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Journal of Research & Scholarly Output 2006 - Grimsby Institute of ...

Journal of Research & Scholarly Output 2006 - Grimsby Institute of ...

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Critical Circuits and<br />

Textual Constructs:<br />

Henry James’ 'The<br />

Figure in the Carpet'<br />

Dr. Donna Cox - Course Leader for the English Studies degree programme<br />

at The <strong>Grimsby</strong> <strong>Institute</strong>. She considers this short story, published in 1896,<br />

as a vehicle for the elucidation <strong>of</strong> critical engagement.<br />

This paper will consider Henry James’ short<br />

story ‘The Figure in the Carpet’, published in<br />

1896, as a vehicle for the elucidation <strong>of</strong><br />

critical engagement. That a fictional<br />

construct may be used to comment on<br />

critical receptivity and theoretical aspects <strong>of</strong><br />

linguistic power is to posit engagement with<br />

facets <strong>of</strong> linguistic structure as paradigmatic<br />

<strong>of</strong> interpretative response. The text itself will<br />

be considered to be transmissive <strong>of</strong> the<br />

rhetorical mechanisms <strong>of</strong> textual analysis<br />

because the act <strong>of</strong> criticism is both its<br />

central focus and is inherent to its narrative<br />

presentation. It will be considered that ‘the<br />

figure’ acts as a central point towards which<br />

critical desire directs its agency whilst the<br />

critic is held captive to his interpretative<br />

project, held in a domain <strong>of</strong> power<br />

imposition within the virtual dimension <strong>of</strong><br />

literary criticism. Aesthetic pursuit then<br />

FOCUS Page Page 49

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