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IkRIETY IN CONTEMPORARY THEATRE LIGHTING FIXTURES<br />
VCbJelJI For the Ultra-Smart Touch in the Foyer<br />
fiKst<br />
I r«nnessee Theatre Nashville. Tenn<br />
A Custom-Made Grille Enhances a Lighting Arco<br />
Lee Theatre fort Let. N J<br />
Fluorescent Tubes Paired with Flush Lighting Fixtures<br />
Unirersitf Theatre Toronto, Canada<br />
them to walk with safety from one point passing moment. This, of course, requires<br />
tot each tlffi to another. However, the exhibitor who distinctive lighting, over and above the<br />
only provides enough illumination for general atmospheric lighting of the area.<br />
safety is not taking into consideration one<br />
Restrooms and lounges are probably<br />
of the most important economically valuparamount<br />
among all places in the theatre<br />
;e,ainiist K ^ble attributes of light—namely, that it<br />
can enhance the appearance of a room,<br />
:e<br />
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ited<br />
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some codes<br />
and<br />
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that it can show the room off to the best<br />
architectural advantage, and that it can<br />
very subtly play on the emotions of the<br />
patron, so that he will subsconsciously say.<br />
"I want to come back."<br />
Practically all theatre operators provide<br />
some type of display, by billboards, posters,<br />
and the like, to announce coming attractions,<br />
especially in the lobby or foyer. These<br />
display units should have an adequate<br />
amount of extra lighting upon them, to<br />
achieve two objectives— (1) to make the<br />
public aware of their presence, and (2t to<br />
make the message of the display easily and<br />
quickly read. It is very rarely that a customer,<br />
on leaving the theatre, will devote<br />
more than a passing glance to such a display—and<br />
therefore the exhibitor must so<br />
illuminate it that the complete selling message<br />
can be presented to the patron in that<br />
where the reputation of the house may be<br />
at stake. It is obvious, first, that the general<br />
subject of sanitation must always be<br />
kept prominently in mind in this connection.<br />
One of the most effective ways of<br />
assuring adequate sanitation is by way of<br />
suitable lighting—and not yielding to the<br />
temptation to economize on light at this<br />
point.<br />
Dimly lighted restrooms seem somehow<br />
to imply poorly kept and maintained restrooms,<br />
and the converse is also true. A<br />
further important factor is that brightly<br />
lighted rooms in these areas will show up<br />
any dirt conditions and dust, not only to<br />
the customers, but to the theatre staff<br />
and thereby vastly encourage cleanliness<br />
and a high standard of maintenance.<br />
There are a couple of new developments<br />
in connection with washroom lighting that<br />
merit the attention of the theatre owner.<br />
Giant Fluorescent Tubes tor<br />
Color and Spectacle<br />
Northgate Theatre Seattle, Waih<br />
One of these is the use of germicidal lamps<br />
in the toilet area, and especially around the<br />
seat or bowl. These are designed to kill the<br />
germs in the area, and have become Increasingly<br />
famiUar to the public, especially<br />
in coin-lock and some of the betteroperated<br />
public restrooms. In view of the<br />
potency of these lamps, they should be installed<br />
in properly designed fixtures, and<br />
should be properly located.<br />
Another recent development is the use of<br />
ozone lamps in the toilet area to kill odors.<br />
This product, like the germicidal lamp, is<br />
both quite inexpensive and easily installed<br />
—as well as being remarkably effective. For<br />
instance, a small four-watt ozone lamp<br />
will effectively rid odors from a 1.000 cubic<br />
foot room—one ten feet square by ten feet<br />
high.<br />
Mirrors are often Improperlj' handled in<br />
connection with lighting in men's lounges<br />
and women's powder rooms, in my opinion.<br />
This is because there is often either no provision<br />
for local lighting, or, if provided, it<br />
is likely to be at the wrong place. Despite<br />
Continued on nett page<br />
SECHO<br />
HEATHE<br />
»"^ BOXOFFICE October 4. 1952