Journal of Research & Scholarly Output 2006 - Grimsby Institute of ...
Journal of Research & Scholarly Output 2006 - Grimsby Institute of ...
Journal of Research & Scholarly Output 2006 - Grimsby Institute of ...
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Critical Circuits and<br />
Textual Constructs:<br />
Henry James’ 'The<br />
Figure in the Carpet'<br />
Dr. Donna Cox - Course Leader for the English Studies degree programme<br />
at The <strong>Grimsby</strong> <strong>Institute</strong>. She considers this short story, published in 1896,<br />
as a vehicle for the elucidation <strong>of</strong> critical engagement.<br />
This paper will consider Henry James’ short<br />
story ‘The Figure in the Carpet’, published in<br />
1896, as a vehicle for the elucidation <strong>of</strong><br />
critical engagement. That a fictional<br />
construct may be used to comment on<br />
critical receptivity and theoretical aspects <strong>of</strong><br />
linguistic power is to posit engagement with<br />
facets <strong>of</strong> linguistic structure as paradigmatic<br />
<strong>of</strong> interpretative response. The text itself will<br />
be considered to be transmissive <strong>of</strong> the<br />
rhetorical mechanisms <strong>of</strong> textual analysis<br />
because the act <strong>of</strong> criticism is both its<br />
central focus and is inherent to its narrative<br />
presentation. It will be considered that ‘the<br />
figure’ acts as a central point towards which<br />
critical desire directs its agency whilst the<br />
critic is held captive to his interpretative<br />
project, held in a domain <strong>of</strong> power<br />
imposition within the virtual dimension <strong>of</strong><br />
literary criticism. Aesthetic pursuit then<br />
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