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Words & Reflections<br />
A War Correspondent Tries to Make Sense of What He’s Seen<br />
‘Why, he wanted to know, do human beings fight wars?’<br />
War Is a Force That Gives Us Meaning<br />
Chris Hedges<br />
Public Affairs. 212 Pages. $23.<br />
By Nancy Bernhard<br />
Chris Hedges spent 15 years covering<br />
El Salvador, the Middle East including<br />
the Gulf War, and the Balkans, witnessing<br />
more war than many generals do.<br />
When he took a breather as a <strong>Nieman</strong><br />
Fellow in 1998-99, he read Latin classics<br />
and tried to make sense of what he<br />
had seen, including why he’d chosen<br />
to spend so much of his life witnessing<br />
horror. Why, he wanted to know, do<br />
human beings fight wars? The book he<br />
has written in answer, “War Is a Force<br />
That Gives Us Meaning,” is presented<br />
as “a call for repentance.”<br />
Despite its personal genesis, the<br />
book is not a memoir. Most of its evidence<br />
consists of Hedges’ recollections,<br />
but he shapes the chapters around<br />
broad, universal categories such as<br />
nationalism, memory and the seduction<br />
of battle. He ranges across time<br />
and space, jumping from Kuwait to<br />
World War I, to Bosnia and ancient<br />
Rome, within a few pages. His excellence<br />
as a journalist is both his strength<br />
and weakness here. He tells evocative<br />
stories, but draws no conclusions. The<br />
book raises a multitude of worthwhile<br />
questions, but misses both the systematic<br />
analysis of the best history books<br />
and the introspective persistence of<br />
the finest memoirs. Rather, it provides<br />
a window into the understandably<br />
troubled mind of an outstanding war<br />
correspondent.<br />
Very briefly in his opening and closing<br />
chapters, Hedges offers a view of<br />
war as a narcotic whose properties<br />
provide the antidote to modern boredom<br />
and placidity. In what will surely<br />
be a widely quoted sentence, he offers,<br />
“The rush of battle is a potent and often<br />
lethal addiction, for war is a drug, one<br />
I ingested for many years.” War gives<br />
people something important to do: It<br />
places them on the knife-edge between<br />
love and death or, as Freud defined the<br />
fundamental struggle and meaning of<br />
life, between Eros and Thanatos.<br />
This is a worthy and provocative<br />
perspective, yet it is clearly that of an<br />
educated Westerner. The “shallowness,”<br />
“vapidness” and “trivia” that<br />
Hedges claims dominate our lives and<br />
“increasingly our airwaves” is experienced<br />
by those of us who live in privileged<br />
and industrialized nations. He<br />
writes about the “attraction” of war,<br />
but this can only refer to feelings of<br />
those who independently choose to be<br />
part of war, such as correspondents.<br />
Nowhere does Hedges distinguish between<br />
why people start and fight wars<br />
and why correspondents feel drawn to<br />
witness and write about them. They all<br />
might partake of the adrenaline rush of<br />
survival and moral clarity, but there are<br />
crucial differences between the leaders<br />
who start wars, the citizens whose<br />
homelands erupt in violence, and those<br />
who rush to bear witness. The average<br />
Bosnian soldier, or Palestinian teenager,<br />
or Salvadoran militiaman might<br />
understand that war offered a chance<br />
for glory, but not because there was<br />
nothing on cable. No pacifist, Hedges<br />
believes that armed action is sometimes<br />
just, as chemotherapy is sometimes<br />
required to arrest cancer, but he<br />
finds few causes that are both heroic<br />
and violent.<br />
Instead, he concludes, human beings<br />
have a base tendency to express<br />
themselves through violent force.<br />
People go to war because of an intrinsic<br />
human urge to subsume our consciousness<br />
in a grand shared enterprise<br />
that exalts a national “us” above<br />
an unworthier “them.” He writes that<br />
the nationalist myths needed to legitimize<br />
slaughter are usually racist and<br />
opportunistic, and women subscribe<br />
just as willingly as men do. And, he<br />
asserts, the press bears responsibility<br />
for spreading and reinforcing these<br />
narratives. The one instance Hedges<br />
cites when a people shook off such a<br />
tale of superiority was the American<br />
experience in Vietnam. Momentarily,<br />
we escaped our triumphal nationalism<br />
and drank a draught of humility. But<br />
then Ronald Reagan’s brand of patriotism<br />
and the Persian Gulf War made<br />
bloodlust fashionable again in the<br />
United States, with the press once again<br />
the primary culprit in spreading the<br />
fervor.<br />
Hedges’ violent view of human nature<br />
has long roots and important re-<br />
<strong>Nieman</strong> Reports / Winter 2002 95