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—<br />
45-POINT<br />
REPORT<br />
Continued from page 3<br />
THOUSANDS OF EXHIBITORS<br />
rates be checked. This is a large operatic<br />
expense.<br />
18. Power and light companies charg<br />
nothing for advice about your electrica<br />
operating equipment.<br />
19. Are you getting maximum screen illu<br />
mination from your projector light souro<br />
to your screen?<br />
''fotect the heor«<br />
With<br />
RCA SERVICE<br />
and there's a reason why:<br />
RCA SERVICE is<br />
Prompt • Efficient • Courteous<br />
RCA Service Company, Inc.<br />
A RADIO CORPORATION OF AMERICA SUBSIDIARY<br />
CAMDEN, NEW JERSEY<br />
20. A fresh paint job will give those varii<br />
ous spaces a clean and new appearance<br />
Oil paint is recommended.<br />
21. We find 130-volt incandescent lampi]<br />
for theatre signs and marquees last longeii<br />
and reduce maintenance.<br />
22. The loss of the small amount of illu<br />
mination by using an over-rated voltagi<br />
lamp is insignificant in comparison to thi<br />
saving effected.<br />
23. The same applies to theatre interio<br />
incandescent lamps. Suppose you were us<br />
ing 120-volt lamps and your circuit voltagi<br />
was 120 volts. There are many surges or<br />
your incoming light service which maj<br />
vary upwards to the full 130 volts, there<br />
fore if you were using 120-volt lamps thi<br />
lamp filament would deteriorate quiti<br />
rapidly.<br />
24. It is wise when selecting equipment U<br />
order something standard and make sun<br />
replacement parts can be obtained.<br />
25. Hanging and suspended lighting fiX'<br />
tures seem to be a thing of the past in ne»<br />
theatres and those which are remodeled.<br />
a'i<br />
K'l:<br />
im<br />
ml<br />
HERE'S A PROFOUND STATEMENT:<br />
^i^d a Mattel o^ 0fUniO4t<br />
We at Raytone have been boosting wide angle vision for years.<br />
Today two systems are available ... a fluctuating light surround,<br />
or the system we believe in ... a steady light surround<br />
of constant, low intensity level. Day or night, the human eye<br />
views a panorama in constant light.<br />
That's the system for us<br />
the one most nearly approaching normal viewing conditions.<br />
We CAN give you wide angle vision. It's a tremendous step<br />
forward. Our new system, the TRANSGENIC SCREEN<br />
SURROUND will be marketed in November. It will also be the<br />
ideal stage treatment when true Third-Dimension projection<br />
arrives.<br />
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36<br />
SEE OUR NEW SCREEN SURROUND AT BOOTH 16<br />
TESMA TRADE SHOW<br />
26. The new method of lighting is re<br />
cessed spots (R-40 type) under marquees<br />
lobbys, foyers, restrooms and auditorium.<br />
27. Where colored hghting effects are re-i<br />
quired for the auditorium, recessed neor<br />
coves have been adopted by many lighting<br />
engineers.<br />
28. Eliminate all possible glare from the<br />
patrons. There should be no light leak* ^,<br />
from exit signs or lighting fixtures.<br />
29. Hanging exit signs with edge hghtinf<br />
for auditoriums are recommended.<br />
30. Many exhibitors have put those proi te<br />
jection room effect machines back intc<br />
operation. Lighting effects are very pleaS'<br />
ing during intermission.<br />
31. We find many progressive manager!<br />
who keep trying to improve their operation<br />
Equipment dealers may have somethint<br />
new. Keep up with the times.<br />
32. Keep vertical and roof signs, als(A{^<br />
marquees, clean and in good condition.<br />
33. Dress up that shabby looking boxoffice.<br />
34. Perhaps a new boxoffice may changi<br />
the entire appearance of the lobby.<br />
35. Business is not that bad. Torn, dirt;<br />
and uncomfortable seats will drive awa;<br />
business.<br />
36. A check on a few situations reveal<br />
music in most theatres during intermis<br />
The MODERN THEATRE SECTION<br />
a: til<br />
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iSll<br />
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im<br />
8.1<br />
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