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.<br />
be an economical,<br />
eas.v-to-clean material admirably<br />
adapted to modern design. And an even<br />
more important consideration was the pos-<br />
JLightweight Metal<br />
Panels Introduced<br />
iFor Theatre Walls<br />
Corrugated, Perforated<br />
Sheets Also Allow Better<br />
Light and Sound Control<br />
lar ami never<br />
passserby :<br />
M? people<br />
play in the ti.<br />
iny other ,;C'<br />
atnres metal sheathing would prove to<br />
of the ;<br />
ietii and ft;<br />
1 neon and e;i:<br />
sible<br />
Dies recentl!', '.<br />
trol by means of perforated metal.<br />
loto participaa<br />
irthy. manase:<br />
actual use.<br />
ling in Olilaht:<br />
4 account esc<br />
roject: Dean<br />
Iter Theatre,!<br />
of Stele Tt-i<br />
gated to produce a saw-tooth surface.<br />
eye strain.<br />
modern theatre eliminates contrasts.<br />
11<br />
blends into the metal sidewalls.<br />
m<br />
ance.<br />
BOXOFFICE<br />
£AT«E SECW October 4, 19,'>2<br />
TThen the architectural firm of<br />
Ketchum. Gina & Sharp beKan planning<br />
the Cinema Theatre in the Shoppers'<br />
World, at F1-amingham. Mass., they began<br />
an examination of new materials for use<br />
In the theatre. It wa.s their belief that a<br />
improvement in light and sound con-<br />
The idea has proven to be successful in<br />
The practical development of the idea<br />
was a lightweight metal panel punched in<br />
an all-over pattern of holes, each hole less<br />
than one-eighth of an inch in diameter.<br />
In addition the panels were sharply corru-<br />
The<br />
'teeth" were correctly spaced to catch and<br />
deflect the light thrown off by the screen.<br />
for with the rays bent at right angles to<br />
the sight-line of the viewer there is no<br />
The darkness of the ordinary theatre<br />
magnifies the whiteness of the screen, and<br />
vice versa, whereas the interior of this ultra-<br />
This<br />
can be credited to the perforated metal<br />
walls whose function it is to catch and diffuse<br />
the brilliance of the chief fixed lighting<br />
element, the screen. Moreover the<br />
architects, in conjunction with lighting experts,<br />
were able to achieve a constant level<br />
of soft illumination by surrounding the<br />
screen with a band of translucent plastic.<br />
This merges into a curved plaster wall that<br />
Like the old-fashioned gaudy and gilded<br />
interior, the darkness that characterized<br />
"the movies" is obsolete. The Shoppers'<br />
World Cinema is filled with a glow that<br />
permits the patron to find a seat without<br />
difficulty and enjoy a glare-free perform-<br />
The second and equally important func-<br />
The corrugated, perforated metal paneli cover the walls, balcony arid ce/7/ng To achieve a conjtonf<br />
level of soft illumirtatior}, the screen Is surrounded by a band of translucent plastic which, in<br />
turn, merges into a curved plaster wall that blends into the side metal panels.<br />
tion of the metal walls was worked out in<br />
conjunction with acoustical consultants.<br />
Sound waves easily penetrate the perforations<br />
to reach strategically spaced acoustic<br />
materials that create dead or reflective<br />
areas—becoming more resonant, for example,<br />
as they strike against plywood, less<br />
when they come in contact with Rberglas.<br />
An outstanding advantage is that the metal<br />
panels can be removed without trouble if<br />
shifts must be made in sound adjustment.<br />
The corrugated panels cover the walls,<br />
the balcony front and the ceiling. The<br />
latter, curving toward the screen in a<br />
An advantage of the metal panels is that they<br />
can be removed without trouble, if shifts must be<br />
made in sound adjustment. Photo shows how panels<br />
were used for the balcony and the rear of the<br />
auditorium, and handling of lighting<br />
broadening arc. Is pierced with a few recessed<br />
downlights.<br />
According to Morris Ketchum. the perforated<br />
metal was no more expensive than<br />
other materials in ordinary use for such<br />
purposes and. its strength increased by the<br />
bending process, performance has been<br />
highly satisfactory.<br />
The 1,500 seats distributed between the<br />
main floor and a balcony are arranged unconventionally<br />
in staggered and indented<br />
patterns with occasional gaps. Varying<br />
widths for the aisles help regulate traffic<br />
and. together with the informal seating,<br />
contribute to visual and physical comfort.<br />
Chairs are crimson, the carpet gray and<br />
crimson, and the walls, decorative in themselves<br />
because of the perforations, are<br />
painted a neutral gray.<br />
Air conditioning equipment is located<br />
next to the projection room but the Cinema<br />
is heated by the same central steam plant<br />
that serves all the buildings in the Shoppers'<br />
'World.<br />
The exterior of the theatre is no more<br />
than a thin skin of 4x8-foot asbestos board<br />
held in place by aluminum strips. These<br />
strips, bolted to the structural frame of the<br />
building, are in themselves an integral part<br />
of the decoration. This lightweight envelope<br />
requires less steel, less construction<br />
time, and is less expensive than conventional<br />
masonry walls.<br />
The lobby is a one-story glass-enclosed<br />
addition to the front of the building: a<br />
showcase with a gaily painted background<br />
and contemporary furnishings. Baffles are<br />
used instead of doors to keep light out of<br />
the auditorium.<br />
The Shoppers' World, largest regional<br />
shopping center in the east, was entirely<br />
designed by Ketchum. Glna k Sharp. Located<br />
at F^amlngham. Mass.. near Boston,<br />
the S8.000.000 project has 50 stores and<br />
parking space for 6.000 cars, which gives<br />
ihe theatre an audience potential of mammoth<br />
proportions.<br />
39