IMProVe 2011 - Proceedings
IMProVe 2011 - Proceedings
IMProVe 2011 - Proceedings
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Industrial Design and Ergonomics<br />
Design Semantics:<br />
Even hybrid Motorcycles need to make noise<br />
M. Jaafarnia (a), A. Bass (b)<br />
(a) Indian Institute of Technology Guwahati<br />
(b) Art Center College of Design, Pasadena<br />
Abstract:<br />
This paper explores the need for artificial sound in high tech products. Changing one of<br />
the four sides of the semantic frame changes the meaning and emotional impact of that<br />
product. There is a relationship between the four sides of the semantic frame (aesthetic,<br />
physiologic, technical, economic) and the five senses (sight, hearing, smell, taste, touch).<br />
Replacing sound with sight, smell, taste or touch does compensate for the absence of<br />
sound. When high tech products, such as motorcycles, omit sound it confuses the<br />
consumer. This research was conducted in two stages: In the first stage the sample<br />
consisted of 490 people. In the second stage, 69 people participated. We based our study<br />
on questions, interviews and practical tests to determine how artificial sound or the lack<br />
of it in high tech products affects the emotional state of the consumer.<br />
Keywords: Emotion, semantics, high tech product, transportation, psychology<br />
Corresponding Author: Mohsen Jaafarnia<br />
Tel.: +91-361-2582802<br />
e-mail: mohsen@iitg.ernet.in<br />
Address: Department of Design, Indian Institute of Technology Guwahati, 781039, Assam, India<br />
Tracing the Evolution of Automobile design:<br />
Factors influencing the development of aesthetics<br />
in automobiles from 1885 to the present<br />
M. Jaafarnia (a), A. Bass (b)<br />
(a) Indian Institute of Technology Guwahati<br />
(b) Art Center College of Design, Pasadena<br />
Abstract:<br />
Using selected well-known automakers, the influence of new technology, lifestyle and<br />
culture of automobile design has been mapped, starting from 1885 through present day.<br />
We have identified seven eras to date. The study of history often yields clues to the<br />
future. Influences such as fashion, makeup and missiles have shaped automobile design<br />
since manufacturing began. The evolution of the car has been driven by the desire to<br />
create a semantic frame for speed. Over time, changes in lifestyle and culture have<br />
changed the semantic meaning of the frame. This time line will help automobile designers<br />
June 15 th – 17 th , <strong>2011</strong>, Venice, Italy<br />
14<br />
<strong>IMProVe</strong> <strong>2011</strong> - <strong>Proceedings</strong>