Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
In the early hours of September 25th 1940: Walter Benjamin and Lisa Fittko escape from the<br />
Fascists and find their way to Port Bou on the Spanish border. Exhausted by the arduous climb<br />
across the Pyrenees, Lisa leaves Benjamin as night sets in, intending to return the next morning<br />
in the hope of leading him over the mountains to safety.<br />
Left on his own Benjamin suppresses his fear with morphine. He spends his last night before<br />
committing suicide in a waking dream. Images of his past haunt him: his imprisonment in Paris,<br />
the evacuation to the camps and his childhood. Benjamin realizes that he has always been<br />
an outsider. Two angels, as in Paul Klee’s drawing, face him with the choice between life and<br />
death. One promises him freedom and the chance of a new life (from which he is only a few<br />
hours away). But the other angel, Klee’s ‘Angelus Novus’, draws him closer: Benjamin can’t<br />
escape the destructive power of the angel of death.<br />
Winterreise<br />
24.08.1994 Internationale Musikfestwochen Luzern<br />
Isolation, cold, homelessness: Benjamin the hopeless non-conformist, both the eternal outsider and<br />
observer, aware of both himself and his environment, a man who suffers from his hopelessness, but<br />
also exploits it [...] The heart of the musical material is an altered motive of the “Wegweiser” (Song<br />
20 of Franz Schubert’s Winterreise).<br />
(Ingomar Grünauer, Source: Hessisches Staatstheater Wiesbaden 1997)<br />
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