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Illustrated Cutouts<br />
Add Marquee Flash<br />
For 'Captain' Run<br />
'd<br />
Railroad Safety Tieup<br />
Made for 'Double Life'<br />
Engaging in a long range advance campaign<br />
for "A Double Life." scheduled to open<br />
at the RKO Palace in Chicago, publicity<br />
manager Lou Mayer tied up with the Pennsylvania<br />
railroad's Chicago division 1948<br />
safety campaign.<br />
More than 5,000 pledge cards have been<br />
distributed to division employes and 100 sign<br />
posters have been set up urging the employes,<br />
"Don't lead 'A Double Life' . . . Stay<br />
on the right side of the tracks."<br />
The pledge cards are numbered, and holders<br />
of lucky numbers will receive passes to<br />
see the picture during its February engagement<br />
at the Palace.<br />
Campaign Is Geared<br />
To Charity Appeal<br />
For 'Big Heart'<br />
Teaser trailers used two weeks in advance<br />
of "Captain Fiom Castile" helped to provide<br />
word-of-mouth comment on the picture for<br />
William Eagen, manager of the Longview in<br />
Longview, Wash.<br />
For outside exploitation, Eagen prepared<br />
framed 11x14 photo displays with theatre<br />
signature and playdates lettered in. These<br />
gave him access to windows which or.dinarily<br />
object to displaying regular window cards.<br />
Lithograph cutouts were used on the attraction<br />
sign to give the marquee a striking effect.<br />
A 9xl5-foot banner hung over the marquee<br />
was illuminated at night. Three-sheet<br />
cutouts were placed between the entrance<br />
doors, and a cutout of Tyrone Power from<br />
the one-sheet was set into the boxoffice.<br />
Bookstores were promoted for special window<br />
displays tying in the novel with the<br />
Longview playdates. Teaser newspaper ads<br />
stressed the "epic adventure" aspect of the<br />
film and "regular prices for this engagement."<br />
For "Carnegie Hall," Eagen arranged an<br />
interior store display at Korten's music shop,<br />
highlighting records. Programs were used as<br />
inserts by the store, which also supplied a<br />
lobby display for the theatre, consisting of<br />
two pianos and a record display. Newspaper<br />
and radio advertising supplemented the campaign.<br />
Jim McCarthy Fills Breach<br />
In Wall With T-Men' Plug<br />
Jim McCarthy, manager of the Warner in<br />
Memphis, revived an old stunt with good effect<br />
while the back wall of the theatre foyer<br />
was being torn down for alterations. Mc-<br />
Carthy placed a large sign in front of the<br />
opening reading, "We are tearing out the<br />
walls to make room for the crowds expected<br />
to see 'T-Men,' opening here February 5."<br />
His alert showmanship gave the theatre the<br />
benefit of this unusual type of display at<br />
the cost of the sign, prepared by the house<br />
artist.<br />
Welcomes 'Strangers'<br />
For "Welcome Stranger," Oscar Miller,<br />
manager of the Bob Burns Theatre in Van<br />
Buren. Ark,, distributed several thousand<br />
calling cards with copy, "Welcome Stranger<br />
. . . Here's a Sure Cure for the Blues," in<br />
stores, offices and schools.<br />
32<br />
Star Inspires Co-Op Ads<br />
On Milk and 'High Wall'<br />
The personal appearance of Audrey Totter<br />
in Dayton in connection with the opening of<br />
"High Wall" inspired Bill Reisinger, manager<br />
of Loew's Theatre there, to arrange a<br />
series of newspaper co-op ads in which the<br />
star endorsed milk. The ads, which ran in<br />
all the local newspapers, featured a large<br />
cut of Miss Totter drinking milk, with a<br />
credit line mentioning her appearance at<br />
Loew's. The ads were sponsored by the Milk<br />
Dealers Ass'n of Dayton.<br />
Miss Totter was greeted at Union station<br />
by press photographers, with special art<br />
breaking in the Journal, News and Herald.<br />
All the newspaper columnists gave her personal<br />
appearance extra space.<br />
Small <strong>Boxoffice</strong> Stage<br />
Heralds 'Carnegie Hall'<br />
Harold Kopp, manager of the Lido in Los<br />
Angeles, turned the top of his boxoffice into<br />
a showcase to promote "Carnegie Hall." Kopp<br />
built a small stage set, placed it over the cash<br />
window and surrounded it with small photos<br />
of the stars. Recordings, amplified, helped<br />
to carry out the theme.<br />
Sweet Tieup<br />
Tiein arranged by Harold Mortin, manager<br />
of the Slate, Syracuse, N. Y., pays<br />
tribute to local fire department and<br />
helps advance publicity for "It Had to<br />
Be You." Eighty-pound cake promoted<br />
from bakery was used in the lobby as<br />
basis of a "Can You Guess the Weight?"<br />
contest. Cornel Wilde is starred as a<br />
fire eater in the film.<br />
—372—<br />
Billed as "The Big Heart," and going on<br />
exhibition just about Christmas time, A. J.<br />
Brown, manager of the Empire in Cardiff,<br />
Wales, publicized "Miracle on 34th Street"<br />
and at the same time induced the public to<br />
give some aid to the blind children of the<br />
community.<br />
Brown approached the secretary of the<br />
National Institute for the Blind and received<br />
permission to erect a collection box in the<br />
theatre lobby.<br />
An excellent display was arranged in the<br />
lounge of the theatre, which Brown promoted<br />
at no cost from a display firm. The display<br />
took the form of an old-fashioned fireplace<br />
which carried an appeal to the "big heart"<br />
patrons to think of the blind children at<br />
Christmas time.<br />
Despite the difficulties of obtaining press<br />
space, the South Wales Echo came through<br />
with daily stories leading up to a two-column<br />
art break on the presentation of the check<br />
to officials of the institute.<br />
Brown also was able to set full window displays<br />
in six leading stores in Cardiff, centering<br />
around a picture of Edmund Gwenn in a<br />
Santa Claus costume, with title and theatre<br />
playdates prominently shown.<br />
'Good News' Issue Pointed<br />
By Wilmington Paper<br />
By dint of persuasion in building up friendly<br />
relations with two of the toughest newspapers<br />
in the country over a period of ten<br />
years, Edgar J. Doob, manager of Loew's Aldine<br />
in Wilmington, Del., promoted a souvenir<br />
edition of the Journal-Every Evening to exploit<br />
"Good News."<br />
The newspaper printed 1,200 copies of the<br />
souvenir edition featuring the banner headlines,<br />
"Good News Coming." The page was<br />
plated with art and a story of the exhibition<br />
at the Aldine.<br />
Record Player Promoted<br />
In 'Stallion' Contest<br />
A "Red Stallion" contest arranged by|<br />
Adolph Baker, city manager for Malco Theatres<br />
in Owenboro, Ky., offered a portable I<br />
electric record player and record albums toF<br />
the children who submitted the best color!<br />
drawing depicting the fight between the beari<br />
and Big Red.<br />
Baker promoted the record player, albums,;<br />
heralds and mats at no cost from cooperating<br />
merchants, and tied up to have entry blanks'<br />
distributed in all art schools and throughout^,<br />
the school system.<br />
BOXOFnCE Showmandiser :: Feb. 7,