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Accessory - Dragon Magazine #111.pdf - Index of

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itself. (There are footprints visible on the<br />

ro<strong>of</strong> below this window, and the tracks lead<br />

directly to the western edge <strong>of</strong> the ro<strong>of</strong>. For<br />

more information about this, see the "outside”<br />

section <strong>of</strong> the mansion description.)<br />

The dresser is empty and the table is<br />

bare. The nightstand’s candle is half consumed.<br />

The coat rack is empty, and the<br />

mirror is ordinary. The bathroom contains<br />

an unused bathtub, a toilet, a facial mirror,<br />

and an unused candle on a stand.<br />

Astrological observatory: This huge<br />

octagonal chamber is topped by a large<br />

glass observation dome 30 feet above the<br />

floor. Much <strong>of</strong> the center <strong>of</strong> the room is<br />

occupied by a mammoth swivel telescope<br />

pointed at the heavens. There is a chair<br />

attached to the telescope that swivels with<br />

the device. There are candlestands all<br />

around the room, as well as bookcases that<br />

flank the north, south, east, and west doors.<br />

(If the PCs enter after 9:30, the telescope<br />

will be in pieces on the floor, and one <strong>of</strong> the<br />

struts will show evidence <strong>of</strong> having been<br />

weakened by the application <strong>of</strong> acid.)<br />

The gigantic swivel telescope is a masterwork<br />

<strong>of</strong> engineering. The main tube is 40’<br />

long and the bore at the top <strong>of</strong> the tube is 5’<br />

across. The telescope can rotate a full 360<br />

degrees on the horizontal axis and can also<br />

be pivoted vertically so that it is anywhere<br />

from straight up (with the chair’s back<br />

parallel to the floor) to fully horizontal (the<br />

telescope is parallel to the floor). If Alambar<br />

has not yet entered the observatory, the<br />

telescope will be pointing up (out the observation<br />

dome) and to the northeast. In the<br />

daytime, the sun completely obscures the<br />

view <strong>of</strong> any other heavenly bodies.<br />

The chair is firmly attached to the telescope,<br />

but will be smashed when the crash<br />

occurs. On a desktop attached to the chair<br />

are a normal pen, a bottle <strong>of</strong> normal ink,<br />

and two books. The first book contains<br />

Romdril’s charts <strong>of</strong> the various heavenly<br />

bodies. The charts seem to show a movement<br />

<strong>of</strong> a certain group <strong>of</strong> four bodies toward<br />

each other until they meet in what<br />

Romdril notes as a “full cupidory.” The<br />

second book is a text on various formations<br />

<strong>of</strong> bodies, and is open to a page on cupidoria<br />

which describes a full cupidory as meaning<br />

“cessation.” (This page and two pages<br />

<strong>of</strong> the chartbook are reproduced in the<br />

document section.) If the telescope has<br />

already crashed, these books will be partially<br />

visible under the device, but not<br />

trapped; they can be recovered and examined,<br />

and the second book will still be open<br />

to the indicated page.<br />

The candlestands are all filled with unused<br />

candles. The bookcases that line the<br />

walls are well stocked with scholarly texts on<br />

astrology, which anyone without a strong<br />

background in astrology would find incomprehensible.<br />

Upper gallery: The long walls <strong>of</strong> this<br />

rectangular room are lined with paintings,<br />

most <strong>of</strong> them by world-famous artists and<br />

one <strong>of</strong> them painted by Romdril himself.<br />

The Romdril painting and three <strong>of</strong> the<br />

others have the same subject: a beautiful<br />

young woman. One <strong>of</strong> the other paintings<br />

<strong>of</strong> this woman bears the word “Liana”<br />

engraved on its frame. On the frame <strong>of</strong> the<br />

Romdril painting is inscribed this notation:<br />

“B 3-15-21, D 12-14-52.”<br />

Behind the Romdril painting is a small<br />

wall safe. In the center <strong>of</strong> the square door is<br />

a dial marked with numbers from one<br />

through sixty and a spinner with an arrow<br />

engraved on it pointing to the dial. If the<br />

arrow is turned to point to the numbers<br />

twelve, fourteen, and fifty-two, in that<br />

order, the wall safe will pop open. If a thief<br />

attempts to pick this lock, he does so at a<br />

30% penalty.<br />

Inside the safe are a large sack, a smaller<br />

sack, a small portrait, a scroll, and a<br />

leather-bound ledger. The large sack is a<br />

bag <strong>of</strong> holding that contains ten thousand<br />

platinum pieces but only weighs sixty<br />

pounds. In the smaller sack is a treasure<br />

trove <strong>of</strong> gems, mostly jacinths, rubies, and<br />

sapphires. The small portrait is in a heavily<br />

inlaid platinum and gold frame, and depicts<br />

the same woman as the painting in the<br />

master bedroom and the ones noted along<br />

the gallery walls.<br />

The seal on the scroll is engraved with the<br />

words, “Last Will and Testament <strong>of</strong> Alexonus<br />

Romdril.” If the seal is broken, the<br />

will (reproduced in the document section)<br />

can be read:<br />

“I, Alexonus Romdril, being <strong>of</strong> sound<br />

mind and body, declare this to be my last<br />

will and testament.<br />

“It is my solemn wish that my estate be<br />

shared equally by my two loyal servants and<br />

friends, Mok and Raleigh. It is also my<br />

wish that they continue to occupy the mansion,<br />

jointly sharing the title <strong>of</strong> Lord <strong>of</strong><br />

Romdril Mansion.<br />

“All <strong>of</strong> my magical possessions not related<br />

to the maintenance <strong>of</strong> Romdril Mansion<br />

shall be given to my former apprentice,<br />

Sandar Fleatis. Should he desire to occupy<br />

Romdril Mansion, he is welcome to do so,<br />

although he shall not have the executive<br />

ownership <strong>of</strong> the mansion.<br />

“This I do hereby set in writing in the<br />

memory <strong>of</strong> my beloved Liana, whom I shall<br />

meet again in the world beyond.<br />

“Alexonus Romdril, April 10, 1353.”<br />

The leather-bound book is titled “Campaign<br />

Ledger, November-December 1352.”<br />

One dog-eared page (reproduced in the<br />

document section) describes the misappropriation<br />

<strong>of</strong> ill-gained campaign funds for the<br />

date December 12, 1352. One entry has<br />

been circled; this reads, “Paid to Andre<br />

LeMeurtrier for services rendered, 35,000<br />

gold pieces,”<br />

Minor guest bedrooms: These rooms<br />

will be found the same way the player characters<br />

left them. Each contains a bed, a<br />

candlestand, a dresser, a half-length mirror,<br />

and a bathroom with a bathtub, toilet, and<br />

candlestand.<br />

Ground level<br />

Manservant’s bedroom: Raleigh’s bedroom<br />

is large but sparsely furnished. There<br />

is a nightstand next to the bed in the northeast<br />

section <strong>of</strong> the room. A suit rack sits in<br />

the southeast corner, and there is a dresser<br />

and a full-length mirror between the rack<br />

and the southern door.<br />

The bed, 3’ by 6’, has no canopy. (If<br />

Raleigh survives his early-morning ordeal,<br />

his unconscious form will be occupying the<br />

bed from about 8:15, when Mok brings him<br />

here, until 12:00, when the PCs’ time limit<br />

expires.) On the nightstand are a halfmelted<br />

candle in a stand and a small piece<br />

<strong>of</strong> paper (see the document section) which<br />

reads, “List <strong>of</strong> Guests: Alkus Alambar,<br />

Sandar Fleatis, Orian Flaloch, <strong>of</strong>ficers from<br />

Kelburn.” On the face-down side <strong>of</strong> this<br />

paper is written “12-14-52.”<br />

The suit rack contains six formal suits<br />

and four empty hangers. There is nothing<br />

in the pockets <strong>of</strong> any <strong>of</strong> the suits. In the<br />

dresser are Raleigh’s other clothes and his<br />

boots. The mirror is ordinary.<br />

In the bathroom are a recently used<br />

bathtub, a toilet, two candlestands with<br />

slightly used candles, a facial mirror, and a<br />

grooming set (hairbrush, razor, and clipping<br />

scissors, none <strong>of</strong> which is marked in<br />

any way).<br />

Servants’ quarters: All <strong>of</strong> these rooms<br />

are essentially the same. Each contains a<br />

neatly made bed (3’ by 6‘), a nightstand<br />

with an empty candleholder, a half-length<br />

mirror, and a dresser. In the lower drawer<br />

<strong>of</strong> the dresser in the southwest room is a<br />

rotting rag doll; if it is torn open, three<br />

copper pieces will fall out.<br />

The servants’ bath is divided into two<br />

identical rooms, each containing a dry<br />

bathtub, a toilet, and an unused candle in a<br />

holder.<br />

Enni’s room: Stuck on the outside <strong>of</strong> the<br />

waist-high hinge on the door to this room is<br />

a swatch <strong>of</strong> black cloth containing a bit <strong>of</strong><br />

embroidery that seems to be part <strong>of</strong> a decoration.<br />

It has obviously been ripped from a<br />

larger piece <strong>of</strong> the same cloth.<br />

Enni, the maid, is propped up against the<br />

headboard <strong>of</strong> her bed, and is in her bedclothes<br />

— with a red-fletched crossbow bolt<br />

protruding from her chest. She is unquestionably<br />

dead. Under the pillow behind her<br />

lower back is a dagger with a wavy-edged<br />

blade.<br />

The room has a dresser, a nightstand with<br />

a half-consumed candle in its holder, and a<br />

full-length mirror. In the dresser are two<br />

maid’s outfits and a pair <strong>of</strong> shoes; on top<br />

are a maid’s hat and a grooming set. The<br />

grooming set contains a small facial mirror,<br />

a stoppered pottery bottle labeled<br />

“Makeup,” a hairbrush and comb, clipping<br />

scissors, and a small file. The pottery bottle<br />

is half-filled with a black powder. (This<br />

powder is the same as that which is sprinkled<br />

on the candle in the master bedroom;<br />

consult the text for that room for what will<br />

happen if this powder is tasted.)<br />

D RAGON 47

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