Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
In Antonio der Dieb [Antonio the Thief], set in contemporary Venice, the title figure follows the<br />
insinuations of the Devil, becomes a thief in order to satisfy his piercing hunger and subsequently<br />
discovers that a devil can simultaneously be crook, prison warden, innkeeper and priest<br />
in one.<br />
Rodolfo Foscati is set in the historical period of the Italian campaign against the Hapsburgs in<br />
1821 in Milan and is an enthralling tale of injured pride, revenge and betrayal.<br />
Pantelleria – Die Insel der Schmerzen [Pantelleria – Island of Pain] is based in the contemporary<br />
Mafia and drug-dealing world of Catania and relates the story of a respectable young man who<br />
through a false female friend becomes involved with the dealings of her protector, a drug boss.<br />
The tale ends with prison and hopelessness.<br />
„Prisoner“ © LOU OATES - Fotolia.com<br />
In the manner of Virginia Woolf’s “progression” through the ages as shown in her novel Orlando,<br />
these three individual pieces depict how an innocent person loses his innocence: the Devil as enticer,<br />
political pressure as provocation and finally the Mafia as a blackmailer in times of need.[…]<br />
I decided on a variation technique […] which addresses Henze’s songs and also follows on from<br />
them. In my work, all scenes and interludes process melodic, rhythmic and tonal motifs which are<br />
present in the Henze originals – these naturally set the tone in attitude, atmosphere and instrumentation.<br />
(Jörg Widmann)<br />
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