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TT NOW LOOKS TO BE FAIRLY definite<br />

that Warners will sign a consent judgment<br />

and bow out of what used to be called<br />

the Paramount case. Among the theatreowning<br />

defendants, only Loew's and Fox are<br />

expected to go to the bar in the December 6<br />

argument. Neither of them has shown any<br />

sign of crying "uncle."<br />

Down here nobody is leaking the details<br />

of the decree as it is being whipped into<br />

shape for signing. Prom New York the word<br />

comes down that the new decree will be patterned<br />

after the RKO settlement, but we do<br />

not have much more detail than that. Plus<br />

word from New York and clear indications<br />

here that the government would never agree<br />

to any division of the Warner properties<br />

which left the brothers Warner at the helm<br />

of both the theatre and production outfits.<br />

WASHINGTON AREA exhibitors and exchange<br />

leaders roUed up their sleeves this<br />

week and got together with a view to working<br />

out a real industrywide public relations<br />

program at the local level. Initiative was<br />

that of Julian Brylawski, MPTO president<br />

serving his 28th annual term.<br />

MPTO was host at a luncheon that lasted<br />

more than three hours, with better than 50<br />

exhibitors and exchange managers on hand.<br />

An underlying idea was that if the industry<br />

is to do a job of selling the public, it must<br />

present a united front—and that means that<br />

there must first be harmony within.<br />

As Brylawski put it, "what we must do is<br />

clean out the irritating background noises<br />

that might interfere with the concert."<br />

So most of the talk at the first meeting was<br />

about .sources of common friction between<br />

exhibitors and distributors, such things as<br />

print inspection, availability, condition, etc.<br />

At the next session, in a few weeks, it is<br />

hoped the discussion will get around to a program<br />

for selling the film industry to the<br />

public—but if it is again devoted mainly to<br />

talking out intra -industry problems the longrun<br />

benefit will probably be as great.<br />

LAWYERS FOR THE MAJOR distributors<br />

told the Supreme Coui-t this week there is no<br />

reason for the court to review the lower court<br />

rebuff to the Fifth & Walnut Amusement Co.,<br />

of Louisville, Ky. The company's request for<br />

high court hearing, they said, was "incomplete<br />

and misleading" and offers no new<br />

legal principles on which to base a rehearing.<br />

The case has aroused national interest because<br />

the appeal is based upon the attempt<br />

by the plaintiff to use the Supreme Court's<br />

decision in the Paramount case as proof of<br />

conspiracy to block Fifth & Walnutls theatre<br />

in Louisville—the National—from first run<br />

bookings. This evidence was refused by the<br />

district court, and again by the circuit court<br />

of appeals.<br />

The defendant counsel argued in a brief<br />

filed this week that as a matter of fact there<br />

is no final decree in the Paramoimt case,<br />

and claimed that the Department of Justice<br />

and Judge A. N. Hand of the circuit court<br />

of appeals recognize this fact. Judge Hand<br />

is also a member of the three-judge court<br />

which must decide on a final judgment in<br />

the Paramount case.<br />

In addition to attacking the Fifth & Walnut<br />

allegations about illegal combination, the<br />

34<br />

^eficnt<br />

By ALAN HERBERT<br />

Truman to Attend Debut<br />

Of MPAA's Theatre<br />

WASHINGTON — President Truman<br />

will attend the formal opening of the<br />

new $125,000 screening room at the Motion<br />

Picture Ass'n of Ajnerica offices<br />

Tuesday i22i. Eric Johnston, cabinet<br />

officers, leading producers and chain<br />

heads will be on hand. Called the<br />

Academia, the 70-seat structure is done<br />

in Grecian style, combining elaborate<br />

classical decor with the very latest in<br />

modern equipment.<br />

distributor counsel said the National Theatre,<br />

built in 1912. has had a "long career of unsuccessful<br />

operation." Before coming under<br />

its present ownership it was dropped successively<br />

by RKO, Switow, Crescent and Great<br />

States circuits. It is in new hands today,<br />

with the Fifth & Walnut organizers to share<br />

in the proceeds of this case, if there is an<br />

award.<br />

The lawyers pointed out that the National<br />

was offered the Fourth Avenue Amusement<br />

Co. some time ago at $85,000. but that the<br />

company took the Strand at $225,000 because<br />

it was .so obvious the Strand would be a<br />

better business proposition. The Strand i.s<br />

one of the first run houses about which<br />

Fifth & Walnut was complaining.<br />

ERIC JOHNSTON, president of the Motion<br />

Pictm-e A.ss'n of America, said this week he<br />

is confident the major part of the blocked<br />

currency accounts of American film companies<br />

will eventually come back to the companies<br />

in the form of dollars. He told reporters<br />

he sees no reason to write off these<br />

accounts, even though currency devaluation<br />

and other factors may operate to shrink<br />

them.<br />

Johnston mentioned, off the record, some<br />

means whereby the Motion Picture Export<br />

Ass'n is managing to get dollars from overseas.<br />

In some cases, the procedure involves<br />

large-scale merchandising operations.<br />

The MPAA president refused to discuss the<br />

British production situation at length, although<br />

he said he doubts that J. Arthur Rank<br />

will ever retire from film production, as Rank<br />

threatened last week. Curtailment has already<br />

taken place, but Johnston could not<br />

say whether a further cutback of Rank's production<br />

schedule will be needed.<br />

Sir Harold Wilson, president of the British<br />

Board of Trade, is due to meet here Sunday<br />

with Johnston. Wilson will be here for a<br />

meeting of the International Food and Agriculture<br />

Organization.<br />

THEATRE TELEVISION pitches were registered<br />

this week by the Theatre Owners of<br />

Oklahoma and the Sidney Lust circuit. Washington.<br />

D. C. Both asked the Federal Communications<br />

commission to set aside channels<br />

for the theatre video, in petitions not<br />

basically dissimilar from those filed last week<br />

by the MPTO of West Virginia and the Walter<br />

Reade circuit.<br />

Eric Johnston to House:<br />

Need Interpretations<br />

Of Antitrust Laws<br />

WASHINGTON—Ignorance of the law and<br />

of what interpretations the courts will place<br />

upon the various antitrust statutes has been<br />

the chief cause of the numerous difficulties<br />

of the major motion picture companies, Eric<br />

Johnston, president of the Motion Picture<br />

Ass'n of America, said this week. Industry<br />

difficulties with the antitrust statutes would<br />

dwindle to a minimum—and few would have<br />

occurred at all—were there some means for<br />

company executives to get reliable guidance<br />

from government agencies on projected steps<br />

which might lie in the domain of the antitrust<br />

laws.<br />

NO CARTELS INVOLVED<br />

Johnston told the house judiciary committee<br />

that the Motion Picture Export Ass'n, of<br />

which he is also president, had at no time<br />

this spring sought to conclude an agreement<br />

with the leaders of the British industry<br />

which would be in violation of the antitrust<br />

laws. He took sharp issue with SIMPP President<br />

Ellis Arnall's charge that through the<br />

Anglo-American Film Council MPEA had<br />

planned to work out a cartel-like arrangement<br />

whereby its members and the British<br />

"divide up the British and American markets<br />

between them."<br />

Committee members questioned Johnston<br />

at some length on film industry matters, although<br />

his statement dealt with general<br />

problems of small business and big business.<br />

Chairman Emanuel Celler sought repeatedly<br />

to draw the MPAA head into a discussion of<br />

the government antitrust case against the<br />

majors, but Johnston maintained that MPAA<br />

was not a party to the suit, had never been<br />

involved in any antitrust suit, and that he<br />

personally did not know enough of the business<br />

of exhibiting motion pictures to speak<br />

with authority.<br />

On the other hand, he said. "I do know<br />

enough of the men who make the decisions 15<br />

the motion picture industry to know that<br />

they are fine, upstanding gentlemen and that<br />

they do not want to violate the law." He conceded<br />

that some of the court decisions against<br />

the majors read as if they were "the blackest<br />

sheep in the flock," but said that impression<br />

is absolutely unjustified. He pointed to their<br />

record of wartime sacrifice, stating that the<br />

film Industry is the only one to give its<br />

product to the government free in wartime,<br />

and the only one to spend money in peacetime<br />

to distribute its product overseas.<br />

NEED ADVANCE INFORMATION<br />

"If they could get the information in advance<br />

which would enable them to tell what<br />

is permitted under law and what is not, you<br />

would have no further trouble with these<br />

men," Johnston said.<br />

Industry in general is hamstrung by complicated<br />

statutory restrictions, he said, with<br />

the result that "too many corporations today<br />

are being run by lawyers. That is certainly<br />

true of the motion picture industry."<br />

Johnston's suggestion that some government<br />

agency—perhaps the Federal Trade<br />

Commission—be empowered to tell business- |<br />

men whether projected plans rim afoul of<br />

the law was received kindly by several com- \<br />

mittee members, but Rep. Francis D. Walter.<br />

. doctrinaire<br />

(D.1, Pa., foimd it "dangerous<br />

thinking."<br />

BOXOFFICE November 19, 1949

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