Issue #20 (2011) PDF - myweb - Long Island University
Issue #20 (2011) PDF - myweb - Long Island University
Issue #20 (2011) PDF - myweb - Long Island University
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FIELD RECORDINGS<br />
No pronunciation of native names could stop bulldozers. There was no sense that anyone was doing<br />
any wrong, just that changing was wearing her make up and eating less and less. Now as guitars from<br />
Agadez chime in on daytime sunshine over tenement trees, I‘m looking through the crosshatched<br />
grid of fire escape and box fan, red and white and colorless autumn light. A certain balance in<br />
electric riffs delivered from the North African desert flying like sand in kinetic onslaught. Someone<br />
threw me into the bushes outside the school because because. A field turning from green to red dirt,<br />
then onwards to steel skeletons and conveyor belt insomnia. Then onwards, a reason to lash out, a<br />
rash rising on memories. At night after homework I watched tornadoes on TV, convinced myself<br />
that they would come unglued from that glass and spiral away with the house. Loose-leaf paper.<br />
Write what you know. What you don‘t know too. A staircase zigzagging down from a highway.<br />
Cornfields wove snakes into their folds and we ran through sometimes until there were none. Until<br />
an aisle: hand soap, cheerios, cold milk perspiring in fluorescence, sponges, bleach, dog food, chips,<br />
soda. The air tasted the same, or did it. Because he knew where to get them and I didn‘t, he put<br />
cigarettes in the jacket that was hanging in my locker. On the old stone bridge over the swamp I<br />
coughed and woke up the geese. The dog named Kevin snapped one of their necks with his jaws.<br />
Virginia summer walked us and the grass towards dumpsters and what there was or wasn‘t to be<br />
found, though we could always find it at home. If you had a car, you had a car. You‘ve probably<br />
wrecked a car. It was enough to drive home and lie to the mechanics later. He had blood on his<br />
dress shirt, so I lied to the cop and said we were going to the hospital, please let us go. The aisles<br />
rattled and the lights went out, I got a tornado for my birthday. Big wanting was an elixir for not<br />
knowing a thing about wanting, she took me to the barn, I slept in her bed. Shopping cart theft,<br />
always a shopping cart in every clearing in the woods. Chains of airplanes in Brooklyn look like<br />
lightning bugs in daytime clouds, which move in opposite directions, clouds, planes, bugs. The<br />
Tuareg people staged an uprising in the year 2008, according to the notes on the CD case. This next<br />
song is called Tenere Etran. The men cover their faces and ride horses and sing about independence<br />
while the women dance and sing along from the crowd so loudly that the microphones pick them<br />
up, them whose voices crash louder than the cymbals. In 2004 Aaron went to prison for three years,<br />
the FBI had gotten involved. The night before he left, we smoked a joint on a dock over James<br />
River rapids. In January I returned to the dock, wrote a poem and threw it in the water at 2 a.m. As<br />
the parking lots began to crack, all my friends moved into old buildings by the university. I went<br />
where there were no billboards. Aisles of radio hits, every look on every face an apology, a word<br />
shattering into many or a word never uttered. A drop of coffee on my shirt, a yawn. Shopping or<br />
shoplifting, two words. A house that was never finished on a hill by the river, by the highway<br />
running through the sleep-breaths in the one room in the one house in the whole neighborhood<br />
where someone lived. Prices of homes went down slowly. Our feet smelled like gasoline. At the top<br />
of the hill next to the Burger King, you could see the Federal Reserve building ten miles away. Its<br />
basement dives deep into the earth‘s rocks, maybe there are billions in there, maybe I can have five<br />
dollars to buy enough gas to get back to the farm. The first half of the album is acoustic, the guitars<br />
are not in standard tuning, a tuning I don‘t recognize, there is clapping, no drums. Between tracks, a<br />
camel groans and someone shouts. Field recordings. Despite sub-prime everything, it is happening<br />
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