Boxoffice-March.1988
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE NUMBERS PAGE<br />
were<br />
"<br />
"Ernest<br />
and<br />
The 50 Top Grossing U.S. Films of 1987<br />
(All figures represent millions of dollars.)<br />
1 . (1 53.6) Beverly Hills Cop II (Paramount)<br />
2. (137.1) Platoon* (Orion)<br />
3. (125.9) Fatal Attraction (Paramount)<br />
4. (76.2) The Untouchables (Paramount)<br />
5. (70.8) Three Men and a Baby (Buena Vista)<br />
6. (67.0) The Secret of My Success (Universal)<br />
7. (65.4) Stakeout (Buena Vista)<br />
8. (65.1) Lethal Weapon (Warner Bros.)<br />
9. (63.7) The Witches of Eastwick (Warner Bros.)<br />
10. (59.7) Crocodile Dundee* (Paramount)<br />
11. (57.2) Dragnet (Universal)<br />
12. (57.0) Predator (20th Century Fox)<br />
13. (54.2) La Bamba (Columbia)<br />
14. (53.5) Dirty Dancing (Vestron)<br />
15. (53.4) Robocop (Orion)<br />
16. (52.9) Outrageous Fortune (Buena Vista)<br />
17. (51.1) The Living Daylights (MGM/UA)<br />
18. (46.6) Full Metal Jacket (Warner Bros.)<br />
19. (46.0) Snow White (Buena Vista)<br />
20. (44.0) Nightmare on Elm Street 3 (New Line)<br />
21. (41.6) Star Trek IV* (Paramount)<br />
22. (41.3) The Golden Child* (Paramount)<br />
23. (40.0) Roxanne (Columbia)<br />
24. (39.3) Blind Date (Tri-Star)<br />
25. (38.0) Mannequin (20th Century Fox)<br />
26.<br />
27.<br />
28. (35.1<br />
29.<br />
30.<br />
31.<br />
32.<br />
33. (32.1<br />
38.<br />
39.<br />
40.<br />
41.<br />
42.<br />
43.<br />
44.<br />
45.<br />
46.<br />
47.<br />
48.<br />
49.<br />
50.<br />
(36.7<br />
(35.6<br />
(35.0<br />
(34.9<br />
(34.3<br />
(34.2<br />
34. (31.5<br />
35. (30.7<br />
36. (28.0<br />
37. (27.0<br />
(27.0<br />
(26.9<br />
(26.9<br />
(26.4<br />
(26.3<br />
(25.8<br />
(25.5<br />
(25.3<br />
(23.4<br />
(23.3<br />
(22.7<br />
(22.7<br />
(22.0<br />
Spaceballs (MGM/UA)<br />
Summer School (Paramount)<br />
No Way Out (Orion)<br />
Planes, Trains and Automobiles (Paramount)<br />
The Running Man (Tri-Star)<br />
Like Father, Like Son (Tri-Star)<br />
Adventures in Babysitting (Buena Vista)<br />
The Lost Boys (Warner Bros.)<br />
Can't Buy Me Love (Buena Vista)<br />
Throw Momma From The Train (Orion)<br />
Police Academy 4 (Warner Bros.)<br />
Hoosiers* (Orion)<br />
Harry and the Hendersons (Universal)<br />
Eddie Murphy Raw (Paramount)<br />
The Princess Bride (20th Century Fox)<br />
Little Shop of Horrors* (Warner Bros.)<br />
Revenge of the Nerds II (20th Century Fox)<br />
Innerspace (Warner Bros.)<br />
Cinderella (Buena Vista)<br />
Tin Men (Buena Vista)<br />
Baby Boom (MGM/UA)<br />
Ernest Goes to Camp (Buena Vista)<br />
Nuts (Warner Bros.)<br />
Black Widow (20th Century Fox)<br />
Benji the Hunted (Buena Vista)<br />
•film released in<br />
1986; figures approximate earnings after Dec. 29, 1986 only.<br />
Winners and Losers<br />
«^_?».<br />
1. Paramount (with a 19 7% market<br />
share) roared so loudly out of 1986 on the<br />
momentum of the two monster hits "Crocodile<br />
Dundee" and "Star Trek IV," that nobody really<br />
noticed how badly early releases like "Critical<br />
Condition" and "Hot Pursuit<br />
'<br />
doing<br />
But the studio took care to fuel each subsequent<br />
season with at least one colossal moneymaker<br />
Early summer brought two of the year's<br />
biggest smashes in "Beverly Hills Cop 11" and<br />
"The Untouchables," late summer a smaller<br />
surprise hit in "Summer School," fall the biggrossing.<br />
remarkably durable "Fatal Attraction,"<br />
and winter the hard-charging duo of<br />
"Planes, Trains and Automobiles," and "Eddie<br />
Murphy Raw " Nearly forgotten among all the<br />
success were "Back to the Beach," "Campus<br />
"<br />
Man," and "Hamburger Hill<br />
2. Buena Vista (i4o%)heida<br />
measly 3 5 percent market share as Touchstone<br />
Films entered its second year in 1985<br />
Two short years later, after a concerted effort<br />
to increase studio output, Touchstone released<br />
a remarkable slate of high-yield moneymakers,<br />
virtually all of which made money "Hello<br />
Again" proved a disappointment, but "Tin<br />
Men," "Adventures In Babysitting," "Can't<br />
Buy Me Love,<br />
Goes To Camp," and<br />
"Benji the Hunted." were all surprise hits, and<br />
"Outrageous Fortune," "Stakeout" and Disney's<br />
re-release of "Snow White" all grabbed<br />
spots in the years top twenty The best was<br />
saved for last, however, as Christmas's "Three<br />
Men and a Baby" went on to become the most<br />
successful single-release film in the studios<br />
history.<br />
3. Warner Bros. (12 5%) started<br />
out very strong, then met more and more difficulty<br />
as the year wore on "Lethal Weapon."<br />
was the big picture of the spring season, and<br />
summer delivered three more strong hits in<br />
"The Witches of Eastwick," "Full Metal Jacket"<br />
and "The Lost Boys " But big-budget "Innerspace"<br />
was the years surprise boxoffice<br />
disappointment, and Warner's "Police Academy"<br />
cycle began running out of steam with its<br />
fourth installment. The studio's two big holiday<br />
releases, "Nuts" and<br />
"Empire of the Sun" lagged<br />
far behind their high-powered holiday<br />
competition Ultimately, Warner's wound up<br />
diluting Its early success with a long list of<br />
flops: "Burglar,<br />
"<br />
"Disorderlies," "Over the<br />
Top," "Superman IV." "Who's That Girl,""<br />
"Rat Boy,<br />
"<br />
"Surrender"<br />
SW-44<br />
<strong>Boxoffice</strong>