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Boxoffice-March.1988

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FEATURE<br />

Just What the World Needs -<br />

Another Independent<br />

Distribution Company!<br />

Upstart Triax Bucks the Odds<br />

1<br />

THEY<br />

By Jim Kozak<br />

Associate Editor<br />

EMERGE FROM the murkiest<br />

depths of the motion picture marketplace,<br />

bearing bizarre, often<br />

guttural-sounding monikers: Skouras,<br />

Vestron, Troma, Cinecom, Spectrafilm,<br />

Miramax, Fries, New Century /Vista.<br />

They are called "the independents,"<br />

and their ranks continue to swell, year<br />

after year.<br />

The latest arrival is Triax Entertainment,<br />

Don Parker's year-old distribution<br />

concern, which is now in the process of<br />

releasing its first slate of four Anglo<br />

Pacific titles. But does America need<br />

another contender in an industry already<br />

glutted with the likes of "Rolling<br />

Vengeance," "Desert Warrior," and<br />

"Ghoulies 11"? What can Triax possibly<br />

offer that Trio and Troma cannot?<br />

"Well, first of all, I think there's<br />

always a need for viable commercial<br />

product whether there's one independent<br />

production company or there's fifty,"<br />

says David MUler, Triax's president<br />

and chief executive officer. "I think the<br />

marketplace recognizes better-made<br />

pictures. But what really differentiates<br />

Triax from the other independents is<br />

that we are theatrically driven. Our<br />

priority is the U.S. theatrical marketplace.<br />

That's how projects are chosen<br />

for production, and that's how we accept<br />

the pictures. I don't acquire a picture<br />

and say 'let's see, if I play 15 of the<br />

top 25 markets and I spend a minimal<br />

amount of money in those markets,<br />

then I<br />

can realize a million or a million<br />

of independent product is aiming for the<br />

lucrative video market, and any attempt<br />

at theatrical release is most often only<br />

cosmetic. Miller's plan is to put the<br />

emphasis back on theatrical release.<br />

"Then, after that, we'll sell off the ancillary<br />

rights," says Miller.<br />

Another key difference will<br />

be the<br />

diversity of product Triax wall distribute.<br />

Its first four releases — "Scavengers,"<br />

"No Hard Feelings," "Murphy's Fault,"<br />

and "Dancing in the Forest" — nm the<br />

gamut from romantic adventure to suspense<br />

to screwball comedy.<br />

There is one genre, though, of which<br />

Miller is wary: "the serious action-type<br />

pictures. I see them as being overlyexploited<br />

and I try to stay away from<br />

those."<br />

Before Triax's first picture, "Scavengers,"<br />

had even seen initial release, MUler,<br />

who has supervised marketing and<br />

distribution for Avco Embassy and International<br />

Film Marketing, was already<br />

talking big plans for his new company.<br />

An additional slate of eight new Anglo<br />

Pacific releases was due to be announced<br />

before ShoWest, and MOler<br />

says he hopes Triax will be able to<br />

maintain in the neighborhood of 10-14<br />

releases per year. Most wall be budgeted<br />

between $3.5 and 5 million, but Miller<br />

also says he intends to also release two<br />

higher-budgeted "major pictures" per<br />

year beginning in 1988. MOler also plans<br />

to go after bigger names. "We will be<br />

concentrating on upgrading the talent<br />

portion of the budget. And we intend to<br />

develop our own talent. Brenda Bakke,<br />

(continued p 18)<br />

and a half in home video.' I look at it<br />

from the standpoint of what's going to<br />

perform in the theatrical marketplace,<br />

given the audience for the picture."<br />

Miller estimates that about 75 percent<br />

Kevin Potter and Holaday Mason, in Triax's second release, "No Hard Feelings."<br />

16 BOXOFFICE

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