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The Drama of the Gifted Child (The Search for the True Self)

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patients. As I think back over my last twenty years' work,<br />

in <strong>the</strong> light <strong>of</strong> my present understanding, I can find no patient<br />

whose ability to experience his true feelings was not<br />

seriously impaired. Yet, without this basic ability, all our<br />

work with <strong>the</strong> patient's instinctual conflicts is illusory: we<br />

might increase his intellectual knowledge, and in some circumstances<br />

streng<strong>the</strong>n his resistance, but we shall not touch<br />

<strong>the</strong> world <strong>of</strong> his feelings.<br />

If, however, we now take <strong>the</strong> path that was opened up<br />

by D. W. Winnicott, <strong>for</strong> instance, <strong>the</strong>n <strong>the</strong> patient will<br />

reach a new sense <strong>of</strong> being really alive and regain his capacity<br />

to open up to full experience. <strong>The</strong>n he will be able<br />

to face his repressed instinctual conflicts, which are sure to<br />

manifest <strong>the</strong>mselves <strong>of</strong> <strong>the</strong>ir own accord, and he will experience<br />

<strong>the</strong>m intensely.<br />

So when in <strong>the</strong> following three essays I try, among o<strong>the</strong>r<br />

things, to show my way <strong>of</strong> treating narcissistic disorders,<br />

it is not my intention to present an alternative to classical<br />

psychoanalysis. On <strong>the</strong> contrary, I am looking <strong>for</strong> a way,<br />

within <strong>the</strong> framework <strong>of</strong> psychoanalysis, by which <strong>the</strong> patient<br />

can regain his long-lost au<strong>the</strong>ntic sense <strong>of</strong> being truly<br />

alive.<br />

NOTE<br />

1. See A. Miller, Du Sollst Nicht Merken: Variationen Über das Paradies <strong>The</strong>ma<br />

(Frankfurt: Suhrkamp Verlag, 1981), p.66, which has appeared since <strong>the</strong> first<br />

printing <strong>of</strong> this book: "When I wrote <strong>The</strong> <strong>Drama</strong> I still thought I could<br />

reconcile my own findings with Freud's drive <strong>the</strong>ory. I considered my approach<br />

to <strong>the</strong> treatment <strong>of</strong> narcissistic disorders as preliminary work that had<br />

to be per<strong>for</strong>med with many patients be<strong>for</strong>e 'conflict neuroses' could be addressed.<br />

But <strong>the</strong> more thought I give now to <strong>the</strong> <strong>the</strong>oretical consequences <strong>of</strong><br />

my findings and <strong>the</strong> more carefully and impartially I test <strong>the</strong> empirical content<br />

<strong>of</strong> <strong>the</strong> traditional <strong>the</strong>ories, <strong>the</strong> more clearly <strong>the</strong>ir function in <strong>the</strong> total<br />

structure <strong>of</strong> social repression emerges <strong>for</strong> me. As a result, I have become more<br />

and more suspicious <strong>of</strong> <strong>the</strong> validity <strong>of</strong> Freudian drive <strong>the</strong>ory and have experienced<br />

a growing need to distinguish between it and my own views."<br />

See also my book Am Anfang war Erziehung (Frankfurt: Suhrkamp Verlag,<br />

1980) <strong>for</strong> fur<strong>the</strong>r remarks on this subject.<br />

xxi

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