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Issue #20 (2011) PDF - myweb - Long Island University

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The room gets brighter, and L sees everything in the darkness. He sees a napkin on the shelf<br />

beside his bunk, the table below. He sees the light switch, sees the lamp by his bunk, and turns it on.<br />

He steps down with the napkin in hand, and on the table he scribbles some words:<br />

I‟ve haywired my brain to be out when I‟m done<br />

when the day is all over, no more to be won<br />

I‟ve poisoned myself as much as I care<br />

so no thoughts will spill out, no more than I dare<br />

I‟ve programmed my life right down to the end<br />

so I have control, this mind shall not bend<br />

I‟ve stapled my soul up on that dark wall<br />

and shown it to none, and shown it to all<br />

I‟ve drank „til I‟m drunk & drank until dawn<br />

„til nothing is left, until I am gone.<br />

L dresses. He turns off the light, takes his key and several beers, and gently shuts the door.<br />

He walks through the ‗forbidden zones‘ like a ghost in the night, roaming the empty hallways,<br />

sensing others asleep in their rooms, confined to their quarters, closed away from any paradise of<br />

this fifteen-hour cruise, broken from happiness like some cruel, twisted joke. He passes the inner<br />

walls like a gust of wind until there‘s no place inside for Jim to hide, then L searches outside.<br />

The strength of the nighttime North Sea is stronger than in daylight, and black and black are<br />

sometimes broken by the white waves crashing and the lights in the distance, other boats that float<br />

in the nothingness. It‘s the outer darkness that L‘s Mormon mother warned him of, constantly<br />

pulling and pushing victims out, never to return. On the starboard side the sea pulls L down, and the<br />

wind intensifies and rips him up even harder. He firmly holds onto a line with both hands, clinging<br />

to his bag of beer, and at one point his feet start to slip from the ground. The winds are so strong, L<br />

starts to fear for his life, realizing just now he‘s no longer in his bunk. But after the strongest wind<br />

there‘s a calm that sits as L stretches his way from the cable to the helm of the deck.<br />

Jim is at the front of the boat, with a rainproof hood over his head. L is very close before<br />

Jim notices, and as Jim looks up there‘s a sight of terror without recognition in his face, but this<br />

quickly turns to a smile and L sits down. The two try to talk at first, but their words are swept out to<br />

sea quicker than can be heard, and they resort to silent contemplation. Occasionally they point out a<br />

distant light, or raise their hands above their heads, but mainly they allow the bumpy night to carry<br />

off their quiet conversation. They stand at the same time and together make their way through the<br />

high winds. Through the entrance door‘s window they see the back of a man somewhat lying down.<br />

He‘s clothed, but his pants are shoved past his hairy butt, two female legs springing from each side<br />

of him, and before turning away they both see him do a pumping motion. Jim and L move back<br />

several feet, not looking at each other.<br />

―I think that was,‖ Jim yells out, staring at the dark sea, ―that was the worst sight I‘ve ever<br />

seen.‖<br />

L doesn‘t respond.<br />

Minutes pass. They hold the rails and look out. Together they move back to the doorway,<br />

passing it without stopping, and look in to see the man and a girl sitting together, fully clothed. Jim<br />

and L step back and go inside.<br />

It‘s almost five in the morning when the last light is extinguished, and at seven a loud voice<br />

begins calling for people to gather their belongings and prepare to dock, as the ferryboat will be<br />

docking in the next two hours. This continues in four consecutive languages at fifteen-minute<br />

intervals for the full two hours, with a loud siren sounding thirty minutes before the ship docks.<br />

90

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