Issue #20 (2011) PDF - myweb - Long Island University

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Stephanie Gray TWO DUETS FOR TWO VOICES I’m telling you, don’t forget To remember who you were To remember what it was To remember what it is To remember how it was To remember what it went To remember how it said To remember how it sounded To remember how it went To remember what they did To remember how it goes To remember what it meant To remember that‘s what she said To remember what it aint To remember who said what To remember what said what To remember who knew who To remember who died then To remember who all knew who To remember what was what To remember who didn‘t die To remember who said what they said To remember who didn‘t remember you To remember who didn‘t want to know To remember who tried to change you To remember don‘t be a cliché here To remember don‘t let this poem be 8 th grade desperation To remember you‘re trying to do something with 8 th grade desperation To remember maybe you can deconstruct 8 th grade desperation in a way the language poets would like Or A Tonalists Or Quietudes To remember, once again, all together now, the more things change the more they stay the same To remember most poets don‘t want to hear that To remember most news publications have a rule for what not to say Including The more things change the more they stay the same To remember most people will forget you said earlier in this poem it was a sophisticated attempt to turn around a cliché Can it be encapsulated in Hey. Maybe ok To remember maybe these lines need to be more of a mystery. To remember somebody might be reading between the lines To remember there‘s a poem in between the lines To remember in between the lines is where everything happens So why should I even write Anything 40
I’m telling you, you gotta remember Don‘t forget they didn‘t know Don‘t forget what they said Don‘t forget who knew that Don‘t forget that‘s what they said Don‘t forget that‘s what it is Don‘t forget it‘s all there Don‘t forget they said keep it moving Don‘t forget she didn‘t die Don‘t forget he‘s never there Don‘t forget that‘s their stuff Don‘t forget they‘re telling you is what they‘re telling you Don‘t forget that‘s how it is Don‘t forget that‘s how it said Don‘t forget it‘s changed Don‘t forget that‘s what it said Don‘t forget they (k)new all along Don‘t forget that‘s where it was Don‘t forget I wasn‘t there Don‘t forget that‘s the truth Don‘t forget they never change Don‘t forget he‘s not there Don‘t forget she went there Don‘t forget I was there Don‘t forget there it was Don‘t forget you just can‘t forget this Don‘t forget it stopped at 2 am Don‘t forget it didn‘t start Don‘t forget it hasn‘t happened. Don‘t forget whatever happened Don‘t forget what it is. Don‘t forget you have to remember their names ok Don‘t forget you will remember them tomorrow Don‘t forget she always remembers Don‘t forget Rocio Durcal Don‘t forget Cliff Burton Don‘t forget no one rode the lightning. Don‘t forget they are telling you for the 1,000,000 th time, IT IS WHAT IT IS OK Don‘t forget the string around your finger that fell off yesterday Don‘t forget Cliff ‗em all Don‘t forget Randy Rhoads Don‘t forget you lose people in a poem with proper names Thus don‘t forget you gotta keep it universal I realize you haven‘t traveled the universe But I‘m expecting you to do this. So Don‘t Forget. Remember that, ok Ok. 41
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Page 3 and 4: downtown brooklyn a journal of writ
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Page 23 and 24: Alane Celeste THE HAVE-NOTS Flies h
Page 25 and 26: Nik Conklin HOLLYWOOD HILLS Hilltop
Page 27 and 28: Sing me that song of Purple mountai
Page 29 and 30: THINGS I LOVE I love fine porcelain
Page 31 and 32: Wendy Eng FOUND POEM: BEAUTY IS ART
Page 33 and 34: ―I think I‘ll check out the buf
Page 35 and 36: ―No.‖ I search for something th
Page 37 and 38: warm for this heavy cover and I‘m
Page 39: theme song to ‗The Stripper‘. I
Page 43 and 44: MAKE ME TO HEAR "Make me to hear jo
Page 45 and 46: Aimee Herman DEGREE OF DARK SPACE F
Page 47 and 48: Katherine Hogan BY THE LAKE —with
Page 49 and 50: SAPPHO TO THE MAIDENS What did Sapp
Page 51 and 52: He shook his perfect pointer and ca
Page 53 and 54: AND LATER I SPEAK in a minute I clo
Page 55 and 56: ARRANGEMENTS you can start anywhere
Page 57 and 58: FIELD RECORDINGS No pronunciation o
Page 59 and 60: Giuseppe Infante DINNER FOR TWO Onc
Page 61 and 62: ―You got a woman‖ he said looki
Page 63 and 64: Belynda Jones RED THRONES Amidst it
Page 65 and 66: Jamey Jones AVENUE VISION 1 At prec
Page 67 and 68: LIKE THIS —for Steve Bailey it‘
Page 69 and 70: Kate FOUR POEMS These poems appear
Page 71 and 72: Anna Lindwasser BIRTHDAY sometimes
Page 73 and 74: maybe you could learn to love my ra
Page 75 and 76: even if you message me five minutes
Page 77 and 78: i don't know what living is, but i
Page 79 and 80: Elspeth Woodcock Macdonald IN CLASS
Page 81 and 82: PACKAGE Do you feel me calling you
Page 83 and 84: Uche Nduka HALF PAST ZERO no hard f
Page 85 and 86: Steve Newton DRIVING WITH ABSENT FR
Page 87 and 88: Jon L. Peacock Ferry to the Mainlan
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Nothing can be turned down, or sile
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GEESE NO MORE They killed the geese
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Beatriz Alzate Rodriguez A STORY OF
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Thankfully, the house we stayed in
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We were all in the water now. I was
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steady with both her hands and her
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Lisa Rogal SO MANY THINGS ―You ev
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ehind his back like a school teache
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Kat: Maybe you should go 2 ER Me: I
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Then she hears the crash: a sound l
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developmentally delayed. The neighb
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P. J. Salber COIN FOR CS You be you
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Micah Savaglio A VACATION WITHOUT S
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Cancer. FRITZ Pause. FRITZ sets the
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Well, level with me. I don‘t unde
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THE PARENTS OF AABB1 The parents of
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hair on a g- string sing 123
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unmentionable slink ambles able (sa
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serious cloth loath to fold to how
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Jean Verthein CONTINUE Eve disappea
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Sarah Wallen OPOSSOMOON —an excer
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or spears. Everywhere there are roo
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PESTILENCE On a swing at the park.
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And somewhere a building is going u
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According to the weather lady The c
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You are slipping away In the silenc
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io notes Ana Almurani is an alumna
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directed the world premiere of The
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downtown brooklyn a journal of writ
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