Issue #20 (2011) PDF - myweb - Long Island University

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spicy food was messing with my stomach. I knew it was my only chance to leave her at that moment. I made a gesture at the waiter and asked for one more bottle of wine instead. ―I don‘t date writers‖ she said looking at an oil stain on the table cloth after another long pause. ―Neither do I,‖ I said looking at the waiter who was approaching our table with a bottle of wine. She looked at me for the first time after a while and burst into laughter then smiled at the chicken tikka as if she knew something that the chicken didn‘t know. ―Good.‖ 62
Belynda Jones RED THRONES Amidst it all the results are within the noise and grave gashes. . . Reasons will perish It‘s time for canes and stones. . . ! Features sound out in chains and veils, young seas rip. Bared no more can the same be for slanted and ―proper‖ tones. 63
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downtown brooklyn a journal of writ
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he can see his smiling reflection i
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Magdalena slithers her key into her
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to watch vigilantly over sterile fi
Page 11 and 12: Should I reach down and cup the pac
Page 13 and 14: Alicia Berbenick STABLES I had to k
Page 15 and 16: Mr. Tate beat her after that. He be
Page 17 and 18: Wayne Berninger GUESS WHO I CUT IN
Page 19 and 20: John Casquarelli NATURAL MOTION OF
Page 21 and 22: I came searching for rain hoping to
Page 23 and 24: Alane Celeste THE HAVE-NOTS Flies h
Page 25 and 26: Nik Conklin HOLLYWOOD HILLS Hilltop
Page 27 and 28: Sing me that song of Purple mountai
Page 29 and 30: THINGS I LOVE I love fine porcelain
Page 31 and 32: Wendy Eng FOUND POEM: BEAUTY IS ART
Page 33 and 34: ―I think I‘ll check out the buf
Page 35 and 36: ―No.‖ I search for something th
Page 37 and 38: warm for this heavy cover and I‘m
Page 39 and 40: theme song to ‗The Stripper‘. I
Page 41 and 42: I’m telling you, you gotta rememb
Page 43 and 44: MAKE ME TO HEAR "Make me to hear jo
Page 45 and 46: Aimee Herman DEGREE OF DARK SPACE F
Page 47 and 48: Katherine Hogan BY THE LAKE —with
Page 49 and 50: SAPPHO TO THE MAIDENS What did Sapp
Page 51 and 52: He shook his perfect pointer and ca
Page 53 and 54: AND LATER I SPEAK in a minute I clo
Page 55 and 56: ARRANGEMENTS you can start anywhere
Page 57 and 58: FIELD RECORDINGS No pronunciation o
Page 59 and 60: Giuseppe Infante DINNER FOR TWO Onc
Page 61: ―You got a woman‖ he said looki
Page 65 and 66: Jamey Jones AVENUE VISION 1 At prec
Page 67 and 68: LIKE THIS —for Steve Bailey it‘
Page 69 and 70: Kate FOUR POEMS These poems appear
Page 71 and 72: Anna Lindwasser BIRTHDAY sometimes
Page 73 and 74: maybe you could learn to love my ra
Page 75 and 76: even if you message me five minutes
Page 77 and 78: i don't know what living is, but i
Page 79 and 80: Elspeth Woodcock Macdonald IN CLASS
Page 81 and 82: PACKAGE Do you feel me calling you
Page 83 and 84: Uche Nduka HALF PAST ZERO no hard f
Page 85 and 86: Steve Newton DRIVING WITH ABSENT FR
Page 87 and 88: Jon L. Peacock Ferry to the Mainlan
Page 89 and 90: ―I‘m fucking going to bed,‖ r
Page 91 and 92: Nothing can be turned down, or sile
Page 93 and 94: GEESE NO MORE They killed the geese
Page 95 and 96: Beatriz Alzate Rodriguez A STORY OF
Page 97 and 98: Thankfully, the house we stayed in
Page 99 and 100: We were all in the water now. I was
Page 101 and 102: steady with both her hands and her
Page 103 and 104: Lisa Rogal SO MANY THINGS ―You ev
Page 105 and 106: ehind his back like a school teache
Page 107 and 108: Kat: Maybe you should go 2 ER Me: I
Page 109 and 110: Then she hears the crash: a sound l
Page 111 and 112: developmentally delayed. The neighb
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P. J. Salber COIN FOR CS You be you
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Micah Savaglio A VACATION WITHOUT S
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Cancer. FRITZ Pause. FRITZ sets the
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Well, level with me. I don‘t unde
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THE PARENTS OF AABB1 The parents of
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hair on a g- string sing 123
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unmentionable slink ambles able (sa
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serious cloth loath to fold to how
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Jean Verthein CONTINUE Eve disappea
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Sarah Wallen OPOSSOMOON —an excer
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or spears. Everywhere there are roo
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PESTILENCE On a swing at the park.
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And somewhere a building is going u
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According to the weather lady The c
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You are slipping away In the silenc
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io notes Ana Almurani is an alumna
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directed the world premiere of The
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