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Flute acoustics: measurement, modelling and design - School of ...

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30<br />

Chapter III<br />

Measuring acoustic impedance ∗<br />

Resonances <strong>and</strong>/or singularities during <strong>measurement</strong> <strong>and</strong> calibration <strong>of</strong>ten limit the precision<br />

<strong>of</strong> acoustic impedance spectra. This chapter reviews <strong>and</strong> compares several established techniques,<br />

<strong>and</strong> describes a technique that incorporates three features that considerably improve<br />

precision. The first feature is to minimise problems due to resonances by calibrating the instrument<br />

using up to three different acoustic reference impedances that do not themselves exhibit<br />

resonances. The second involves using multiple pressure transducers to reduce the effects <strong>of</strong><br />

<strong>measurement</strong> singularities. The third involves iteratively tailoring the spectrum <strong>of</strong> the stimulus<br />

signal to control the distribution <strong>of</strong> errors across the particular measured impedance spectrum.<br />

Examples are given <strong>of</strong> the performance <strong>of</strong> the technique on simple cylindrical waveguides.<br />

3.1 INTRODUCTION<br />

The input impedance <strong>of</strong> any one-dimensional waveguide is defined as the complex ratio <strong>of</strong><br />

pressure to volume flow at the input. This quantity is used to describe the linear <strong>acoustics</strong><br />

<strong>of</strong> automotive mufflers, air-conditioning ducts <strong>and</strong> the passive elements <strong>of</strong> wind instruments<br />

<strong>and</strong> the vocal tract. For a musical instrument, the input impedance usefully displays important<br />

characteristics <strong>of</strong> the instrument in the absence <strong>of</strong> a player, <strong>and</strong> indicates how the instrument<br />

will respond when excited at any frequency. In this case, high resolution in magnitude <strong>and</strong> frequency<br />

are particularly important. If pressure <strong>and</strong> volume flow are measured at different points<br />

in a system, their ratio gives a transfer impedance, which is particularly useful in characterising<br />

multi-port systems.<br />

In this paper, we review the various approaches to measuring acoustic impedance <strong>and</strong> calibrating<br />

impedance heads <strong>and</strong> propose a general calibration technique for heads with multiple<br />

transducers. We consider the effect <strong>of</strong> transducer errors on impedance <strong>measurement</strong>s<br />

<strong>and</strong> present a technique for distributing any <strong>measurement</strong> errors over the frequency range. To<br />

demonstrate the technique we use an impedance head with three microphones to measure the<br />

input impedance <strong>of</strong> simple cylindrical waveguides. The effects <strong>of</strong> calibration <strong>and</strong> optimisation<br />

on these <strong>measurement</strong>s are presented <strong>and</strong> discussed.<br />

∗ An abridged version <strong>of</strong> this chapter has been published as Dickens, P., Smith, J. & Wolfe, J. (2007), ‘Improved<br />

precision in <strong>measurement</strong>s <strong>of</strong> acoustic impedance spectra using resonance-free calibration loads <strong>and</strong> controlled<br />

error distribution’, J. Acoust. Soc. Am. 121(3), 1471–81.

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