Boxoffice-March.1988
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FEATURE<br />
Just What the World Needs -<br />
Another Independent<br />
Distribution Company!<br />
Upstart Triax Bucks the Odds<br />
1<br />
THEY<br />
By Jim Kozak<br />
Associate Editor<br />
EMERGE FROM the murkiest<br />
depths of the motion picture marketplace,<br />
bearing bizarre, often<br />
guttural-sounding monikers: Skouras,<br />
Vestron, Troma, Cinecom, Spectrafilm,<br />
Miramax, Fries, New Century /Vista.<br />
They are called "the independents,"<br />
and their ranks continue to swell, year<br />
after year.<br />
The latest arrival is Triax Entertainment,<br />
Don Parker's year-old distribution<br />
concern, which is now in the process of<br />
releasing its first slate of four Anglo<br />
Pacific titles. But does America need<br />
another contender in an industry already<br />
glutted with the likes of "Rolling<br />
Vengeance," "Desert Warrior," and<br />
"Ghoulies 11"? What can Triax possibly<br />
offer that Trio and Troma cannot?<br />
"Well, first of all, I think there's<br />
always a need for viable commercial<br />
product whether there's one independent<br />
production company or there's fifty,"<br />
says David MUler, Triax's president<br />
and chief executive officer. "I think the<br />
marketplace recognizes better-made<br />
pictures. But what really differentiates<br />
Triax from the other independents is<br />
that we are theatrically driven. Our<br />
priority is the U.S. theatrical marketplace.<br />
That's how projects are chosen<br />
for production, and that's how we accept<br />
the pictures. I don't acquire a picture<br />
and say 'let's see, if I play 15 of the<br />
top 25 markets and I spend a minimal<br />
amount of money in those markets,<br />
then I<br />
can realize a million or a million<br />
of independent product is aiming for the<br />
lucrative video market, and any attempt<br />
at theatrical release is most often only<br />
cosmetic. Miller's plan is to put the<br />
emphasis back on theatrical release.<br />
"Then, after that, we'll sell off the ancillary<br />
rights," says Miller.<br />
Another key difference will<br />
be the<br />
diversity of product Triax wall distribute.<br />
Its first four releases — "Scavengers,"<br />
"No Hard Feelings," "Murphy's Fault,"<br />
and "Dancing in the Forest" — nm the<br />
gamut from romantic adventure to suspense<br />
to screwball comedy.<br />
There is one genre, though, of which<br />
Miller is wary: "the serious action-type<br />
pictures. I see them as being overlyexploited<br />
and I try to stay away from<br />
those."<br />
Before Triax's first picture, "Scavengers,"<br />
had even seen initial release, MUler,<br />
who has supervised marketing and<br />
distribution for Avco Embassy and International<br />
Film Marketing, was already<br />
talking big plans for his new company.<br />
An additional slate of eight new Anglo<br />
Pacific releases was due to be announced<br />
before ShoWest, and MOler<br />
says he hopes Triax will be able to<br />
maintain in the neighborhood of 10-14<br />
releases per year. Most wall be budgeted<br />
between $3.5 and 5 million, but Miller<br />
also says he intends to also release two<br />
higher-budgeted "major pictures" per<br />
year beginning in 1988. MOler also plans<br />
to go after bigger names. "We will be<br />
concentrating on upgrading the talent<br />
portion of the budget. And we intend to<br />
develop our own talent. Brenda Bakke,<br />
(continued p 18)<br />
and a half in home video.' I look at it<br />
from the standpoint of what's going to<br />
perform in the theatrical marketplace,<br />
given the audience for the picture."<br />
Miller estimates that about 75 percent<br />
Kevin Potter and Holaday Mason, in Triax's second release, "No Hard Feelings."<br />
16 BOXOFFICE