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Boxoffice-October.04.1952

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—<br />

45-POINT<br />

REPORT<br />

Continued from page 3<br />

THOUSANDS OF EXHIBITORS<br />

rates be checked. This is a large operatic<br />

expense.<br />

18. Power and light companies charg<br />

nothing for advice about your electrica<br />

operating equipment.<br />

19. Are you getting maximum screen illu<br />

mination from your projector light souro<br />

to your screen?<br />

''fotect the heor«<br />

With<br />

RCA SERVICE<br />

and there's a reason why:<br />

RCA SERVICE is<br />

Prompt • Efficient • Courteous<br />

RCA Service Company, Inc.<br />

A RADIO CORPORATION OF AMERICA SUBSIDIARY<br />

CAMDEN, NEW JERSEY<br />

20. A fresh paint job will give those varii<br />

ous spaces a clean and new appearance<br />

Oil paint is recommended.<br />

21. We find 130-volt incandescent lampi]<br />

for theatre signs and marquees last longeii<br />

and reduce maintenance.<br />

22. The loss of the small amount of illu<br />

mination by using an over-rated voltagi<br />

lamp is insignificant in comparison to thi<br />

saving effected.<br />

23. The same applies to theatre interio<br />

incandescent lamps. Suppose you were us<br />

ing 120-volt lamps and your circuit voltagi<br />

was 120 volts. There are many surges or<br />

your incoming light service which maj<br />

vary upwards to the full 130 volts, there<br />

fore if you were using 120-volt lamps thi<br />

lamp filament would deteriorate quiti<br />

rapidly.<br />

24. It is wise when selecting equipment U<br />

order something standard and make sun<br />

replacement parts can be obtained.<br />

25. Hanging and suspended lighting fiX'<br />

tures seem to be a thing of the past in ne»<br />

theatres and those which are remodeled.<br />

a'i<br />

K'l:<br />

im<br />

ml<br />

HERE'S A PROFOUND STATEMENT:<br />

^i^d a Mattel o^ 0fUniO4t<br />

We at Raytone have been boosting wide angle vision for years.<br />

Today two systems are available ... a fluctuating light surround,<br />

or the system we believe in ... a steady light surround<br />

of constant, low intensity level. Day or night, the human eye<br />

views a panorama in constant light.<br />

That's the system for us<br />

the one most nearly approaching normal viewing conditions.<br />

We CAN give you wide angle vision. It's a tremendous step<br />

forward. Our new system, the TRANSGENIC SCREEN<br />

SURROUND will be marketed in November. It will also be the<br />

ideal stage treatment when true Third-Dimension projection<br />

arrives.<br />

Need a new screen?<br />

Try Pantex . . . the best screen<br />

your money con buy.<br />

Stays white. Tearproof. Rantni!<br />

Washable. All vinyl plastic SCREEN CORPORATION<br />

I6i ClOIMONI AVtNl* • BBOOKllfN S NfW »««<br />

36<br />

SEE OUR NEW SCREEN SURROUND AT BOOTH 16<br />

TESMA TRADE SHOW<br />

26. The new method of lighting is re<br />

cessed spots (R-40 type) under marquees<br />

lobbys, foyers, restrooms and auditorium.<br />

27. Where colored hghting effects are re-i<br />

quired for the auditorium, recessed neor<br />

coves have been adopted by many lighting<br />

engineers.<br />

28. Eliminate all possible glare from the<br />

patrons. There should be no light leak* ^,<br />

from exit signs or lighting fixtures.<br />

29. Hanging exit signs with edge hghtinf<br />

for auditoriums are recommended.<br />

30. Many exhibitors have put those proi te<br />

jection room effect machines back intc<br />

operation. Lighting effects are very pleaS'<br />

ing during intermission.<br />

31. We find many progressive manager!<br />

who keep trying to improve their operation<br />

Equipment dealers may have somethint<br />

new. Keep up with the times.<br />

32. Keep vertical and roof signs, als(A{^<br />

marquees, clean and in good condition.<br />

33. Dress up that shabby looking boxoffice.<br />

34. Perhaps a new boxoffice may changi<br />

the entire appearance of the lobby.<br />

35. Business is not that bad. Torn, dirt;<br />

and uncomfortable seats will drive awa;<br />

business.<br />

36. A check on a few situations reveal<br />

music in most theatres during intermis<br />

The MODERN THEATRE SECTION<br />

a: til<br />

!i.L<br />

m<br />

iSll<br />

Tli<br />

im<br />

8.1<br />

(Al

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