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Music Theatre since 1990 - Schott Music

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Volker David Kirchner · Photo: Peter Andersen<br />

Synopsis<br />

Errors and confusion in a shimmering summer night: Oberon, the king of the fairies, and his<br />

queen Titania have fallen out with each other and are living apart but in the same forest near<br />

Athens.<br />

In the same location, two pairs of lovers have<br />

lost their way: Helena who loves Demetrius<br />

who loves Hermia who loves Lysander who<br />

loves Helena … A plot with great potential<br />

for complications. Oberon feels sorry for the<br />

lovers – the magic flower belonging to his<br />

servant Puck should help to solve all problems.<br />

This however has the opposite effect as<br />

Puck’s magic causes the person to fall in love<br />

with the first creature he or she sees! Thus<br />

Titania suddenly regards the simpleton Bottom<br />

with the ass’s head as the god of love.<br />

In addition, there is the troupe of craftsmen<br />

who rehearse the play ‘Pyramus and Thisbe’<br />

for the wedding of Theseus and thereby initiate<br />

further confusion. The midsummer night<br />

becomes a labyrinth of encounters and emotions;<br />

in culmination, Oberon and Titania are<br />

confronted with utter chaos.<br />

“The musicality of Shakespeare’s language in the German translation by Schlegel proved to be a<br />

great inspiration for the composer […] Kirchner leaves the speech melody unaltered and intervenes<br />

as a commentator. […] He adds colour which appears to influence the events taking place, almost<br />

giving the impression that the composer has stepped into the playwright’s shoes, identifying himself<br />

with Shakespeare. Kirchner never breaks with tradition, but incorporates it consciously into his<br />

music.” (Das Orchester 02/1998)<br />

77

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