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Boxoffice-11.04.1950

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k.<br />

OKLAHOMA CITY GROSSES SLIP<br />

BUT SNEAK PATRONAGE GAINS<br />

Spread of Preview Practice<br />

Disturbs Some of City's<br />

Exhibitors<br />

By POLLY TRINDLE<br />

OKLAHOMA CITY—At least 4,000 persons<br />

are seeing free top pictures in Oklahoma<br />

City every week. Some estimate the local<br />

number of free viewers of major products<br />

each week as high as between 5,000 and<br />

6,000. It you take the more conservative estimate,<br />

it still is significant.<br />

And if it prevails all over the nation, the<br />

practice must involve a substantial hunk of<br />

dough.<br />

The reason for the business "treat" is the<br />

sneak preview that was coined, apparently,<br />

a year or so back to promote a top grade<br />

film prior to its release, through the media<br />

of word by mouth—a few hundred persons<br />

or so caught the show and told theii' friends<br />

—it is intended to be a boxoffice draw.<br />

PATRONS GO FOR BARGAIN<br />

Well, today in Oklahoma City the sneak<br />

previews are almost a dime a dozen ... at<br />

least three a week. Often there are from<br />

five to six a week. The people are bright<br />

enough to catch on. All openings are slow.<br />

The potential boxoffice is patiently waiting<br />

for the ad Sneak Preview Tonight, an outstanding<br />

new feature of a major studio, plus<br />

the regular first run top grade film, axid all<br />

for the price of one show. And then, and<br />

not till then, the theatregoers turn out. The<br />

sneak previews have been packing them in.<br />

They stand in the aisles, and many would-be<br />

ticket buyers are disappointed and are turned<br />

away at the jam-packed theatre door.<br />

Some of the sneak pictures shown here are<br />

a week to two weeks in advance of their<br />

first run in the main downtown houses. It's<br />

pretty well becoming a regular policy, and<br />

the people are refraining from catching the<br />

show first run, which is affecting the second<br />

run business, and will move on through the<br />

different runs if the second run nouses get<br />

to sneak show, too.<br />

SECOND RUNS ASKING IT<br />

Yes, the second run theatres here are now<br />

asking for sneak shows, and it looks from<br />

here as if the suburban houses will start with<br />

the policy, although some of the second run<br />

theatre operators indicate they would prefer<br />

not to. The consensus of the exhibitors is<br />

that it's poor show business. They agreed it<br />

is a cut-throat type of competition and they<br />

don't want to climb aboard the sneak preview<br />

bandwagon, but might in retaliation.<br />

It's reducing the boxoffice potentialities<br />

through all runs, and might just be that<br />

straw to break the proverbial camel's back<br />

in regard to the third, fourth and fifth run<br />

places that are in for a tight squeeze if not<br />

closed doors, unless something is done to<br />

regulate the thing, according to one suburban<br />

house operator.<br />

"And people are wondering and worrying<br />

about the show business," said Bob Busch of<br />

CARTOONVILLE AT DRIVE-IN—The kiddy playground at the Sky-Vue Drive-In<br />

at Oklahoma City features characters painted on the fence and on the equipment.<br />

The kiddy rides and the painted figures are a big drawing card.<br />

the Uptown and Villa. "Show business is in<br />

such a state now that we have to give away<br />

the product to merchandise it."<br />

Busch also commented that sneak previews<br />

are being run in some of the state's smallest<br />

towns. "And. you know the practice must be<br />

cutting down on gross receipts," he declared.<br />

A survey of main downtown theatres disclosed<br />

that business is mostly dull. A top<br />

grade product. "Glass Menagerie," was doing<br />

"not bad," while "The Miniver Story," did<br />

"pretty fair." Paul Townsend of the Midwest,<br />

where the films were shown, thought<br />

the primary reason for weak boxoffice was<br />

the weather. It's been unseasonably warm<br />

this autumn which doesn't bring the people<br />

into the film houses.<br />

At the Center. Dean Davis, manager, also<br />

blamed the weather for a portion of the industry's<br />

slow business. He said it has a<br />

bearing on it. but isn't the whole answer.<br />

Business in the city has dropped off gradually<br />

in the last four or five months. One exhibitor<br />

said it was the worst since the depression.<br />

All situations are hurt, but the first<br />

run houses seem to be hurt the most.<br />

Exhibitors are wondering if it's because<br />

business is being divided up. which doesn't<br />

appear so; if television is hurting, which isn't<br />

so, in the opinion of Townsend. Also, if it's<br />

the good weather, and this certainly must<br />

have something to do with it. The days have<br />

ranged in temperature from about 80 to 90<br />

for weeks, an unseasonal situation that encourages<br />

people to be out and participate in<br />

the more diversions available in fine weather.<br />

The first run houses put some of the blame<br />

on the surburban houses, saying the people<br />

living in the outlaying areas take in the<br />

neighborhood shows, but Busch said it wasn't<br />

the answer in his case as his houses were not<br />

picking up the business.<br />

So the question is still there. What is causing<br />

the alarming slack in show business?<br />

Ritz Adds New Equipment<br />

DUNCAN, OKLA.—New sound equipment<br />

and a new concrete floor were added to the<br />

Ritz Theatre here which recently was remodeled<br />

at a cost of $3,500.<br />

Blue Bonnet Drive-In<br />

Open at San Antonio<br />

SAN ANTONIO — Hiram Parks and the<br />

Lutzer Bros, opened their new Blue Bonnet<br />

Drive-In on Highway 90 and 36th street Saturday<br />

(28) with "The Gal Who Took the<br />

West" and "Johnny Stool Pigeon."<br />

Motiograph machines with five lenses were<br />

installed in the airer by Modern Theatre<br />

Equipment Co., Dallas. The concession stand<br />

is ultramodern and was put in by Dallas<br />

Fountain and Supply Co. Other installations<br />

are by Bexar County Neon Co., Stitch Electrical<br />

Co. and Sandoval Plumbing Co. of<br />

Houston, Charles E. Darden Co., Manley Popcorn<br />

Co.. Dallas, and Jack Jarrell, Turnertown.<br />

Joe H. Strawn, Fort Worth, who formerly<br />

was a west Texas theatreman, is managing<br />

the drive-in. Programs are changed four<br />

times each week, with an admission price of<br />

50 cents for adults. More than 600 in-car<br />

speakers were installed. A free bottle warming<br />

service is provided for babies and there<br />

is a large playground with swings, rides and<br />

slides.<br />

G. Strawn, the manager's brother, was the<br />

builder. Among those attending the opening<br />

were Henry Sorenson of Dallas, Mr. and Mrs.<br />

Gordon Dunlap, Mr. and Mrs. Jewel Truex<br />

and John W. and Lester J. Kentner, representing<br />

the tradepress.<br />

Grainger in Southwest<br />

For Several Affairs<br />

DALLAS — James R. Grainger, Republic<br />

vice-president in charge of sales and distribution,<br />

arrived here Tuesday (31) en route<br />

to San Antonio for the opening of the John<br />

Ford picture, "Rio Grande," at the Interstate<br />

Majestic Theatre Wednesday.<br />

He attended the Theatre Owners of America<br />

dinner at Houston the following day, and<br />

then left for New Orleans and Detroit prior<br />

to his return to New York November 13.<br />

BOXOFFICE :: November 4, 1950 sw 75

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