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THE NATIONAL FILM WEEKLY<br />
PUBLISHED IN<br />
NINE SECTIONAL EDITIONS<br />
BEN SHLYEN<br />
Editor-in-Chief and Publisher<br />
JAMES M. JERAULD Editoi<br />
NATHAN COHEN Associate Ediloi<br />
JESSE SHLYEN .....Managing Editor<br />
IVAN SPEAR<br />
Western Editor<br />
I. HARRY TCLER Equipment Editor<br />
RAYMOND LEVY...._General Manager<br />
Published Every Saturday<br />
by<br />
Ab^^UAiLD PUBLICATIONS<br />
Editorial Offices: 9 Rockeleller Plaza. New York «J,<br />
N f . Raymond Levy, General Manager; lames M.<br />
lerauld, Editor; Chester Friedman, Editor Showmandiser<br />
Section, A. J Stocker, Eastern Representative.<br />
Telephone Columbus 5-6370, 5-6371, 5-6372.<br />
Cable address: BOXOFFICE, New York."<br />
Central Ollices: 332 South Michigan Blvd., Chiccgo<br />
t. 111. I. Harry Toler, Editor Modern Theatre Section<br />
Telephone WAbash 4575.<br />
Western Offices: 5404 Hollywood Blvd., Hollywood<br />
2d. Cain Ivan Spear. Manager. Telephone GLadstone<br />
1186.<br />
Washington Offices: 302-303 International BIdg., 1319<br />
F St., N. W. Lee L Garlmg, Manager. Telephone<br />
WAlional 3482. Fllmrow. 932 New Jersey. N. W. Sara<br />
Young.<br />
London Offices: 136 Wordour St., John Sullivan, Manager.<br />
Telephone Gerrard 3934-5-6.<br />
Publication Offices: 825 Van Brunt Blvd., Kansas City<br />
1, Mo, Nathan Cohen, Associate Editor; Jesse Shlyen,<br />
Managing Editor; Morris Schlozman, Business Manager,<br />
lelephone CHeslnut 7777-78.<br />
Other Publications: BOXOFFICE BAROMETEH,<br />
published in November as a section BOXOFFICE;<br />
THE MODERN<br />
ol<br />
THEATRE, published monthly as a<br />
section ol BOXOFFICE.<br />
ALBANY—21-23 Walter Ave., M. Berrigan.<br />
ATLANTA— 163 Walton, N. W., P. H. Savin.<br />
BIRMINGHAM—The News, Eddie Badger.<br />
BOSTON—Frances W. Harding, 20 Piedmont St., Lib<br />
9814. Home. Com. 4700.<br />
BUFFALO— 157 Audubon Drive, Snyder, Jim Schroder.<br />
CHARLOTTE—216 W. 4th, Pauline Gnflilh.<br />
CHICAGO—332 S. Michigan, Jonas Perlberg, WA-4575.<br />
CINCINNATI— 1634 Central Parkway, Lillian Seltz»r<br />
CLEVELAND—Elsie Loeb, Fairmount 0046.<br />
DENVER— 1645 Lafayette, Jack Rose, TA 8517.<br />
DALLAS^1524 Holland, V. W. Crisp, J8-9780.<br />
DES MOINES—Register & Tribune Bldg., Russ Schoch<br />
D5TROIT— 1009 Fox Theatre Blvd., H. F. R.ves.<br />
Telephones: RA 1100; Night, UN-4-0219.<br />
HARTFORD— 109 Westborne, Allen Widem.<br />
HARRISBURG, PA.—The Telegraph, Lois Fegan.<br />
INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux.<br />
MIAMI—66 S. Hibiscus Island, Mrs. Manlon E. Barwood.<br />
2952 Merrick Rd., Elizabeth Sudlow<br />
MEMPHIS—707 Spring St., Null Adams, Tel. 48-5462<br />
MILWAUKEE-529 N. 13lh, J. R. Gahagan, MA-0297.<br />
MINNEAPOLIS-29 Washington Ave. So., Les Rees<br />
NEW HAVEN^2 Church St., Gertrude Lander.<br />
NEWARK, N. 1—207 Sumner, Sara Carleton<br />
NEW ORLEANS—218 So. Liberty St., Mrs. Jack Auslet<br />
Telephone MA 5812,<br />
OKLAHOMA CITY— 125 NW 15th St., Polly Trindie.<br />
OMAHA—Omaha World-Herald Bldg., Lou Gerdes<br />
PHILADELPHlA-4901 Spruce St., J. M. Mafcler.<br />
PITTSBURGH—86 Van Braani St., R. F, Klingensmith,<br />
RICHMOND-Westhampton Theatre, Sam Pulliam.<br />
ST. LOUIS—5149 Rosa, David Barrett, FL-3727<br />
SALT LAKE CITY—Deseret News, Howard Pearson.<br />
SAN ANTONIO-333 Blum St., L, J. B, Kelner.<br />
SAN FRANCISCO-25 Taylor St., Gail Lipman<br />
ORdway 3-4812.<br />
SEATTLE—928 N. 84th St., Willard Elsey.<br />
TOLEDO-4330 Willys Pkwy., Anna Kline.<br />
IN<br />
CANADA<br />
CALGARY—The Albertan, Wm. Campbell.<br />
MONTREAL-^330 Wilson Ave., N. D. G,, Roy Carmichael.<br />
Walnut 5519.<br />
ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />
TORONTO—242 Milwood, Milton Galbroith.<br />
VANCOUVER-411 Lyric Theatre Bldg., Jack Droy.<br />
VICTORIA—938 Island Highway, Alec Merrlman.<br />
WINNIPEG-The Tribune, Ben Lepkln.<br />
Member Audit Bureau of Circulations<br />
OXOFFICE<br />
SMART MERCHANDISING<br />
«i^ y MART merchandising is Paramount's<br />
policy change which is making "Unconquered" available for<br />
regular-price engagements in April. This is six months afler<br />
the premiere held in Pittsburgh, but it will be as little as three i<br />
months in other parts of the country. Less than 300 advancedadmission<br />
engagements have been played by the picture. So<br />
it has not been "milked" before its availability in sub-key andt<br />
subsequent run situations.<br />
Terming these advanced-price runs as "pre-selling preparation<br />
for this nationwide release," Paramount significantly<br />
points up that it will involve fifty times as many bookings. And<br />
attention also is called to the huge advertising and promotion<br />
campaign that attended the openings on a local area<br />
level. Thus, it is wise to put this picture into general release<br />
before the effect of this advertising and publicity has worn off.<br />
Now, then, if other distributors will follow this good example,<br />
the public demand and the exhibitors' need for good<br />
entertainment will have been met. And much will have been<br />
accomplished toward restoring motion picture patronage,<br />
which was on the downswing.<br />
Another good example is the promotion that Walt Disney<br />
and RKO are putting behind the reissuing of "Bambi.' It isn't<br />
just being dropped into the hopper on a catch-as-catch-can<br />
basis, but it is being accorded the importance of an initial<br />
release. A full-color spread in Life magazine announced its<br />
forthcoming rerelease. That not only shows a confidence on<br />
the part of the producer and distributor, but it also creates a<br />
"desire-to-see" oh the part of the public.<br />
The market is full of reissues these days. But rare is the<br />
instance, if any, in wrhich a proper job of selling, either to the<br />
public or to the exhibitor is evidenced. Many of these pictures<br />
have a greater exhibition value today than they had at the<br />
time of their initial release. Just tossing them in as second<br />
Entereil as SKoni) Class matter at Post Office, Kansas City, Mo.<br />
SKtIonal Edition, $2.00 per year; National Edition, $7.50<br />
Vol. 52 No. 14<br />
FEBRUARY 7, 1948<br />
i