Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Volker David Kirchner · Photo: Peter Andersen<br />
Synopsis<br />
Errors and confusion in a shimmering summer night: Oberon, the king of the fairies, and his<br />
queen Titania have fallen out with each other and are living apart but in the same forest near<br />
Athens.<br />
In the same location, two pairs of lovers have<br />
lost their way: Helena who loves Demetrius<br />
who loves Hermia who loves Lysander who<br />
loves Helena … A plot with great potential<br />
for complications. Oberon feels sorry for the<br />
lovers – the magic flower belonging to his<br />
servant Puck should help to solve all problems.<br />
This however has the opposite effect as<br />
Puck’s magic causes the person to fall in love<br />
with the first creature he or she sees! Thus<br />
Titania suddenly regards the simpleton Bottom<br />
with the ass’s head as the god of love.<br />
In addition, there is the troupe of craftsmen<br />
who rehearse the play ‘Pyramus and Thisbe’<br />
for the wedding of Theseus and thereby initiate<br />
further confusion. The midsummer night<br />
becomes a labyrinth of encounters and emotions;<br />
in culmination, Oberon and Titania are<br />
confronted with utter chaos.<br />
“The musicality of Shakespeare’s language in the German translation by Schlegel proved to be a<br />
great inspiration for the composer […] Kirchner leaves the speech melody unaltered and intervenes<br />
as a commentator. […] He adds colour which appears to influence the events taking place, almost<br />
giving the impression that the composer has stepped into the playwright’s shoes, identifying himself<br />
with Shakespeare. Kirchner never breaks with tradition, but incorporates it consciously into his<br />
music.” (Das Orchester 02/1998)<br />
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