Handbook of High Speed Photography - IET Labs, Inc.
Handbook of High Speed Photography - IET Labs, Inc.
Handbook of High Speed Photography - IET Labs, Inc.
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At extremely short camera-subject distances, the camera lens<br />
must be moved away from the film plane in order to bring the subject<br />
into focus. This decreases the amount <strong>of</strong> light reaching the film, and<br />
the lens aperture setting must be adjusted to compensate for this loss.<br />
The curve in Figure 4-5 provides a straightforward means for determing<br />
the amount <strong>of</strong> adjustment required for either a given bellows extension<br />
or a given image magnification.<br />
IMAGE SIZE<br />
IMAGE MAGNIFICATION <<br />
OBJECT SIZE<br />
I 2 4 6 B 10 15<br />
J I I I I I I I I<br />
4 6 B<br />
n—i—i—Tr<br />
io 12 16 20<br />
BELLOWS<br />
EXTENSION<br />
HKS..I0<br />
Indicated aperture = K x effective aperture<br />
„ ,. „ . „ Lens-to-film plane distance in inches<br />
Bellows extension - 25.4 X Focal length <strong>of</strong> camera lens in millimeters<br />
Figure 4-5. When camera is located close to the subject, multiplier<br />
factor for determining indicated aperture (correct lens f/number setting)<br />
from effective aperture (calculated from guide number data).<br />
4.5 LIGHTING TECHNIQUES.<br />
Many times objects to be photographed at high speed do not con<br />
trast well with their backgrounds, and it is difficult to achieve clear,<br />
high-definition pictures <strong>of</strong> them. This difficulty is augmented by the<br />
usual absence <strong>of</strong> auxiliary light sources. Often this situation can be<br />
greatly improved simply by either a light or a dark background behind<br />
the subject. If several objects or moving parts are being studied simul<br />
taneously, different colors or shades <strong>of</strong> paint can be used to improve<br />
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