narrative forward. Subjunctive clauses <strong>of</strong> this type<br />

are not, strictly speaking, subordinate clauses, although they cannot stand independent <strong>of</strong><br />

the discourse <strong>of</strong> which they are a part. See 5:§2.2.1 for discussion <strong>of</strong> Subjunctive form<br />

and 6:§§2.4, 3.1 for discussion and illustration <strong>of</strong> the sequential function <strong>of</strong> the<br />

Subjunctive. Many examples can also be found in clauses following the adverbial clauses<br />

discussed in §§2.1, 3.1 above.<br />

3.2.2. Jfy,j-ee in perfective discourse. As noted in the previous section, the simple<br />

Subjunctive is the normal form used to continue a sequence already established in a<br />

1

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