Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
As early as the year 1779 Mozart’s Zaïde posed questions about the possibility of a dialogue<br />
between the Occident and the Orient. Zaïde was never completed and exists only as a fragment:<br />
the overture, the dialogues and the finale are all missing and the outcome of the story<br />
remains unclear. The Israeli composer Chaya Czernowin responds to Mozart’s incomplete work<br />
with Adama. In Adama (Hebrew: adama = earth, adam = man, dam = blood) she has composed<br />
an independent musical sound space and has regarded the operatic subject from a contemporary<br />
perspective. Whereas Zaïde describes the conflict between civilisations using the story of a<br />
European couple who are in love and held in slavery in a foreign Oriental country, the situation<br />
described by Chaya Czernowin touches on the question of freedom and imprisonment from a<br />
different dimension. The lovers themselves speak two different languages and encounter each<br />
other as foreigners, as a man from Palestine and an Israeli woman. Adama is therefore not the<br />
completion of a Mozart fragment and the overall project Zaïde / Adama is not a closed entity:<br />
rather, it tries to find corresponding and contradictory features in an incomplete historical work.<br />
Thus, the various musical spheres are interwoven and enter a dialogue. This interplay of sound<br />
opens up the possibility of hearing each different musical cosmos with purified ears, and of<br />
discovering unforeseen common features.<br />
Zaïde · Adama<br />
17.08.2006 Salzburger Festspiele<br />
Czernowin doesn’t enter into competition with Mozart as a composer, but creates a new space of<br />
sounds and noises which is very suggestive, and seems to find its way into the psyche of any listener<br />
[...] You are able to listen to the music of Mozart’s Zaïde in a totally new way and discover<br />
a timeless truth behind Mozart’s beautiful musical sound-scape. Zaïde – Adama was without a<br />
doubt the most important performance during the Mozart Cycle in Salzburg (Salzburger Mozart<br />
Zyklus) in the year 2006. (Opernwelt 11/2006)<br />
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