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Mystic masonry, or, The symbols of freemasonry and the greater ...

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<strong>Mystic</strong> Masonry.<br />

Man is called <strong>the</strong> Microcosm, <strong>or</strong> little w<strong>or</strong>ld. <strong>The</strong><br />

One is in him, as in Nature, <strong>the</strong> cause <strong>of</strong> his Being;<br />

<strong>and</strong> as in <strong>the</strong> Macrocosm, <strong>or</strong> great w<strong>or</strong>ld, <strong>the</strong> One<br />

manifests as <strong>the</strong> many by an <strong>or</strong>derly descent <strong>or</strong> differentiation,<br />

so in man, from <strong>the</strong> one principle we<br />

have first a triad, <strong>and</strong> <strong>the</strong>n a quaternary. <strong>The</strong> three<br />

evolve four, making seven. <strong>The</strong>n from <strong>the</strong> first<br />

seven, "seven times seven," making <strong>the</strong> "49 fires"*<br />

<strong>of</strong> <strong>the</strong> older Hindu philosophy. Bef<strong>or</strong>e <strong>the</strong> reader<br />

declares this conception to be altoge<strong>the</strong>r fanciful,<br />

let him turn to <strong>the</strong> investigations <strong>of</strong> modern physical<br />

science regarding Col<strong>or</strong> <strong>and</strong> Sound. Helmholtz estimated<br />

that between <strong>the</strong> highest rate <strong>of</strong> vibrations<br />

giving rise to sound waves apprehensible to <strong>the</strong> human<br />

ear, <strong>and</strong> <strong>the</strong> lowest vibration <strong>of</strong> Light, giving<br />

rise to <strong>the</strong> red <strong>of</strong> <strong>the</strong> Solar Spectrum, <strong>the</strong>re would<br />

intervene about thirty-four octaves <strong>of</strong> consonant <strong>or</strong><br />

dissonant vibrations ; <strong>and</strong> unless <strong>the</strong>re are great gaps<br />

in nature, <strong>the</strong>se thirty-four octaves are concerned in<br />

producing <strong>the</strong> phenomena <strong>of</strong> Nature. It has, fur<strong>the</strong>rm<strong>or</strong>e,<br />

been demonstrated that <strong>the</strong>re is an exact<br />

equation between col<strong>or</strong> <strong>and</strong> sound vibrations; <strong>and</strong><br />

that col<strong>or</strong>s have <strong>the</strong>ir complementary tones, <strong>and</strong><br />

*See Plates I <strong>and</strong> II.

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