Music Theatre since 1990 - Schott Music

More documents

Recommendations

Info

Bernard Rands Belladonna Libretto by Leslie Dunton-Downer Origin: 1998-1999 Language: English Cast: Agatha Liu · contralto – Dr. Marina Rojas-Harper · mezzo soprano – Ms. Brittany Peters · counter tenor – Sister Suzanna · high soprano – Professor Cynthia Reid · soprano – William · tenor – Judge · bass baritone – Herman Morris · bass baritone – Simon West · tenor – Mr. Liu · tenor – Tina · boy soprano 1999 Orchestra: 1( afl.) .1 . 1(bcl.) . Asx .1 - 1 . 1 . 1 . 0 - 2 perc. - hp. pno. - strings - Two Choruses Duration: 90‘ Performance material on hire Selected Productions 29.07.1999 Aspen Opera <strong>Theatre</strong> Center (WP) David Zinman · Edward Berkeley 98
Synopsis Five women have gathered in an American college town to spend a convivial evening over cocktails and supper. The hostess, a visiting professor from China, greets four friends: an alcoholic Classicist in love with one of her students; an opera singer devoted to her admiring audience; a young divinity student soon to take holy vows, and a doctor of alternative medicine who runs a fertility-abortion clinic. A heated discourse ensues as, in five central scenes, each of these women lives out fears, desires, fantasies, or experiences associated with her views of love, with each scene set in a distinct fantasy landscape. The final scene returns to the dinner table where the women have been transformed not only by a few too many glasses of wine, but also by their experiences and exchanges. Belladonna 29.07.1999 Aspen Opera The opera, which the authors refer to as a Mise en Scene, draws on a dual model. On one level, the dinner revisits Plato‘s Symposium, the famous Socratic dialogue in which great men from different walks of life converse about love, „Eros,“ over the course of a dinner party. On a separate linear plane, Belladonna follows the sequence of events of the Easter passion. Scene I parallels The Last Supper and subsequent scenes Temptation, Solitude (as in the Garden of Gethsemane), Betrayal, Accusation and Trial, and Execution. The final scene brings the action full circle with its recasting of the Resurrection. While it’s Greek and Christian models explore love from an exclusively male viewpoint, however, Belladonna celebrates human love from the vantage point of women‘s experiences. I have been given a superb libretto which calls for a music of subtle and supple flexibility as it responds to the spectrum of human passions contained therein. (Bernard Rands) It‘s a triumph, at turns bold, beautiful, wry, dramatic, sweet and sad. (Harvy Steimen, <strong>Music</strong> Bulletin Board) 99
Page 1 and 2:
Music Theatre since 1990 An annotat
Page 3:
MUSIC THEATRE SINCE 1990 An annotat
Page 7 and 8:
CONTENTS Works in chronological ord
Page 9 and 10:
Synopsis Das verratene Meer | Gogo
Page 11 and 12:
Synopsis Ingomar Grünauer 1990 in
Page 13 and 14:
Synopsis Outside the palace in Myce
Page 15 and 16:
Synopsis “A murdered victim climb
Page 17 and 18:
Synopsis Dieter Schnebel · Photo:
Page 19 and 20:
Synopsis Ubu is greedy for power, m
Page 21 and 22:
Synopsis The penniless adventurer T
Page 23 and 24:
Synopsis The opera is set in Fehrbe
Page 25 and 26:
Synopsis The plot is imaginary, and
Page 27 and 28:
Synopsis Aribert Reimann’s opera,
Page 29 and 30:
Synopsis St. Petersburg (1.-3. scen
Page 31 and 32:
Synopsis The mysterious, disturbing
Page 33 and 34:
Synopsis The setting is ancient The
Page 35 and 36:
Synopsis The Caribbean island of Sa
Page 37 and 38:
Synopsis In the early hours of Sept
Page 39 and 40:
Synopsis Rodion Shchedrin’s Lolit
Page 41 and 42:
Synopsis Volker David Kirchner gave
Page 43 and 44:
Synopsis A power-hungry Regent stri
Page 45 and 46:
Synopsis Homage to Mozart of a spec
Page 47 and 48: Synopsis Harvey Milk is inspired by
Page 49 and 50: Synopsis Rainer Maria Rilke depicts
Page 51 and 52: Synopsis This is a story based on t
Page 53 and 54: Synopsis It was surely an act of fa
Page 55 and 56: Synopsis In Antonio der Dieb [Anton
Page 57 and 58: Synopsis In the manuscript of the t
Page 59 and 60: Synopsis Viktor Ullmann composed hi
Page 61 and 62: Synopsis Emmeline Mosher is only 13
Page 63 and 64: Synopsis A country doctor is called
Page 65 and 66: Synopsis The immensely rich Marches
Page 67 and 68: Synopsis The prima donna, the heroi
Page 69 and 70: Synopsis Strange things are happeni
Page 71 and 72: Synopsis A woman has killed her hus
Page 73 and 74: Synopsis Hopper’s Wife imagines A
Page 75 and 76: Synopsis ‘The opera takes place i
Page 77 and 78: Volker David Kirchner · Photo: Pet
Page 79 and 80: Synopsis A rehearsal of the opera A
Page 81 and 82: Synopsis Jeremiah has a vision of t
Page 83 and 84: Synopsis A nurse is reading to an o
Page 85 and 86: Synopsis Majakowkis Tod [Mayakovsky
Page 87 and 88: Synopsis ‘Doctor Ox’s Experimen
Page 89 and 90: Synopsis ‘For me, Der Schimmelrei
Page 91 and 92: Synopsis Unlike the Brothers Grimm
Page 93 and 94: Synopsis A modern fable, Fantastic
Page 95 and 96: Synopsis The chamber opera Albert -
Page 97: Synopsis A homeless woman in Centra
Page 101 and 102: Synopsis This opera is set in the e
Page 103 and 104: Synopsis The prince is loved by two
Page 105 and 106: Synopsis In Kantan, a young man dri
Page 107 and 108: Synopsis Eduard auf dem Seil is the
Page 109 and 110: Synopsis We have an old man (a surv
Page 111 and 112: Synopsis The Silver Tassie, Turnage
Page 113 and 114: Synopsis Gilgameh, king of Uruk, ha
Page 115 and 116: Synopsis Wilhelm Busch, the German
Page 117 and 118: Synopsis Ingomar Grünauer · Photo
Page 119 and 120: Synopsis The opera opens with the m
Page 121 and 122: Synopsis Jakob von Gunten, a boy of
Page 123 and 124: Synopsis Pontius Pilate’s doorkee
Page 125 and 126: Synopsis Father Sergius, Tolstoy’
Page 127 and 128: Synopsis New York, somewhere in Man
Page 129 and 130: Synopsis The title Bing refers to B
Page 131 and 132: Synopsis Strasbourg in the 1440s. W
Page 133 and 134: Synopsis Das Salome-Prinzip is a ne
Page 135 and 136: Synopsis A poignant setting of the
Page 137 and 138: Synopsis The opera takes its subjec
Page 139 and 140: Synopsis Revolution is raging in th
Page 141 and 142: Synopsis The events leading to Dian
Page 143 and 144: Synopsis Patrizia and Bruno are a c
Page 145 and 146: Synopsis When his beloved wife Minn
Page 147 and 148: Synopsis The life of the South Tyro
Page 149 and 150:
Synopsis Hanjo is the name of the e
Page 151 and 152:
Synopsis ‘I would prefer not to
Page 153 and 154:
Synopsis The angels are singing now
Page 155 and 156:
Synopsis Beatrice, the daughter of
Page 157 and 158:
Synopsis Augustinus von Hippo, Sour
Page 159 and 160:
Synopsis A progressive drama of tem
Page 161 and 162:
Synopsis This is music theatre comp
Page 163 and 164:
Synopsis Married Parisian couple Th
Page 165 and 166:
Synopsis Gian Lorenzo Bernini: Apol
Page 167 and 168:
Synopsis The opera re-enacts the ex
Page 169 and 170:
Synopsis As early as the year 1779
Page 171 and 172:
Synopsis The deep sea makes up 80%
Page 173 and 174:
Synopsis What is Infinity How do yo
Page 175 and 176:
Synopsis On a hot Friday in a block
Page 177 and 178:
Synopsis This story captures the ev
Page 179 and 180:
Synopsis At the battlefield on the
Page 181 and 182:
Synopsis The Bonesetter‘s Daughte
Page 183 and 184:
Synopsis Based on the 1957 George L
Page 185 and 186:
Synopsis Peter Eötvös’ opera Lo
Page 187 and 188:
Synopsis The opera Gegen die Wand i
Page 189 and 190:
Synopsis This is an opera with no s
Page 191 and 192:
Kirchner, Volker David (*1942) Ahas
Page 193 and 194:
König für einen Tag .............
Page 195 and 196:
Thorne, Joan Vail .................
Page 197 and 198:
St. Jago ..........................
show all

Music Theatre since 1990 - Schott Music

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?