Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
Eduard auf dem Seil is the last part of a triptych of legends (with The Pied Piper and Der Schimmelreiter).<br />
Scenes from the life of the German romantic poet Eduard Mörike, especially “Peregrina<br />
trauma” (Mörike’s illicit love for a waitress) are interlaced with motifs and poems from<br />
Mörike’s “Historie der schönen Lau” from the “Stuttgarter Hutzelmännchen”. The boundaries<br />
between reality and art become blurred, but the poet’s sense of loneliness is the overriding<br />
theme of the work.<br />
Eduard auf dem Seil<br />
02.12.1999 Ulmer Theater<br />
What interested me most in Eduard Mörike‘s story of the ‚Beautiful Lau‘ was a contrast: On the<br />
one hand, there is the real life situation of the poet who lives in a world of upheaval, revolutions,<br />
war, and suppression and is on the verge of giving up in desperation. On the other hand, there is<br />
the story he tells to get rid of his depressions. And this is a story about the laughter of the ‚Beautiful<br />
Lau‘ only at first glance; on closer reading, it is also a story by which Mörike saves himself from<br />
desperation – a serious comedy, very quiet, yet very wild, crudely funny and full of melancholy.<br />
(Wilfried Hiller)<br />
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