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J.<br />
Ti^^f^Aut^toH'<br />
TT NOW LOOKS TO BE FAIRLY definite<br />
that Warners will sign a consent judgment<br />
and bow out of what used to be called<br />
the Paramount case. Among the theatreowning<br />
defendants, only Loew's and Fox are<br />
expected to go to the bar in the December 6<br />
argument. Neither of them has shown any<br />
sign of crying "uncle."<br />
Down here nobody is leaking the details<br />
of the decree as it is being whipped into<br />
shape for signing. Prom New York the word<br />
comes down that the new decree will be patterned<br />
after the RKO settlement, but we do<br />
not have much more detail than that. Plus<br />
word from New York and clear indications<br />
here that the government would never agree<br />
to any division of the Warner properties<br />
which left the brothers Warner at the helm<br />
of both the theatre and production outfits.<br />
WASHINGTON AREA exhibitors and exchange<br />
leaders roUed up their sleeves this<br />
week and got together with a view to working<br />
out a real industrywide public relations<br />
program at the local level. Initiative was<br />
that of Julian Brylawski, MPTO president<br />
serving his 28th annual term.<br />
MPTO was host at a luncheon that lasted<br />
more than three hours, with better than 50<br />
exhibitors and exchange managers on hand.<br />
An underlying idea was that if the industry<br />
is to do a job of selling the public, it must<br />
present a united front—and that means that<br />
there must first be harmony within.<br />
As Brylawski put it, "what we must do is<br />
clean out the irritating background noises<br />
that might interfere with the concert."<br />
So most of the talk at the first meeting was<br />
about .sources of common friction between<br />
exhibitors and distributors, such things as<br />
print inspection, availability, condition, etc.<br />
At the next session, in a few weeks, it is<br />
hoped the discussion will get around to a program<br />
for selling the film industry to the<br />
public—but if it is again devoted mainly to<br />
talking out intra -industry problems the longrun<br />
benefit will probably be as great.<br />
LAWYERS FOR THE MAJOR distributors<br />
told the Supreme Coui-t this week there is no<br />
reason for the court to review the lower court<br />
rebuff to the Fifth & Walnut Amusement Co.,<br />
of Louisville, Ky. The company's request for<br />
high court hearing, they said, was "incomplete<br />
and misleading" and offers no new<br />
legal principles on which to base a rehearing.<br />
The case has aroused national interest because<br />
the appeal is based upon the attempt<br />
by the plaintiff to use the Supreme Court's<br />
decision in the Paramount case as proof of<br />
conspiracy to block Fifth & Walnutls theatre<br />
in Louisville—the National—from first run<br />
bookings. This evidence was refused by the<br />
district court, and again by the circuit court<br />
of appeals.<br />
The defendant counsel argued in a brief<br />
filed this week that as a matter of fact there<br />
is no final decree in the Paramoimt case,<br />
and claimed that the Department of Justice<br />
and Judge A. N. Hand of the circuit court<br />
of appeals recognize this fact. Judge Hand<br />
is also a member of the three-judge court<br />
which must decide on a final judgment in<br />
the Paramount case.<br />
In addition to attacking the Fifth & Walnut<br />
allegations about illegal combination, the<br />
34<br />
^eficnt<br />
By ALAN HERBERT<br />
Truman to Attend Debut<br />
Of MPAA's Theatre<br />
WASHINGTON — President Truman<br />
will attend the formal opening of the<br />
new $125,000 screening room at the Motion<br />
Picture Ass'n of Ajnerica offices<br />
Tuesday i22i. Eric Johnston, cabinet<br />
officers, leading producers and chain<br />
heads will be on hand. Called the<br />
Academia, the 70-seat structure is done<br />
in Grecian style, combining elaborate<br />
classical decor with the very latest in<br />
modern equipment.<br />
distributor counsel said the National Theatre,<br />
built in 1912. has had a "long career of unsuccessful<br />
operation." Before coming under<br />
its present ownership it was dropped successively<br />
by RKO, Switow, Crescent and Great<br />
States circuits. It is in new hands today,<br />
with the Fifth & Walnut organizers to share<br />
in the proceeds of this case, if there is an<br />
award.<br />
The lawyers pointed out that the National<br />
was offered the Fourth Avenue Amusement<br />
Co. some time ago at $85,000. but that the<br />
company took the Strand at $225,000 because<br />
it was .so obvious the Strand would be a<br />
better business proposition. The Strand i.s<br />
one of the first run houses about which<br />
Fifth & Walnut was complaining.<br />
ERIC JOHNSTON, president of the Motion<br />
Pictm-e A.ss'n of America, said this week he<br />
is confident the major part of the blocked<br />
currency accounts of American film companies<br />
will eventually come back to the companies<br />
in the form of dollars. He told reporters<br />
he sees no reason to write off these<br />
accounts, even though currency devaluation<br />
and other factors may operate to shrink<br />
them.<br />
Johnston mentioned, off the record, some<br />
means whereby the Motion Picture Export<br />
Ass'n is managing to get dollars from overseas.<br />
In some cases, the procedure involves<br />
large-scale merchandising operations.<br />
The MPAA president refused to discuss the<br />
British production situation at length, although<br />
he said he doubts that J. Arthur Rank<br />
will ever retire from film production, as Rank<br />
threatened last week. Curtailment has already<br />
taken place, but Johnston could not<br />
say whether a further cutback of Rank's production<br />
schedule will be needed.<br />
Sir Harold Wilson, president of the British<br />
Board of Trade, is due to meet here Sunday<br />
with Johnston. Wilson will be here for a<br />
meeting of the International Food and Agriculture<br />
Organization.<br />
THEATRE TELEVISION pitches were registered<br />
this week by the Theatre Owners of<br />
Oklahoma and the Sidney Lust circuit. Washington.<br />
D. C. Both asked the Federal Communications<br />
commission to set aside channels<br />
for the theatre video, in petitions not<br />
basically dissimilar from those filed last week<br />
by the MPTO of West Virginia and the Walter<br />
Reade circuit.<br />
Eric Johnston to House:<br />
Need Interpretations<br />
Of Antitrust Laws<br />
WASHINGTON—Ignorance of the law and<br />
of what interpretations the courts will place<br />
upon the various antitrust statutes has been<br />
the chief cause of the numerous difficulties<br />
of the major motion picture companies, Eric<br />
Johnston, president of the Motion Picture<br />
Ass'n of America, said this week. Industry<br />
difficulties with the antitrust statutes would<br />
dwindle to a minimum—and few would have<br />
occurred at all—were there some means for<br />
company executives to get reliable guidance<br />
from government agencies on projected steps<br />
which might lie in the domain of the antitrust<br />
laws.<br />
NO CARTELS INVOLVED<br />
Johnston told the house judiciary committee<br />
that the Motion Picture Export Ass'n, of<br />
which he is also president, had at no time<br />
this spring sought to conclude an agreement<br />
with the leaders of the British industry<br />
which would be in violation of the antitrust<br />
laws. He took sharp issue with SIMPP President<br />
Ellis Arnall's charge that through the<br />
Anglo-American Film Council MPEA had<br />
planned to work out a cartel-like arrangement<br />
whereby its members and the British<br />
"divide up the British and American markets<br />
between them."<br />
Committee members questioned Johnston<br />
at some length on film industry matters, although<br />
his statement dealt with general<br />
problems of small business and big business.<br />
Chairman Emanuel Celler sought repeatedly<br />
to draw the MPAA head into a discussion of<br />
the government antitrust case against the<br />
majors, but Johnston maintained that MPAA<br />
was not a party to the suit, had never been<br />
involved in any antitrust suit, and that he<br />
personally did not know enough of the business<br />
of exhibiting motion pictures to speak<br />
with authority.<br />
On the other hand, he said. "I do know<br />
enough of the men who make the decisions 15<br />
the motion picture industry to know that<br />
they are fine, upstanding gentlemen and that<br />
they do not want to violate the law." He conceded<br />
that some of the court decisions against<br />
the majors read as if they were "the blackest<br />
sheep in the flock," but said that impression<br />
is absolutely unjustified. He pointed to their<br />
record of wartime sacrifice, stating that the<br />
film Industry is the only one to give its<br />
product to the government free in wartime,<br />
and the only one to spend money in peacetime<br />
to distribute its product overseas.<br />
NEED ADVANCE INFORMATION<br />
"If they could get the information in advance<br />
which would enable them to tell what<br />
is permitted under law and what is not, you<br />
would have no further trouble with these<br />
men," Johnston said.<br />
Industry in general is hamstrung by complicated<br />
statutory restrictions, he said, with<br />
the result that "too many corporations today<br />
are being run by lawyers. That is certainly<br />
true of the motion picture industry."<br />
Johnston's suggestion that some government<br />
agency—perhaps the Federal Trade<br />
Commission—be empowered to tell business- |<br />
men whether projected plans rim afoul of<br />
the law was received kindly by several com- \<br />
mittee members, but Rep. Francis D. Walter.<br />
. doctrinaire<br />
(D.1, Pa., foimd it "dangerous<br />
thinking."<br />
BOXOFFICE November 19, 1949