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Flute acoustics: measurement, modelling and design - School of ...

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CHAPTER 2. THEORY AND LITERATURE REVIEW 17<br />

with<br />

A = − sin(kL − θ 2)<br />

sinθ 2<br />

B = i ρc sin(kL)<br />

S 2<br />

C = i S 1<br />

ρc<br />

sin(kL + θ 1 − θ 2 )<br />

sinθ 1 sinθ 2<br />

(2.16b)<br />

(2.16c)<br />

(2.16d)<br />

D = S 1<br />

S 2<br />

sin(kL + θ 1 )<br />

sinθ 1<br />

, (2.16e)<br />

where θ 1 = tan −1 (kx 1 ) <strong>and</strong> θ 2 = tan −1 (kx 2 ). Fletcher & Rossing (1998) give expressions for the<br />

input impedance <strong>of</strong> conical horns with various load impedances. Fletcher & Rossing also treat<br />

other horn geometries, such as the exponential horn—these results are not reproduced here.<br />

2.2.7 Wall losses<br />

So far in our discussion we have assumed that the duct walls are perfectly smooth, rigid <strong>and</strong><br />

thermally insulating, <strong>and</strong> that acoustic waves propagate without loss along the duct. For most<br />

woodwinds the walls are sufficiently rigid that mechanical vibration <strong>of</strong> the walls can be safely<br />

neglected ∗ . However, waves within real woodwind instruments are subject to thermal dissipation<br />

<strong>and</strong> viscous drag, leading to attenuation <strong>of</strong> the travelling wave.<br />

As discussed by Nederveen (1998), the acoustic flow slows to zero near the tube walls, <strong>and</strong><br />

thermal exchange between the walls <strong>and</strong> the air removes some energy from the (adiabatic)<br />

acoustic waves. For woodwind instruments, both <strong>of</strong> these effects occur only over a thin boundary<br />

layer (approx. 0.05 mm at 1000 Hz in the case <strong>of</strong> the viscous effects), so the plane-wave<br />

approximation remains valid (Nederveen 1998).<br />

The effects <strong>of</strong> viscous drag <strong>and</strong> thermal exchange are discussed by Benade (1968). In general,<br />

the effect <strong>of</strong> loss terms is to make Z 0 <strong>and</strong> k complex, which leads to attenuation <strong>of</strong> the<br />

wave as it travels along the conduit. The small imaginary part <strong>of</strong> Z 0 can usually be neglected<br />

for the bores <strong>of</strong> musical instruments. The complex wavenumber is given by<br />

k = ω v − iα,<br />

(2.17a)<br />

where<br />

<strong>and</strong><br />

[<br />

v = c 1 − 1<br />

]<br />

]<br />

(γ − 1)<br />

1.65 × 10−3<br />

− = c<br />

[1 −<br />

r v 2 r t 2 a f 1/2<br />

α = ω c<br />

(2.17b)<br />

[ ]<br />

1 (γ − 1)<br />

+ = 3 × 10−5 f 1/2<br />

. (2.17c)<br />

r v 2 r t 2 a<br />

Here r v <strong>and</strong> r t are the ratios <strong>of</strong> pipe radius to boundary layer thickness for viscous <strong>and</strong> thermal<br />

losses respectively. Approximations for these ratios are given in Fletcher & Rossing (1998).<br />

Equations (2.17b) <strong>and</strong> (2.17c) are valid for r v > 10. As shown by Keefe (1984) the viscothermal<br />

effects on the characteristic impedance Z 0 become significant for r v < 10, as do terms <strong>of</strong> higher<br />

order in r v <strong>and</strong> r t in the expressions for the phase velocity (2.17b) <strong>and</strong> attenuation coefficient<br />

∗ According to <strong>measurement</strong>s by Backus (1964) <strong>and</strong> Nederveen (1998), the walls <strong>of</strong> woodwind instruments vibrate<br />

with an amplitude <strong>of</strong> about 1 µm <strong>and</strong> radiation due to this vibration is at least 40 dB smaller than the air signal.

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