GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS
GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS
GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS
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3.8.2.1. Storage<br />
The storage criteria for black and white safety film (including microfilm,<br />
silver-gelatin on cellulose or polyester base), have been defined by the American<br />
National' Standards Institute (1979) while the preservation of colour film and<br />
transparencies is covered by Eastman Kodak publications (1979, 1980). Spontaneously<br />
flammable materials like cellulose nitrate ('celluloid') film require<br />
special storage. See also Swann (1981). The following general points will help<br />
lower the rate of deterioration:<br />
avoid direct handling<br />
only use acid free materials and Japanese tissue for mounting and storage,<br />
store in the dark in clean, dry, non-polluted conditions, free from the fumes<br />
of paints, preservatives etc.<br />
maintain a temperature below 20°C and rh at levels between 30% and 50%,<br />
do not stack old prints.<br />
for long-term storage of colour transparencies maintain a temperature of 0°C<br />
and rh levels between 25% and 30%.<br />
avoid mounting transparencies between glass plates.<br />
3.8.2.2. Film cleaners<br />
Proprietary film cleaners can damage some photographic materials, including<br />
transparencies, and should be used with the utmost care. Similarly a specialist<br />
photographic conservator should be used for any repair etc. to damaged old<br />
prints or negatives. Advice on the care of photographs is found in Collins &<br />
Young (1977), Collins (1983) and Weinstein & Booth (1977).<br />
Mircofilm and microfichelfiche storage procedures are described by manufacturers<br />
or suppliers and their instructions should be followed. In general, avoid<br />
touching surfaces other than by provided finger-grip and do not expose to intense<br />
light or chemicals.<br />
3.8.2.3. Photocopying<br />
Photocopying has become a relatively inexpensive and simple method for<br />
collecting data from specimen labels, archival works, and even specimens.<br />
Several types of photocopy systems are in use, and most are not intended to<br />
give copy of permanent or even semi-permanent quality (see Swartzburg 1980 and<br />
Sung 1982). The durability of photocopies depends upon several factors, but two<br />
are of special importance. First the quality of the paper used in the copier<br />
(Atlantis Paper Co. produces an archival quality photocopy paper), secondly the<br />
proper functioning of the copier. Most modern copiers produce a relatively stable<br />
image; the wet-tone copiers (using a quick-drying 'ink') are perhaps better in this<br />
respect than the dry-tone copiers (e.g. Xerox) which must operate at high<br />
temperatures in order to fix the images. Theoretically, if quality acid-free paper is<br />
used and the copies are kept in suitable conditions for books, the copies should<br />
last very well - but there is no long term experience of this! Photocopies should<br />
be stored away from light and where feasible, should be freshly copied<br />
periodically.