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MEASURING HERITAGE CONSERVATION PERFORMANCE<br />

6th International Seminar on Urban Conservation<br />

gathered from interviews with people who have<br />

been linked to the Saint Peter of the Clerics Courtyard<br />

for many years; people who have lived,<br />

worked or frequented the place and noted how it<br />

has changed over time. More than just the length of<br />

time spent in the courtyard, there is the feeling of<br />

belonging to the place that has, in fact, turned them<br />

into ‘mistresses of the house’, or the ‘hosts of the<br />

courtyard’. The record of active effects has led to an<br />

oral memory database having been compiled for the<br />

site, something that will be of extreme importance<br />

for future research on the courtyard.<br />

1.10. The community’s <strong>part</strong>icipation<br />

In parallel with the morphological and historical<br />

research, three educational and decision-making<br />

workshops were held in which the community and<br />

government authorities took <strong>part</strong>. It could be seen,<br />

based on the contact with the owners and tenants<br />

of Saint Peter of the Clerics Courtyard properties,<br />

that the best remembered aspect of its history for<br />

them was that of its bohemian years, which began<br />

in the 1960s. Themes that sprang out from the<br />

research undertaken included religious occasions,<br />

the black presence, vestiges of Dutch urbanism, the<br />

Portuguese occupation and the artistic wealth of the<br />

Baroque, which were not sufficiently known by the<br />

community, who were surprised by the relevance of<br />

the values found in the place where they live.<br />

1.11. The towns of Água Branca, Delmiro<br />

Gouveia and Olho d’Água do Casado - Alagoas<br />

The third experience we have had and the one<br />

which guided the construction of the methodology<br />

presented here was based on the project ‘Identifying<br />

the Cultural Assets in the Towns of Água<br />

Branca, Delmiro Gouveia and Olho d’Água do<br />

Casado – Alagoas’. 10 The aim of this investigation<br />

was to record the cultural assets to which tools for<br />

their protection could be applied. We identified a set<br />

of 29 assets that were fit for protection, and these<br />

included isolated buildings, urban groupings and<br />

cultural landscapes. Some of the assets identified<br />

as having cultural value came to be institutionally<br />

recognized as being <strong>part</strong> of cultural heritage of Alagoas,<br />

such as the buildings with the internal and<br />

external registry and the whole area of the complex<br />

of the former hydroelectric plant of Angiquinho in<br />

the municipality of Delmiro Gouveia. 11<br />

Research in the towns of Água Branca, Delmiro<br />

Gouveia and Olho d’Água do Casado was motivated<br />

by the absence of studies on identifying cultural<br />

assets in which there is interest in preservation<br />

as well as by the lack of recommended safeguards<br />

for the elements listed, given the prospect of change<br />

in the economic and physical-territorial structures<br />

of the region of the Lower São Francisco, which<br />

would, undoubtedly, affect the existing heritage<br />

assets.<br />

Thus, a methodology was used that interrelated<br />

historical and documentary research, identification<br />

of assets and the reading of the urban morphology.<br />

The historical method was indispensable<br />

for identifying and preserving the memory of the<br />

cultural asset, in that being able to identify it was<br />

made possible based on recognizing the dimensions<br />

that defined and characterized it in times past and<br />

present.<br />

1.12. Historical and documentary research<br />

Thus, the manuscript, bibliographic and iconographic<br />

documentation, alongside the oral sources,<br />

constituted the material that was fundamental to<br />

recomposing the identity, memory and physical<br />

transformation suffered by the place in its historical,<br />

morphological and aesthetic dimensions. Using<br />

these sources, the themes that supported the interpretation<br />

and construction of the historical narrative<br />

were defined.<br />

Within the procedures necessary for interpretation,<br />

the following steps were performed: preliminary<br />

knowledge of the towns by means of the reading of<br />

secondary sources; construction of indices; and visits<br />

to the registries and archives, including virtual<br />

ones, after having consulted and recorded bibliographic<br />

and iconographic sources. The first sources<br />

were recorded on 29 reading cards, including rare<br />

works, and the second sources consisted of maps,<br />

plans and about 1,406 photographs. After listing the<br />

sources, we proceeded to organize the documents,<br />

checking for consistency, identifying key themes<br />

and the direction that interpretation was taking.<br />

After concluding the historical research, we moved<br />

on to surveying the information in situ.<br />

1.13. Identifying the assets and<br />

reading the urban layout<br />

The identification of in situ assets consisted of:<br />

exploratory, systematic and confirmatory surveys,<br />

and also of compiling supplementary material.<br />

Each stage of the survey had different and complementary<br />

objectives, namely:<br />

Exploratory survey: This was guided by suggestions<br />

from experts with knowledge and experience<br />

of the region and its history, and direct observation<br />

Ribeiro, C.; Lira, F.; Piccolo, R. & V. Pontual. 2012. Conserving and identifying heritage: A methodological contribution. In Zancheti,<br />

S. M. & K. Similä, eds. Measuring heritage conservation performance, pp. 15-25. Rome, ICCROM.<br />

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