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GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS

GUIDELINES FOR THE CURATION OF GEOLOGICAL MATERIALS

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Cooper (1982), Mayer (1974, 1976), e.g. William Bean's distinctive brown-inked<br />

rectangles; BN(NH) yellow disks; Geological Society green rectangles.<br />

Dealers' labels are commonly distinctive but the data contained has been<br />

shown sometimes to be inaccurate, so do not accept information uncritically.<br />

1.3.5.4. Nature of materials<br />

By establishing the nature of the ink, or paper used for labels and marks, it is<br />

sometimes possible to gain some clue to their general provenance.<br />

ENTRY DOCUMENTATION<br />

PREAMBLE<br />

The procedures which are used to record the receipt and onward passage of any<br />

material coming into a museum have been collectively termed initial or Entry<br />

Documentation. At this stage, there is no distinction between material which is to<br />

be permanently acquired by the museum and catalogued and that which is only<br />

temporarily in the possession of the museum. Entry Documentation therefore<br />

represents both a holding record of an item, and the first phase in the<br />

documentation system which leads to the full acquisition and cataloguing of a<br />

specimen.<br />

For excellent general and specific advice on Entry Documentation, refer to the<br />

MDA's Practical Museum Documentation, 2nd Ed. 1981 pp. 13-24.<br />

INTRODUCTION AND GENERAL PRINCIPLES<br />

The ways in which material may enter the museum are as follows:<br />

collected from the field;<br />

material received for identification;<br />

other donations and bequests of individual specimens or collections;<br />

purchase;<br />

loans;<br />

exchanges.<br />

We would expect the larger museum to have developed, at some previous date,<br />

separate procedures for the documentation of inward loans and for material left<br />

for identification (see B2.3). Smaller museums, or any other redesigning its<br />

documentation procedures should consider processing such material as part of<br />

normal Entry documentation.<br />

The actions required of a museum curator in order to deal with material<br />

entering museums can be summarised as follows:<br />

1. Completion of a numbered record in order to establish specimen identity,<br />

origins and circumstances of entry.<br />

2. Preparation of temporary labels equating specimens with written records.<br />

Duplication guards against loss.

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