Issue #20 (2011) PDF - myweb - Long Island University

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Howard Pflanzer ARMORED VEHICLE Get an armored vehicle To protect your skin Will it keep you safe from the slings and arrows of outrageous fortune Will it save you from life‘s humiliations Will it save you from the torments of love Will it bullet-proof your heart and soul To make you impervious to the disasters of the world If not, why not You know what you can do You can shove that armored vehicle right up your ass. 92
GEESE NO MORE They killed the geese in Prospect Park One day they were there And the next day they were gone. They were a danger to human life Sucked into a jet engine They could cause a crash They were euthanized to protect all of us would-be travelers From sudden accidental death. Well, if someone has to go It might as well be the geese Not us. 93
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downtown brooklyn a journal of writ
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he can see his smiling reflection i
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Magdalena slithers her key into her
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to watch vigilantly over sterile fi
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Should I reach down and cup the pac
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Alicia Berbenick STABLES I had to k
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Mr. Tate beat her after that. He be
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Wayne Berninger GUESS WHO I CUT IN
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John Casquarelli NATURAL MOTION OF
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I came searching for rain hoping to
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Alane Celeste THE HAVE-NOTS Flies h
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Nik Conklin HOLLYWOOD HILLS Hilltop
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Sing me that song of Purple mountai
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THINGS I LOVE I love fine porcelain
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Wendy Eng FOUND POEM: BEAUTY IS ART
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―I think I‘ll check out the buf
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―No.‖ I search for something th
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warm for this heavy cover and I‘m
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theme song to ‗The Stripper‘. I
Page 41 and 42: I’m telling you, you gotta rememb
Page 43 and 44: MAKE ME TO HEAR "Make me to hear jo
Page 45 and 46: Aimee Herman DEGREE OF DARK SPACE F
Page 47 and 48: Katherine Hogan BY THE LAKE —with
Page 49 and 50: SAPPHO TO THE MAIDENS What did Sapp
Page 51 and 52: He shook his perfect pointer and ca
Page 53 and 54: AND LATER I SPEAK in a minute I clo
Page 55 and 56: ARRANGEMENTS you can start anywhere
Page 57 and 58: FIELD RECORDINGS No pronunciation o
Page 59 and 60: Giuseppe Infante DINNER FOR TWO Onc
Page 61 and 62: ―You got a woman‖ he said looki
Page 63 and 64: Belynda Jones RED THRONES Amidst it
Page 65 and 66: Jamey Jones AVENUE VISION 1 At prec
Page 67 and 68: LIKE THIS —for Steve Bailey it‘
Page 69 and 70: Kate FOUR POEMS These poems appear
Page 71 and 72: Anna Lindwasser BIRTHDAY sometimes
Page 73 and 74: maybe you could learn to love my ra
Page 75 and 76: even if you message me five minutes
Page 77 and 78: i don't know what living is, but i
Page 79 and 80: Elspeth Woodcock Macdonald IN CLASS
Page 81 and 82: PACKAGE Do you feel me calling you
Page 83 and 84: Uche Nduka HALF PAST ZERO no hard f
Page 85 and 86: Steve Newton DRIVING WITH ABSENT FR
Page 87 and 88: Jon L. Peacock Ferry to the Mainlan
Page 89 and 90: ―I‘m fucking going to bed,‖ r
Page 91: Nothing can be turned down, or sile
Page 95 and 96: Beatriz Alzate Rodriguez A STORY OF
Page 97 and 98: Thankfully, the house we stayed in
Page 99 and 100: We were all in the water now. I was
Page 101 and 102: steady with both her hands and her
Page 103 and 104: Lisa Rogal SO MANY THINGS ―You ev
Page 105 and 106: ehind his back like a school teache
Page 107 and 108: Kat: Maybe you should go 2 ER Me: I
Page 109 and 110: Then she hears the crash: a sound l
Page 111 and 112: developmentally delayed. The neighb
Page 113 and 114: P. J. Salber COIN FOR CS You be you
Page 115 and 116: Micah Savaglio A VACATION WITHOUT S
Page 117 and 118: Cancer. FRITZ Pause. FRITZ sets the
Page 119 and 120: Well, level with me. I don‘t unde
Page 121 and 122: THE PARENTS OF AABB1 The parents of
Page 123 and 124: hair on a g- string sing 123
Page 125 and 126: unmentionable slink ambles able (sa
Page 127 and 128: serious cloth loath to fold to how
Page 129 and 130: Jean Verthein CONTINUE Eve disappea
Page 131 and 132: Sarah Wallen OPOSSOMOON —an excer
Page 133 and 134: or spears. Everywhere there are roo
Page 135 and 136: PESTILENCE On a swing at the park.
Page 137 and 138: And somewhere a building is going u
Page 139 and 140: According to the weather lady The c
Page 141 and 142: You are slipping away In the silenc
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io notes Ana Almurani is an alumna
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directed the world premiere of The
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