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Boxoffice-Febuary.07.1948

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THE NATIONAL FILM WEEKLY<br />

PUBLISHED IN<br />

NINE SECTIONAL EDITIONS<br />

BEN SHLYEN<br />

Editor-in-Chief and Publisher<br />

JAMES M. JERAULD Editoi<br />

NATHAN COHEN Associate Ediloi<br />

JESSE SHLYEN .....Managing Editor<br />

IVAN SPEAR<br />

Western Editor<br />

I. HARRY TCLER Equipment Editor<br />

RAYMOND LEVY...._General Manager<br />

Published Every Saturday<br />

by<br />

Ab^^UAiLD PUBLICATIONS<br />

Editorial Offices: 9 Rockeleller Plaza. New York «J,<br />

N f . Raymond Levy, General Manager; lames M.<br />

lerauld, Editor; Chester Friedman, Editor Showmandiser<br />

Section, A. J Stocker, Eastern Representative.<br />

Telephone Columbus 5-6370, 5-6371, 5-6372.<br />

Cable address: BOXOFFICE, New York."<br />

Central Ollices: 332 South Michigan Blvd., Chiccgo<br />

t. 111. I. Harry Toler, Editor Modern Theatre Section<br />

Telephone WAbash 4575.<br />

Western Offices: 5404 Hollywood Blvd., Hollywood<br />

2d. Cain Ivan Spear. Manager. Telephone GLadstone<br />

1186.<br />

Washington Offices: 302-303 International BIdg., 1319<br />

F St., N. W. Lee L Garlmg, Manager. Telephone<br />

WAlional 3482. Fllmrow. 932 New Jersey. N. W. Sara<br />

Young.<br />

London Offices: 136 Wordour St., John Sullivan, Manager.<br />

Telephone Gerrard 3934-5-6.<br />

Publication Offices: 825 Van Brunt Blvd., Kansas City<br />

1, Mo, Nathan Cohen, Associate Editor; Jesse Shlyen,<br />

Managing Editor; Morris Schlozman, Business Manager,<br />

lelephone CHeslnut 7777-78.<br />

Other Publications: BOXOFFICE BAROMETEH,<br />

published in November as a section BOXOFFICE;<br />

THE MODERN<br />

ol<br />

THEATRE, published monthly as a<br />

section ol BOXOFFICE.<br />

ALBANY—21-23 Walter Ave., M. Berrigan.<br />

ATLANTA— 163 Walton, N. W., P. H. Savin.<br />

BIRMINGHAM—The News, Eddie Badger.<br />

BOSTON—Frances W. Harding, 20 Piedmont St., Lib<br />

9814. Home. Com. 4700.<br />

BUFFALO— 157 Audubon Drive, Snyder, Jim Schroder.<br />

CHARLOTTE—216 W. 4th, Pauline Gnflilh.<br />

CHICAGO—332 S. Michigan, Jonas Perlberg, WA-4575.<br />

CINCINNATI— 1634 Central Parkway, Lillian Seltz»r<br />

CLEVELAND—Elsie Loeb, Fairmount 0046.<br />

DENVER— 1645 Lafayette, Jack Rose, TA 8517.<br />

DALLAS^1524 Holland, V. W. Crisp, J8-9780.<br />

DES MOINES—Register & Tribune Bldg., Russ Schoch<br />

D5TROIT— 1009 Fox Theatre Blvd., H. F. R.ves.<br />

Telephones: RA 1100; Night, UN-4-0219.<br />

HARTFORD— 109 Westborne, Allen Widem.<br />

HARRISBURG, PA.—The Telegraph, Lois Fegan.<br />

INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux.<br />

MIAMI—66 S. Hibiscus Island, Mrs. Manlon E. Barwood.<br />

2952 Merrick Rd., Elizabeth Sudlow<br />

MEMPHIS—707 Spring St., Null Adams, Tel. 48-5462<br />

MILWAUKEE-529 N. 13lh, J. R. Gahagan, MA-0297.<br />

MINNEAPOLIS-29 Washington Ave. So., Les Rees<br />

NEW HAVEN^2 Church St., Gertrude Lander.<br />

NEWARK, N. 1—207 Sumner, Sara Carleton<br />

NEW ORLEANS—218 So. Liberty St., Mrs. Jack Auslet<br />

Telephone MA 5812,<br />

OKLAHOMA CITY— 125 NW 15th St., Polly Trindie.<br />

OMAHA—Omaha World-Herald Bldg., Lou Gerdes<br />

PHILADELPHlA-4901 Spruce St., J. M. Mafcler.<br />

PITTSBURGH—86 Van Braani St., R. F, Klingensmith,<br />

RICHMOND-Westhampton Theatre, Sam Pulliam.<br />

ST. LOUIS—5149 Rosa, David Barrett, FL-3727<br />

SALT LAKE CITY—Deseret News, Howard Pearson.<br />

SAN ANTONIO-333 Blum St., L, J. B, Kelner.<br />

SAN FRANCISCO-25 Taylor St., Gail Lipman<br />

ORdway 3-4812.<br />

SEATTLE—928 N. 84th St., Willard Elsey.<br />

TOLEDO-4330 Willys Pkwy., Anna Kline.<br />

IN<br />

CANADA<br />

CALGARY—The Albertan, Wm. Campbell.<br />

MONTREAL-^330 Wilson Ave., N. D. G,, Roy Carmichael.<br />

Walnut 5519.<br />

ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />

TORONTO—242 Milwood, Milton Galbroith.<br />

VANCOUVER-411 Lyric Theatre Bldg., Jack Droy.<br />

VICTORIA—938 Island Highway, Alec Merrlman.<br />

WINNIPEG-The Tribune, Ben Lepkln.<br />

Member Audit Bureau of Circulations<br />

OXOFFICE<br />

SMART MERCHANDISING<br />

«i^ y MART merchandising is Paramount's<br />

policy change which is making "Unconquered" available for<br />

regular-price engagements in April. This is six months afler<br />

the premiere held in Pittsburgh, but it will be as little as three i<br />

months in other parts of the country. Less than 300 advancedadmission<br />

engagements have been played by the picture. So<br />

it has not been "milked" before its availability in sub-key andt<br />

subsequent run situations.<br />

Terming these advanced-price runs as "pre-selling preparation<br />

for this nationwide release," Paramount significantly<br />

points up that it will involve fifty times as many bookings. And<br />

attention also is called to the huge advertising and promotion<br />

campaign that attended the openings on a local area<br />

level. Thus, it is wise to put this picture into general release<br />

before the effect of this advertising and publicity has worn off.<br />

Now, then, if other distributors will follow this good example,<br />

the public demand and the exhibitors' need for good<br />

entertainment will have been met. And much will have been<br />

accomplished toward restoring motion picture patronage,<br />

which was on the downswing.<br />

Another good example is the promotion that Walt Disney<br />

and RKO are putting behind the reissuing of "Bambi.' It isn't<br />

just being dropped into the hopper on a catch-as-catch-can<br />

basis, but it is being accorded the importance of an initial<br />

release. A full-color spread in Life magazine announced its<br />

forthcoming rerelease. That not only shows a confidence on<br />

the part of the producer and distributor, but it also creates a<br />

"desire-to-see" oh the part of the public.<br />

The market is full of reissues these days. But rare is the<br />

instance, if any, in wrhich a proper job of selling, either to the<br />

public or to the exhibitor is evidenced. Many of these pictures<br />

have a greater exhibition value today than they had at the<br />

time of their initial release. Just tossing them in as second<br />

Entereil as SKoni) Class matter at Post Office, Kansas City, Mo.<br />

SKtIonal Edition, $2.00 per year; National Edition, $7.50<br />

Vol. 52 No. 14<br />

FEBRUARY 7, 1948<br />

i

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