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Words & Reflections<br />

A War Correspondent Tries to Make Sense of What He’s Seen<br />

‘Why, he wanted to know, do human beings fight wars?’<br />

War Is a Force That Gives Us Meaning<br />

Chris Hedges<br />

Public Affairs. 212 Pages. $23.<br />

By Nancy Bernhard<br />

Chris Hedges spent 15 years covering<br />

El Salvador, the Middle East including<br />

the Gulf War, and the Balkans, witnessing<br />

more war than many generals do.<br />

When he took a breather as a <strong>Nieman</strong><br />

Fellow in 1998-99, he read Latin classics<br />

and tried to make sense of what he<br />

had seen, including why he’d chosen<br />

to spend so much of his life witnessing<br />

horror. Why, he wanted to know, do<br />

human beings fight wars? The book he<br />

has written in answer, “War Is a Force<br />

That Gives Us Meaning,” is presented<br />

as “a call for repentance.”<br />

Despite its personal genesis, the<br />

book is not a memoir. Most of its evidence<br />

consists of Hedges’ recollections,<br />

but he shapes the chapters around<br />

broad, universal categories such as<br />

nationalism, memory and the seduction<br />

of battle. He ranges across time<br />

and space, jumping from Kuwait to<br />

World War I, to Bosnia and ancient<br />

Rome, within a few pages. His excellence<br />

as a journalist is both his strength<br />

and weakness here. He tells evocative<br />

stories, but draws no conclusions. The<br />

book raises a multitude of worthwhile<br />

questions, but misses both the systematic<br />

analysis of the best history books<br />

and the introspective persistence of<br />

the finest memoirs. Rather, it provides<br />

a window into the understandably<br />

troubled mind of an outstanding war<br />

correspondent.<br />

Very briefly in his opening and closing<br />

chapters, Hedges offers a view of<br />

war as a narcotic whose properties<br />

provide the antidote to modern boredom<br />

and placidity. In what will surely<br />

be a widely quoted sentence, he offers,<br />

“The rush of battle is a potent and often<br />

lethal addiction, for war is a drug, one<br />

I ingested for many years.” War gives<br />

people something important to do: It<br />

places them on the knife-edge between<br />

love and death or, as Freud defined the<br />

fundamental struggle and meaning of<br />

life, between Eros and Thanatos.<br />

This is a worthy and provocative<br />

perspective, yet it is clearly that of an<br />

educated Westerner. The “shallowness,”<br />

“vapidness” and “trivia” that<br />

Hedges claims dominate our lives and<br />

“increasingly our airwaves” is experienced<br />

by those of us who live in privileged<br />

and industrialized nations. He<br />

writes about the “attraction” of war,<br />

but this can only refer to feelings of<br />

those who independently choose to be<br />

part of war, such as correspondents.<br />

Nowhere does Hedges distinguish between<br />

why people start and fight wars<br />

and why correspondents feel drawn to<br />

witness and write about them. They all<br />

might partake of the adrenaline rush of<br />

survival and moral clarity, but there are<br />

crucial differences between the leaders<br />

who start wars, the citizens whose<br />

homelands erupt in violence, and those<br />

who rush to bear witness. The average<br />

Bosnian soldier, or Palestinian teenager,<br />

or Salvadoran militiaman might<br />

understand that war offered a chance<br />

for glory, but not because there was<br />

nothing on cable. No pacifist, Hedges<br />

believes that armed action is sometimes<br />

just, as chemotherapy is sometimes<br />

required to arrest cancer, but he<br />

finds few causes that are both heroic<br />

and violent.<br />

Instead, he concludes, human beings<br />

have a base tendency to express<br />

themselves through violent force.<br />

People go to war because of an intrinsic<br />

human urge to subsume our consciousness<br />

in a grand shared enterprise<br />

that exalts a national “us” above<br />

an unworthier “them.” He writes that<br />

the nationalist myths needed to legitimize<br />

slaughter are usually racist and<br />

opportunistic, and women subscribe<br />

just as willingly as men do. And, he<br />

asserts, the press bears responsibility<br />

for spreading and reinforcing these<br />

narratives. The one instance Hedges<br />

cites when a people shook off such a<br />

tale of superiority was the American<br />

experience in Vietnam. Momentarily,<br />

we escaped our triumphal nationalism<br />

and drank a draught of humility. But<br />

then Ronald Reagan’s brand of patriotism<br />

and the Persian Gulf War made<br />

bloodlust fashionable again in the<br />

United States, with the press once again<br />

the primary culprit in spreading the<br />

fervor.<br />

Hedges’ violent view of human nature<br />

has long roots and important re-<br />

<strong>Nieman</strong> Reports / Winter 2002 95

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