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Words & Reflections<br />

percussions in fields of inquiry from<br />

biology to theology and equally long<br />

counter-traditions, none of which<br />

Hedges addresses directly. While he<br />

earned a divinity degree 20 years ago<br />

and esteems academic discourse,<br />

Hedges does not connect his observations<br />

to 2000 years of reflection on<br />

humanity’s darker side. Those who<br />

reach page 150 will read, “Illusions<br />

punctuate our lives, blinding us to our<br />

own inconsistencies and repeated<br />

moral failings.” It is a worthy discovery,<br />

but Hedges might have acknowledged<br />

that his readers have likely encountered<br />

this thought before.<br />

Despite the centrality of nationalist<br />

cant to war, Hedges reports that the<br />

myths vaporize in the face of actual<br />

battle. A Marine Corps lieutenant colonel<br />

strapping on his pistol belt just<br />

before crossing into Kuwait told him,<br />

“[N]one of these boys is fighting for<br />

home, for the flag, for all that crap that<br />

the politicians feed the public. They<br />

are fighting for each other, just for each<br />

other.” An enormous literature on the<br />

psychology of combat trauma reveals<br />

this point. The close fraternity of soldiers<br />

(and, one assumes, correspondents)<br />

sharing the transformative battlefield<br />

experience is the community<br />

crucial to one’s physical survival; ongoing<br />

contact within this community is<br />

key to psychological recovery. This may<br />

account for Hedges’ overwhelming sadness.<br />

Some of his best friends have<br />

been killed, and many of the rest are<br />

still in war’s addictive thrall.<br />

Yet the book leaves reason for gratitude.<br />

The author, a tough reporter<br />

who refused to participate in the<br />

Pentagon’s Gulf War pools, ably identified<br />

and sorted through the myths he<br />

encountered. For his principles, he<br />

found himself a prisoner of the Iraqi<br />

Republican Guard, who confiscated his<br />

M-65 jacket with the copies of “Antony<br />

and Cleopatra,” “The Iliad,” and<br />

Conrad’s “An Outcast of the Islands” in<br />

its pockets. You couldn’t invent a more<br />

cultured, conscientious war correspondent.<br />

The book makes one grateful that<br />

Hedges was the eyes and ears of his<br />

readers in the war zones of the late<br />

20th century. One can regret his current<br />

pain and still praise his reporting<br />

career as the highest public service.<br />

There is poetry as well as wisdom in<br />

the title, “War Is a Force That Gives Us<br />

Meaning.” We can hope that Hedges<br />

will continue trying to answer more<br />

thoroughly the questions he has<br />

poignantly raised. ■<br />

Nancy Bernhard is author of “U.S.<br />

Television News and Cold War Propaganda,<br />

1947-1960” (Cambridge<br />

<strong>University</strong> Press, 1999). She teaches<br />

“Reporting From the Front” in the<br />

Expository Writing Program at<br />

<strong>Harvard</strong> <strong>University</strong>.<br />

Bernhard@fas.harvard.edu<br />

WATCHDOG<br />

The Vital Role of the Press in a Time of National Crisis<br />

‘Watchdog journalism begins with a state of mind: accepting responsibility as a surrogate<br />

for the public.’<br />

Bob Giles, Curator of the <strong>Nieman</strong><br />

<strong>Foundation</strong>, addressed participants of<br />

the “Mapping the News” conference at<br />

American <strong>University</strong> on September 28,<br />

2002. Giles underscored the essential<br />

role of watchdog journalism and<br />

described the difficulties being<br />

encountered by journalists because of<br />

government actions. He also suggested<br />

important questions that journalists<br />

should be asking.<br />

What follows are Giles’s remarks:<br />

In last Sunday’s New York Times, I<br />

came across a piece with the headline,<br />

“A Place to Find Out For Yourself About<br />

the War.” The story, by Eric Umansky,<br />

described a Web site for a military watchdog<br />

group called Globalsecurity.org<br />

that had published detailed satellite<br />

photographs of a United States military<br />

installation in Qatar, tracking changes<br />

that foretold a buildup for a possible<br />

attack on Iraq.<br />

Defense Secretary Donald Rumsfeld<br />

was said to have grumbled about it. But<br />

the site was clearly beyond the reach of<br />

the Pentagon and its intense efforts to<br />

control information. As I surfed the site<br />

and viewed several satellite images that<br />

had been posted, and then thought<br />

about Rumsfeld’s discomfort, this<br />

struck me as a powerful example of a<br />

free and independent press. A free and<br />

independent press is an important cornerstone<br />

of our democracy to keep<br />

alive in these days that are being described<br />

as a time of national crisis.<br />

I am not a student of mapping or<br />

satellite technology, but it was painfully<br />

clear to me from the background<br />

material sent to me by Chris Simpson<br />

[the American <strong>University</strong> professor who<br />

organized the conference] and from<br />

re-reading his revealing piece in <strong>Nieman</strong><br />

Reports last winter, that the productive<br />

and informative use the global press<br />

has made of satellite images has been<br />

aggressively shut down by a government<br />

fearful that media access to this<br />

information would provide aide and<br />

comfort to our enemies.<br />

Elaborate new regulations have<br />

given the U.S. government what is being<br />

described as “shutter control” over<br />

U.S.-licensed satellites. Some experts<br />

are suggesting that these regulations<br />

ignore a core principal that has governed<br />

such circumstances in the past:<br />

that the government must make a compelling<br />

case of clear and present dan-<br />

96 <strong>Nieman</strong> Reports / Winter 2002

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