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GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS

GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS

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ecome separated from their accompanying data and thus remain unrecognised.<br />

It is important that where a missing specimen can be shown to have been in the<br />

museum's collections it should be allocated an Identity Number. There are two<br />

reasons for this: first, the negative information itself may be of value to future<br />

research, and second, in the case of unrecognised specimens, good detective work<br />

can often remedy the situation. Furthermore, should any labels, photographs,<br />

etc. of a missing specimen exist, they can be referred to an allocated Identity<br />

Number and be thus stored in the appropriate History File.<br />

The number assigned to a missing specimen should be from the sequence<br />

normally applicable to the specimen if it existed. Some curators, however, use<br />

another series of 'missing specimen numbers' apart from the normal series. In<br />

both cases, the specimen documentation must include the fact that the specimen<br />

is 'missing' and we recommend use of the 'condition7 section of the catalogue<br />

record for this purpose (see B4.4.3.2). An index of missing specimens is useful.<br />

Specimens which are known to have been stolen must be investigated as a case<br />

of theft. Especially valuable material or that at special risk should, ideally, have<br />

been photographed to permit police work to progress properly and to allow<br />

accurate valuation for insurance claims, if the specimens were not individually<br />

covered. The documentation of material lost through theft is the same as for any<br />

other loss.<br />

6.2.1.2. Destroyed specimens<br />

Specimens which are found to have deteriorated beyond salvage for one reason or<br />

another are essentially lost. (This situation does not cover material that is<br />

deliberately destroyed for other reasons: see B6.2.2.5.) Clearly the reason for a<br />

loss of this type is known and in contrast to the documentation of a specimen that<br />

is simply missing, that of a specimen lost by deterioration should have the<br />

circumstances of the loss carefully noted. In the case of once valuable or<br />

important material, a witness to the facts may be a useful addition to the records.<br />

In addition to the labels, etc. being placed in a History File, any label or number<br />

fixed or marked on the specimens should, if at all possible, be saved and<br />

filed - such evidence is useful confirmation of the facts, which, in time, may prove<br />

to be elusive. All documentation against the Specimen Identity Number must be<br />

preserved for future enquiry.<br />

6.2.2. Disposal of materials<br />

The activity of disposal is at odds with the generally perceived role of museums.<br />

In the U.K., it is commonly accepted that museums in the public domain<br />

(museums funded out of taxes, rates or under charitable status) are not the<br />

owners of the material they hold, but are the custodians, holding it in trust, in<br />

perpetuity, on behalf of the true owners, the public. "There must be a strong<br />

presumption against the disposal of any items in the collections of a museum"<br />

(Boylan 1977) is the ethic fundamental to both the Museums Association's 'Code<br />

of Practice for Museum Authorities' (Boylan 1977 para. 5.1) and its 'Code of<br />

Conduct for Museum Curators' Duggan et al. (1984) (para. 1.4). .These policy<br />

statements purposely do not "prohibit" or "preclude under any circumstances"<br />

disposal, but voice a "strong presumption against" disposal. These are carefully<br />

chosen words and allow the museum the flexibility it needs in the discharge of its

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