Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
The prima donna, the heroic actor and the young tenor Clemente are rehearsing for a performance<br />
of the mythical tale of Venus, Adonis and Mars which relates the love between the goddess<br />
Venus and the handsome youth Adonis. This incurs the displeasure and jealousy of the god<br />
Mars and culminates in the death of Adonis who is attacked by a boar. During the performance,<br />
the boundaries between the myth and the singers’ private conflicts become blurred: the heroic<br />
actor is just as enamoured of the prima donna as his persona Mars is of Venus. Following initial<br />
resistance, a relationship between them develops, causing the heroic actor to be as outraged<br />
as was Mars at the sight of Venus and Adonis together. In the same moment as Adonis is killed<br />
by the boar, the heroic actor stabs Clemente. In death, Clemente and Adonis become one.<br />
Accompanied by shepherd song, Adonis is transported to the planet Venus. (Source: Bavarian<br />
State Opera Munich, season 1996| 1997)<br />
Venus und Adonis<br />
11.01.1997 Bayerische Staatsoper München<br />
Venus and Adonis is a modern treatise on love: the love of two ageing persons for an adolescent<br />
boy, a youth. […] I describe great currents of emotion which have probably always been familiar<br />
to humans, but are possibly now portrayed differently in our time. This begins with their tonal<br />
representation. I also attempt – and this has been of special interest to me – to create music of our<br />
time in its unmitigated vehemence (and also in its entire range) on the basis of a generally familiar<br />
plot with the aid of a simple, classical formal vehicle.<br />
(Hans Werner Henze, Source: Bayerische Staatsoper 1997)<br />
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