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Annual report 2004 - Compagnia di San Paolo

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“Luci del teleschermo”(lights of the TV screen)- Palazzo Carignano- Turin<br />

“Luci del teleschermo. 50 anni <strong>di</strong> televisione italiana”<br />

(Lights of the TV screen – 50 years of Italian television)<br />

To celebrate the fiftieth anniversary of RAI television<br />

broadcasting, an exhibition “Luci del teleschermo.<br />

50 anni <strong>di</strong> televisione italiana” de<strong>di</strong>cated to cultural,<br />

educational and public service television was held in<br />

Turin, native city of the television in Italy. Designed to<br />

provoke reflection on the role played by television in the<br />

last half century and set up in an extremely picturesque<br />

fashion in Palazzo Carignano in the Cinema Museum<br />

respectively by the Architects Isola and Laganà, and by<br />

F. Confino, the initiative was e<strong>di</strong>ted by Peppino Ortoleva<br />

and Gian <strong>Paolo</strong> Caprettini of Turin University and Alberto<br />

Barbera for the National Cinema Museum. The exhibition<br />

was supported by the <strong>Compagnia</strong> with a grant of<br />

€ 375,000 and in ad<strong>di</strong>tion to offering a exhibition<br />

backdrop and “state of the art” of such an important<br />

me<strong>di</strong>um, sought to enhance a tendency for typical<br />

innovation of the City based on advanced professional<br />

skills, which are returning to characterise the area with a<br />

high concentration of initiatives in the cinema and in<br />

Information and Communication Technology.<br />

50<br />

Cinema and Photography<br />

The relationship with the National Cinema Museum remains central in this field of interest and the<br />

<strong>Compagnia</strong> supports it in its institutional activities and by exten<strong>di</strong>ng its role as one of the city’s<br />

fundamental resources. In fact, it is a cultural workshop committed on several fronts – from the<br />

conservation of film collections to the promotion of selections – and also provi<strong>di</strong>ng, in true<br />

<strong>Compagnia</strong> custom, the feasibility study necessary for acquiring new premises for the “Cineborgo”<br />

(cinema <strong>di</strong>strict). Part of the exhibition “Luci del teleschermo” (Lights from the TV screen) for the<br />

RAI’s fiftieth anniversary took place there.<br />

In <strong>2004</strong>, special attention was given to cinema exhibitions, such as Turin Film Festival, Genova Film<br />

Festival, Cinemambiente Artecinema, Valsusa Filmfest. Such exhibitions are now increasing both in<br />

size and quality, exploiting the appeal of film to transmit complex meanings and knowledge.<br />

In line with its growing commitment to photography both as an art form as well as witness, the<br />

<strong>Compagnia</strong>’s attention to photographic initiatives has intensified. They offer convincing historical<br />

substance and artistic quality, through pre-emptive action of regenerating valuable collections –<br />

such as the Parisio Historical Archive in Naples – or theme exhibitions, such as “Infinitamente al <strong>di</strong><br />

là <strong>di</strong> ogni sogno – alle origini della fotografia <strong>di</strong> montagna” (infinitely beyond all wildest dreams – at<br />

the origins of mountain photography) produced by Turin’s National Museum of the Mountains.

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