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Journalism Education<br />

perament—seem innate. But I’ve found<br />

in my teaching that these helpful attributes<br />

can also be encouraged.<br />

Any academic program requires intellectual<br />

rigor and so does much of<br />

journalism. Even though it’s hardly a<br />

contemplative calling, there are times<br />

and <strong>issue</strong>s that seem to inspire our best<br />

thinking. There are, for example, those<br />

postmortems that occur when something<br />

seems terribly wrong about how<br />

a major story was covered. Sometimes,<br />

after we’ve had a chance to reflect,<br />

journalists do perform better when<br />

similar situations arise.<br />

A strong curriculum should imbue<br />

students with the history and principles<br />

of journalism, legal precedents<br />

and pitfalls, ethical principles and dilemmas.<br />

Students should engage in<br />

reading about and intensely discussing<br />

newsroom <strong>issue</strong>s before they are faced<br />

with split-second decisions on the job.<br />

By using adjunct professors—often current<br />

reporters or editors or producers—as<br />

many journalism schools do,<br />

faculty members’ expertise is complemented<br />

with real-time, real-world experience.<br />

Good journalism teachers<br />

also help students become better, more<br />

sophisticated news consumers.<br />

Some of the more important lessons<br />

are taught in the much-maligned “skills<br />

courses.” Immediately, students write<br />

on deadline, covering fires, crashes<br />

and speeches. We mark up their copy<br />

and challenge their selection of words.<br />

We insist that they explain why they<br />

organized the story the way they did<br />

and help them see how their dependence<br />

on one or two sources can skew<br />

the coverage. We circle clichés and<br />

circumlocutions, showing students<br />

how such imprecision weakens their<br />

writing. We let them know how a poorly<br />

chosen adjective or descriptive phrase<br />

can stereotype a community or people<br />

who live in it. In more advanced<br />

courses, we get students to explore<br />

difficult topics in great depth, then we<br />

ask them to write about this topic compellingly<br />

in a 700-word column or editorial.<br />

In narrative journalism classes,<br />

some students write 5,000-word, professional-quality<br />

pieces. A few of them<br />

win awards, but seldom lead their authors<br />

directly to the Atlantic Monthly.<br />

Most of us would like to take more<br />

time to study a subject in depth, and<br />

this is a desire that a university can<br />

fulfill. At Boston <strong>University</strong>, we offer<br />

students this option through Advanced<br />

Journalism Studies, a program I direct.<br />

Graduate students and professional<br />

journalists, working with faculty and<br />

professional mentors, develop their<br />

own specialized curricula and take advantage<br />

of academic riches in other<br />

schools and departments. These students’<br />

focus varies from studies about<br />

the Middle East to explorations of new<br />

technologies, and they devote considerable<br />

time to examining ways of reporting<br />

on specific beats such as education,<br />

religion or social <strong>issue</strong>s. Others<br />

work to develop their voices in narrative<br />

journalism. We also have master’s<br />

degree programs in business and economic<br />

journalism and in reporting on<br />

science and medicine.<br />

Graduate school is very expensive,<br />

in time spent away from work and cost<br />

of the education. So we also provide an<br />

intensive, skills-based practical program<br />

for students who want to be general<br />

assignment and feature reporters<br />

for television, online and print news<br />

organizations, and want to get these<br />

new careers launched quickly. For<br />

them, specialization might come later.<br />

There is nothing wrong with periodic<br />

reassessments of where journalism<br />

education is and in what direction<br />

it should be headed. But history also<br />

should be heeded. Columbia has a<br />

strong record of graduating students<br />

who know what good journalism is<br />

and how to do it. What shouldn’t be<br />

allowed to happen is for a successful<br />

program like this one to join the ranks<br />

of the inchoate maw of mass communications.<br />

Agnes Wahl <strong>Nieman</strong>, in endowing<br />

the <strong>Nieman</strong> <strong>Foundation</strong>,<br />

charged it to “… promote and elevate<br />

the standards of journalism.” As professors<br />

at journalism schools, that is<br />

our mission as well. ■<br />

Nancy Day, a 1979 <strong>Nieman</strong> Fellow,<br />

is director of Advanced Journalism<br />

Studies at Boston <strong>University</strong> and a<br />

freelance editor and writer.<br />

nday@bu.edu<br />

Passing Along the Magic of Journalism<br />

Journalism stands apart from other academic pursuits.<br />

By Dale Maharidge<br />

As New York City lay shrouded in<br />

a black cloud that afternoon following<br />

the World Trade Center<br />

attack, a student came into my office at<br />

Columbia <strong>University</strong>’s Graduate School<br />

of Journalism and asked, “Does this<br />

mean we’re not going to follow the<br />

syllabus?”<br />

You can guess my answer. The careful<br />

plans of a writer, editor, or journalism<br />

professor change in a nanosecond<br />

with events. By its very nature, journalism<br />

defies rules that govern other disciplines,<br />

and this is why it’s dangerous<br />

to change the fundamental way journalism<br />

is taught—lots of reporting and<br />

writing and honing of both abilities.<br />

As a public debate emerges about<br />

reshaping Columbia’s approach to<br />

teaching journalism, there is something<br />

of value that is getting lost—it’s the<br />

magic of journalism. I recall the 1986<br />

Argentinean film, “Man Facing Southeast,”<br />

which is set in a psychiatric hos-<br />

<strong>Nieman</strong> Reports / Winter 2002 109

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