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Boxoffice-Febuary.07.1948

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Illustrated Cutouts<br />

Add Marquee Flash<br />

For 'Captain' Run<br />

'd<br />

Railroad Safety Tieup<br />

Made for 'Double Life'<br />

Engaging in a long range advance campaign<br />

for "A Double Life." scheduled to open<br />

at the RKO Palace in Chicago, publicity<br />

manager Lou Mayer tied up with the Pennsylvania<br />

railroad's Chicago division 1948<br />

safety campaign.<br />

More than 5,000 pledge cards have been<br />

distributed to division employes and 100 sign<br />

posters have been set up urging the employes,<br />

"Don't lead 'A Double Life' . . . Stay<br />

on the right side of the tracks."<br />

The pledge cards are numbered, and holders<br />

of lucky numbers will receive passes to<br />

see the picture during its February engagement<br />

at the Palace.<br />

Campaign Is Geared<br />

To Charity Appeal<br />

For 'Big Heart'<br />

Teaser trailers used two weeks in advance<br />

of "Captain Fiom Castile" helped to provide<br />

word-of-mouth comment on the picture for<br />

William Eagen, manager of the Longview in<br />

Longview, Wash.<br />

For outside exploitation, Eagen prepared<br />

framed 11x14 photo displays with theatre<br />

signature and playdates lettered in. These<br />

gave him access to windows which or.dinarily<br />

object to displaying regular window cards.<br />

Lithograph cutouts were used on the attraction<br />

sign to give the marquee a striking effect.<br />

A 9xl5-foot banner hung over the marquee<br />

was illuminated at night. Three-sheet<br />

cutouts were placed between the entrance<br />

doors, and a cutout of Tyrone Power from<br />

the one-sheet was set into the boxoffice.<br />

Bookstores were promoted for special window<br />

displays tying in the novel with the<br />

Longview playdates. Teaser newspaper ads<br />

stressed the "epic adventure" aspect of the<br />

film and "regular prices for this engagement."<br />

For "Carnegie Hall," Eagen arranged an<br />

interior store display at Korten's music shop,<br />

highlighting records. Programs were used as<br />

inserts by the store, which also supplied a<br />

lobby display for the theatre, consisting of<br />

two pianos and a record display. Newspaper<br />

and radio advertising supplemented the campaign.<br />

Jim McCarthy Fills Breach<br />

In Wall With T-Men' Plug<br />

Jim McCarthy, manager of the Warner in<br />

Memphis, revived an old stunt with good effect<br />

while the back wall of the theatre foyer<br />

was being torn down for alterations. Mc-<br />

Carthy placed a large sign in front of the<br />

opening reading, "We are tearing out the<br />

walls to make room for the crowds expected<br />

to see 'T-Men,' opening here February 5."<br />

His alert showmanship gave the theatre the<br />

benefit of this unusual type of display at<br />

the cost of the sign, prepared by the house<br />

artist.<br />

Welcomes 'Strangers'<br />

For "Welcome Stranger," Oscar Miller,<br />

manager of the Bob Burns Theatre in Van<br />

Buren. Ark,, distributed several thousand<br />

calling cards with copy, "Welcome Stranger<br />

. . . Here's a Sure Cure for the Blues," in<br />

stores, offices and schools.<br />

32<br />

Star Inspires Co-Op Ads<br />

On Milk and 'High Wall'<br />

The personal appearance of Audrey Totter<br />

in Dayton in connection with the opening of<br />

"High Wall" inspired Bill Reisinger, manager<br />

of Loew's Theatre there, to arrange a<br />

series of newspaper co-op ads in which the<br />

star endorsed milk. The ads, which ran in<br />

all the local newspapers, featured a large<br />

cut of Miss Totter drinking milk, with a<br />

credit line mentioning her appearance at<br />

Loew's. The ads were sponsored by the Milk<br />

Dealers Ass'n of Dayton.<br />

Miss Totter was greeted at Union station<br />

by press photographers, with special art<br />

breaking in the Journal, News and Herald.<br />

All the newspaper columnists gave her personal<br />

appearance extra space.<br />

Small <strong>Boxoffice</strong> Stage<br />

Heralds 'Carnegie Hall'<br />

Harold Kopp, manager of the Lido in Los<br />

Angeles, turned the top of his boxoffice into<br />

a showcase to promote "Carnegie Hall." Kopp<br />

built a small stage set, placed it over the cash<br />

window and surrounded it with small photos<br />

of the stars. Recordings, amplified, helped<br />

to carry out the theme.<br />

Sweet Tieup<br />

Tiein arranged by Harold Mortin, manager<br />

of the Slate, Syracuse, N. Y., pays<br />

tribute to local fire department and<br />

helps advance publicity for "It Had to<br />

Be You." Eighty-pound cake promoted<br />

from bakery was used in the lobby as<br />

basis of a "Can You Guess the Weight?"<br />

contest. Cornel Wilde is starred as a<br />

fire eater in the film.<br />

—372—<br />

Billed as "The Big Heart," and going on<br />

exhibition just about Christmas time, A. J.<br />

Brown, manager of the Empire in Cardiff,<br />

Wales, publicized "Miracle on 34th Street"<br />

and at the same time induced the public to<br />

give some aid to the blind children of the<br />

community.<br />

Brown approached the secretary of the<br />

National Institute for the Blind and received<br />

permission to erect a collection box in the<br />

theatre lobby.<br />

An excellent display was arranged in the<br />

lounge of the theatre, which Brown promoted<br />

at no cost from a display firm. The display<br />

took the form of an old-fashioned fireplace<br />

which carried an appeal to the "big heart"<br />

patrons to think of the blind children at<br />

Christmas time.<br />

Despite the difficulties of obtaining press<br />

space, the South Wales Echo came through<br />

with daily stories leading up to a two-column<br />

art break on the presentation of the check<br />

to officials of the institute.<br />

Brown also was able to set full window displays<br />

in six leading stores in Cardiff, centering<br />

around a picture of Edmund Gwenn in a<br />

Santa Claus costume, with title and theatre<br />

playdates prominently shown.<br />

'Good News' Issue Pointed<br />

By Wilmington Paper<br />

By dint of persuasion in building up friendly<br />

relations with two of the toughest newspapers<br />

in the country over a period of ten<br />

years, Edgar J. Doob, manager of Loew's Aldine<br />

in Wilmington, Del., promoted a souvenir<br />

edition of the Journal-Every Evening to exploit<br />

"Good News."<br />

The newspaper printed 1,200 copies of the<br />

souvenir edition featuring the banner headlines,<br />

"Good News Coming." The page was<br />

plated with art and a story of the exhibition<br />

at the Aldine.<br />

Record Player Promoted<br />

In 'Stallion' Contest<br />

A "Red Stallion" contest arranged by|<br />

Adolph Baker, city manager for Malco Theatres<br />

in Owenboro, Ky., offered a portable I<br />

electric record player and record albums toF<br />

the children who submitted the best color!<br />

drawing depicting the fight between the beari<br />

and Big Red.<br />

Baker promoted the record player, albums,;<br />

heralds and mats at no cost from cooperating<br />

merchants, and tied up to have entry blanks'<br />

distributed in all art schools and throughout^,<br />

the school system.<br />

BOXOFnCE Showmandiser :: Feb. 7,

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