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Mystic masonry, or, The symbols of freemasonry and the greater ...

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<strong>The</strong> Great Lodge. 221<br />

prove.<br />

<strong>The</strong> "Principalities <strong>and</strong> Powers <strong>of</strong> <strong>the</strong> Air,"<br />

<strong>of</strong> which <strong>the</strong> Apostle speaks, <strong>and</strong> <strong>of</strong> which <strong>the</strong><br />

Kabalah treats very fully, are <strong>the</strong> Elementals described)<br />

though but blindly, in ancient occult literature.<br />

When <strong>the</strong> real nature <strong>of</strong> obscession is understood,<br />

<strong>and</strong> <strong>the</strong> character <strong>of</strong> <strong>the</strong>se depraved entities<br />

becomes known, it will be discerned how little is to<br />

be gained, <strong>and</strong> how much is to be risked by invoking<br />

<strong>the</strong>m. Here lies <strong>the</strong> reason why mediumship<br />

should be discouraged <strong>and</strong> regarded as a disease, <strong>or</strong>,<br />

at besit, a misf<strong>or</strong>tune. Real Seership is a very different<br />

thing indeed from obscession in any f<strong>or</strong>m.<br />

If Seership be compared to <strong>the</strong> Ecstacy <strong>of</strong> an innocent<br />

<strong>and</strong> happy child,<br />

obscession may be likened to<br />

<strong>the</strong> delirium <strong>of</strong> drunkenness <strong>or</strong> madness.<br />

Some idea may be gained, perhaps, from <strong>the</strong><br />

f<strong>or</strong>egoing <strong>of</strong> <strong>the</strong> source arid character <strong>of</strong> <strong>the</strong> penalty<br />

f<strong>or</strong> <strong>the</strong> violation <strong>of</strong> obligations assumed by .<strong>the</strong><br />

Neophite in <strong>the</strong> mysteries. In <strong>the</strong> "Mystery <strong>of</strong><br />

Cloomber," Conan Doyle p<strong>or</strong>trays <strong>the</strong> "idea," but<br />

makes <strong>the</strong> execution <strong>of</strong> <strong>the</strong> penalty at once fantastic,<br />

h<strong>or</strong>rible, <strong>and</strong> impossible. No real Master, even<br />

such as he p<strong>or</strong>trays, could ever play <strong>the</strong> bungling<br />

part <strong>of</strong> executioner, such as he depicts, but would<br />

leave <strong>the</strong> criminal to <strong>the</strong> snares <strong>and</strong> devices <strong>of</strong> his

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