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Handbook of High Speed Photography - IET Labs, Inc.

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At extremely short camera-subject distances, the camera lens<br />

must be moved away from the film plane in order to bring the subject<br />

into focus. This decreases the amount <strong>of</strong> light reaching the film, and<br />

the lens aperture setting must be adjusted to compensate for this loss.<br />

The curve in Figure 4-5 provides a straightforward means for determing<br />

the amount <strong>of</strong> adjustment required for either a given bellows extension<br />

or a given image magnification.<br />

IMAGE SIZE<br />

IMAGE MAGNIFICATION <<br />

OBJECT SIZE<br />

I 2 4 6 B 10 15<br />

J I I I I I I I I<br />

4 6 B<br />

n—i—i—Tr<br />

io 12 16 20<br />

BELLOWS<br />

EXTENSION<br />

HKS..I0<br />

Indicated aperture = K x effective aperture<br />

„ ,. „ . „ Lens-to-film plane distance in inches<br />

Bellows extension - 25.4 X Focal length <strong>of</strong> camera lens in millimeters<br />

Figure 4-5. When camera is located close to the subject, multiplier<br />

factor for determining indicated aperture (correct lens f/number setting)<br />

from effective aperture (calculated from guide number data).<br />

4.5 LIGHTING TECHNIQUES.<br />

Many times objects to be photographed at high speed do not con<br />

trast well with their backgrounds, and it is difficult to achieve clear,<br />

high-definition pictures <strong>of</strong> them. This difficulty is augmented by the<br />

usual absence <strong>of</strong> auxiliary light sources. Often this situation can be<br />

greatly improved simply by either a light or a dark background behind<br />

the subject. If several objects or moving parts are being studied simul<br />

taneously, different colors or shades <strong>of</strong> paint can be used to improve<br />

32

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