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MEASURING HERITAGE CONSERVATION PERFORMANCE<br />

6th International Seminar on Urban Conservation<br />

that promote knowledge management. (Consejo<br />

Nacional de la Cultura y de las Artes, 2009, p. 37)<br />

By strengthening the documentation of these<br />

‘community practices’ as mentioned above, one is<br />

also conducting conservation or safeguarding work<br />

as a means to preserve against negligence, destruction<br />

or misuse of the performances, demonstrations<br />

and cultural performances of villages. These all provide<br />

for the adoption of a series of measures aimed<br />

at identifying optimal factual knowledge, protecting<br />

(which is <strong>part</strong> of the role of documentation), promoting<br />

as an approach to other areas, revitalizing to<br />

avoid extinction or misuse and diffusion in terms of<br />

transmission of the various economic aspects. This<br />

means, therefore, its protection and conservation.<br />

The statement in Article 2 of the General Provisions,<br />

of the Convention for the Safeguarding of the Intangible<br />

Cultural Heritage reflects this:<br />

“‘Safeguarding’ means measures aimed at<br />

ensuring the viability of the intangible cultural<br />

heritage, including the identification, documentation,<br />

research, preservation, protection,<br />

promotion, enhancement, transmission, <strong>part</strong>icularly<br />

through formal and non-formal education,<br />

as well as the revitalization of the various<br />

aspects of such heritage.”(UNESCO, 2003).<br />

Life can be inferred from each and every one of<br />

these issues highlighted because they are concatenated<br />

to the extent they are adding to the identification<br />

and ownership of communities with respect to<br />

the terms arising from their own culture, resulting<br />

in elements of national identity, regarded from the<br />

most specific to the general. In this sense, the role of<br />

education is vital for the construction of new consciences<br />

guided by respect for cultural diversity and<br />

its generators.<br />

The institutions carrying out public policies based<br />

on intangible cultural heritage should be ready to<br />

support the furtherance of research works not only<br />

with the stock they have in their collections, but on<br />

the changes that traditions have experienced over<br />

time. It is not enough to comply with registration<br />

rules and file appropriate forms for the conservation,<br />

or in many cases, the revitalization of these<br />

cultures, even if excellent documentation is held. In<br />

this sense, the preparation of publications, websites<br />

and IT systems should emphasize the analysis of<br />

cultural content owned by them, and open the door<br />

to knowledge through educational strategies that<br />

promote respect and appreciation as well as building<br />

increased dialogue between cultures.<br />

References<br />

Álvarez Muro, A. 2001. Análisis de la oralidad:<br />

una poética del habla cotidiana [Libro en línea].<br />

Universidad de Los Andes, Mérida. (Available at:<br />

http://elles.rediris.es/elles15/cap.11/htm).<br />

Bonfil, G. 1999. Pensar nuestra cultura. México, Edit.<br />

Alianza.<br />

González-Varas, I. 1999. Conservación de Bienes<br />

Culturales. Teoría, historia, principios y normas.<br />

Madrid, Manuales Arte Cátedra.<br />

Guzmán M. y B. Verstappen. 2002. ¿Qué es la<br />

documentación? Versoix, Edit. Huridocs.<br />

Hernández, H.F. 2002 El patrimonio cultural: la<br />

memoria recuperada. España, Edic. Trea.<br />

Instituto de Patrimonio Cultural. (s/f). Catálogo<br />

del patrimonio cultural venezolano- región Los Andes.<br />

Estado Trujillo. Municipio Urdaneta. Caracas,<br />

Imprenta de la Cultura.<br />

Ministerio del poder popular para la Cultura. 2005.<br />

Ley de Protección y Defensa del Patrimonio Cultural y<br />

su Reglamento. (Available at: http://www.ipc.gob.<br />

ve/images/stories/ley/leypatrimonio).<br />

Nietzsche, F. 2005. De la utilización y los<br />

inconvenientes de la historia para la vida. Buenos<br />

Aires, Proyecto Es<strong>part</strong>aco.<br />

UNESCO. 2003. Text of the Convention for the<br />

Safeguarding of Intangible Cultural Heritage.<br />

(Available at: http://www.unesco.org/culture).<br />

Varios autores. 2008. Cuaderno de trabajo 1.<br />

Patrimonio Cultural Inmaterial. México, Consejo<br />

Nacional para la Cultura y de las Artes.<br />

Varios autores. 2009. Registrar la Identidad. El<br />

Patrimonio Cultural en Chile. Chile Consejo Nacional<br />

de la Cultura y de las Artes.<br />

Vansina, J. 1968. La tradición oral. Barcelona, Edit.<br />

Labor.<br />

Muñoz, J. G. 2012. How to register memory? Documentation, recording, archiving and preservation of intangible cultural heritage in<br />

Venezuela. In Zancheti, S. M. & K. Similä, eds. Measuring heritage conservation performance, pp. 53-58. Rome, ICCROM.<br />

58

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