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Flute acoustics: measurement, modelling and design - School of ...

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100<br />

Chapter VII<br />

The embouchure hole <strong>and</strong> player corrections<br />

So far, this thesis has been concerned only with the flute as a resonator—the measured impedance<br />

is passive <strong>and</strong> the interaction <strong>of</strong> the flute with the player has not been considered.<br />

Fortunately, <strong>and</strong> in contrast with the clarinet (Fritz & Wolfe 2005), the flute is largely decoupled<br />

from the player’s vocal tract, <strong>and</strong> so it seems likely that changes in the latter do not affect<br />

much the resonances <strong>of</strong> the former. However, the interaction <strong>of</strong> the jet <strong>and</strong> player’s face with<br />

the passive flute impedance needs to be considered, which is the subject <strong>of</strong> this chapter.<br />

7.1 PLAYER IMPEDANCE CORRECTIONS<br />

The flute impedance measured in Chapter 5 is the input impedance at the embouchure hole<br />

for the flute at room temperature as measured through a 7.8 mm diameter impedance head.<br />

However the impedance with which the jet interacts (<strong>and</strong> the impedance that should be modelled<br />

in order to derive meaningful tuning predictions) differs from the measured impedance<br />

in the following ways:<br />

• the temperature <strong>of</strong> the air in the played flute is higher than room temperature <strong>and</strong> the<br />

temperature varies along the flute<br />

• the humidity <strong>and</strong> CO 2 content <strong>of</strong> the air in the played flute are both higher than ambient<br />

air<br />

• the player’s lip covers part <strong>of</strong> the embouchure hole, changing the entry diameter. To first<br />

order, this is accounted for by the choice <strong>of</strong> impedance head. However, it varies among<br />

players <strong>and</strong> over the range<br />

• the player’s face shades the embouchure hole<br />

• the acoustic wave can travel through the mouth into the vocal tract <strong>and</strong> thus the mouth<br />

impedance should be taken into account.<br />

These effects can be measured or modelled (Thwaites & Fletcher 1983, Fabre & Hirschberg<br />

2000, Vergez et al. 2005) but the physics is complex. For the current application it suffices to<br />

bundle these effects into a single impedance Z face . In reality, these effects are not equivalent<br />

to a simple impedance, but this is an empirical model <strong>and</strong> such an approach is sufficient for<br />

the goals <strong>of</strong> this thesis. Fletcher (1976, see also Fletcher & Rossing (1998)) examines the jetdrive<br />

mechanism in organ pipes <strong>and</strong> shows that the radiation impedance from the mouth <strong>of</strong><br />

an organ pipe (approximately equivalent to the partly-open embouchure hole <strong>of</strong> a flute) is in<br />

series with the ‘internal’ impedance. The jet itself contributes an active drive mechanism with<br />

both ‘volume-flow’ <strong>and</strong> ‘pressure-drive’ terms.

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