14.01.2015 Views

Music Theatre since 1990 - Schott Music

Music Theatre since 1990 - Schott Music

Music Theatre since 1990 - Schott Music

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Synopsis<br />

Beatrice, the daughter of the nobleman Vermandero, falls passionately in love with Alsemero<br />

who returns her love. She gives her servant De Flores the task of eliminating her unloved bridegroom<br />

Alonzo de Piracquo. But after the murder De Flores doesn’t want money, as planned,<br />

but desires his beautiful client for himself and rapes her. Beatrice abandons herself to her unexpected<br />

desire and realises her suppressed sexual appetite.<br />

Meanwhile Antonio, Vermandero’s servant, disposes of Alonzo’s dead body. Frightened for<br />

his life he flees to the madhouse, which is situated in the cellars underneath the palace. The<br />

head of the madhouse is Alibio, who hides his young wife Isabelle here. Antonio succeeds in<br />

finding Isabella and seduces her. After Alonzo’s death there is nothing to prevent Beatrice from<br />

marrying Alsemero. But the wedding night presents a problem for Beatrice: she is no longer a<br />

virgin. To keep this secret from Alsemero, she is represented by her untouched lady-in-waiting,<br />

Diaphanta. She fails to see that Diaphanta is also in love with Alsemero and longs to satiate her<br />

desire for him. When she realises this, Beatrice orders the murder of Diaphanta.<br />

In the meantime, the madhouse patients are taking over the Vermandero palace. Beatrice<br />

confesses that she is dependent on De Flores, whom she stabs to death in front of everyone.<br />

But she realises that she still has not freed herself from him. At the end Beatrice is forced to<br />

acknowledge Isabelle’s insight: ‘Now we are all in hell.’<br />

Vipern<br />

15.04.2007 Stadttheater Bern<br />

Vipern is a very archaic piece, about suppressed love and desire which might explode at any<br />

moment. [...] I see the material like a wild animal, which – kept in captivity – paces to and fro,<br />

sometimes threateningly quiet and sometimes spitting, while the observer is scared as to whether<br />

the animal can be kept in the cage. (Christian Jost)<br />

155

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!