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Boxoffice-March.1988

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THE NUMBERS PAGE<br />

were<br />

"<br />

"Ernest<br />

and<br />

The 50 Top Grossing U.S. Films of 1987<br />

(All figures represent millions of dollars.)<br />

1 . (1 53.6) Beverly Hills Cop II (Paramount)<br />

2. (137.1) Platoon* (Orion)<br />

3. (125.9) Fatal Attraction (Paramount)<br />

4. (76.2) The Untouchables (Paramount)<br />

5. (70.8) Three Men and a Baby (Buena Vista)<br />

6. (67.0) The Secret of My Success (Universal)<br />

7. (65.4) Stakeout (Buena Vista)<br />

8. (65.1) Lethal Weapon (Warner Bros.)<br />

9. (63.7) The Witches of Eastwick (Warner Bros.)<br />

10. (59.7) Crocodile Dundee* (Paramount)<br />

11. (57.2) Dragnet (Universal)<br />

12. (57.0) Predator (20th Century Fox)<br />

13. (54.2) La Bamba (Columbia)<br />

14. (53.5) Dirty Dancing (Vestron)<br />

15. (53.4) Robocop (Orion)<br />

16. (52.9) Outrageous Fortune (Buena Vista)<br />

17. (51.1) The Living Daylights (MGM/UA)<br />

18. (46.6) Full Metal Jacket (Warner Bros.)<br />

19. (46.0) Snow White (Buena Vista)<br />

20. (44.0) Nightmare on Elm Street 3 (New Line)<br />

21. (41.6) Star Trek IV* (Paramount)<br />

22. (41.3) The Golden Child* (Paramount)<br />

23. (40.0) Roxanne (Columbia)<br />

24. (39.3) Blind Date (Tri-Star)<br />

25. (38.0) Mannequin (20th Century Fox)<br />

26.<br />

27.<br />

28. (35.1<br />

29.<br />

30.<br />

31.<br />

32.<br />

33. (32.1<br />

38.<br />

39.<br />

40.<br />

41.<br />

42.<br />

43.<br />

44.<br />

45.<br />

46.<br />

47.<br />

48.<br />

49.<br />

50.<br />

(36.7<br />

(35.6<br />

(35.0<br />

(34.9<br />

(34.3<br />

(34.2<br />

34. (31.5<br />

35. (30.7<br />

36. (28.0<br />

37. (27.0<br />

(27.0<br />

(26.9<br />

(26.9<br />

(26.4<br />

(26.3<br />

(25.8<br />

(25.5<br />

(25.3<br />

(23.4<br />

(23.3<br />

(22.7<br />

(22.7<br />

(22.0<br />

Spaceballs (MGM/UA)<br />

Summer School (Paramount)<br />

No Way Out (Orion)<br />

Planes, Trains and Automobiles (Paramount)<br />

The Running Man (Tri-Star)<br />

Like Father, Like Son (Tri-Star)<br />

Adventures in Babysitting (Buena Vista)<br />

The Lost Boys (Warner Bros.)<br />

Can't Buy Me Love (Buena Vista)<br />

Throw Momma From The Train (Orion)<br />

Police Academy 4 (Warner Bros.)<br />

Hoosiers* (Orion)<br />

Harry and the Hendersons (Universal)<br />

Eddie Murphy Raw (Paramount)<br />

The Princess Bride (20th Century Fox)<br />

Little Shop of Horrors* (Warner Bros.)<br />

Revenge of the Nerds II (20th Century Fox)<br />

Innerspace (Warner Bros.)<br />

Cinderella (Buena Vista)<br />

Tin Men (Buena Vista)<br />

Baby Boom (MGM/UA)<br />

Ernest Goes to Camp (Buena Vista)<br />

Nuts (Warner Bros.)<br />

Black Widow (20th Century Fox)<br />

Benji the Hunted (Buena Vista)<br />

•film released in<br />

1986; figures approximate earnings after Dec. 29, 1986 only.<br />

Winners and Losers<br />

«^_?».<br />

1. Paramount (with a 19 7% market<br />

share) roared so loudly out of 1986 on the<br />

momentum of the two monster hits "Crocodile<br />

Dundee" and "Star Trek IV," that nobody really<br />

noticed how badly early releases like "Critical<br />

Condition" and "Hot Pursuit<br />

'<br />

doing<br />

But the studio took care to fuel each subsequent<br />

season with at least one colossal moneymaker<br />

Early summer brought two of the year's<br />

biggest smashes in "Beverly Hills Cop 11" and<br />

"The Untouchables," late summer a smaller<br />

surprise hit in "Summer School," fall the biggrossing.<br />

remarkably durable "Fatal Attraction,"<br />

and winter the hard-charging duo of<br />

"Planes, Trains and Automobiles," and "Eddie<br />

Murphy Raw " Nearly forgotten among all the<br />

success were "Back to the Beach," "Campus<br />

"<br />

Man," and "Hamburger Hill<br />

2. Buena Vista (i4o%)heida<br />

measly 3 5 percent market share as Touchstone<br />

Films entered its second year in 1985<br />

Two short years later, after a concerted effort<br />

to increase studio output, Touchstone released<br />

a remarkable slate of high-yield moneymakers,<br />

virtually all of which made money "Hello<br />

Again" proved a disappointment, but "Tin<br />

Men," "Adventures In Babysitting," "Can't<br />

Buy Me Love,<br />

Goes To Camp," and<br />

"Benji the Hunted." were all surprise hits, and<br />

"Outrageous Fortune," "Stakeout" and Disney's<br />

re-release of "Snow White" all grabbed<br />

spots in the years top twenty The best was<br />

saved for last, however, as Christmas's "Three<br />

Men and a Baby" went on to become the most<br />

successful single-release film in the studios<br />

history.<br />

3. Warner Bros. (12 5%) started<br />

out very strong, then met more and more difficulty<br />

as the year wore on "Lethal Weapon."<br />

was the big picture of the spring season, and<br />

summer delivered three more strong hits in<br />

"The Witches of Eastwick," "Full Metal Jacket"<br />

and "The Lost Boys " But big-budget "Innerspace"<br />

was the years surprise boxoffice<br />

disappointment, and Warner's "Police Academy"<br />

cycle began running out of steam with its<br />

fourth installment. The studio's two big holiday<br />

releases, "Nuts" and<br />

"Empire of the Sun" lagged<br />

far behind their high-powered holiday<br />

competition Ultimately, Warner's wound up<br />

diluting Its early success with a long list of<br />

flops: "Burglar,<br />

"<br />

"Disorderlies," "Over the<br />

Top," "Superman IV." "Who's That Girl,""<br />

"Rat Boy,<br />

"<br />

"Surrender"<br />

SW-44<br />

<strong>Boxoffice</strong>

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