Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
Beatrice, the daughter of the nobleman Vermandero, falls passionately in love with Alsemero<br />
who returns her love. She gives her servant De Flores the task of eliminating her unloved bridegroom<br />
Alonzo de Piracquo. But after the murder De Flores doesn’t want money, as planned,<br />
but desires his beautiful client for himself and rapes her. Beatrice abandons herself to her unexpected<br />
desire and realises her suppressed sexual appetite.<br />
Meanwhile Antonio, Vermandero’s servant, disposes of Alonzo’s dead body. Frightened for<br />
his life he flees to the madhouse, which is situated in the cellars underneath the palace. The<br />
head of the madhouse is Alibio, who hides his young wife Isabelle here. Antonio succeeds in<br />
finding Isabella and seduces her. After Alonzo’s death there is nothing to prevent Beatrice from<br />
marrying Alsemero. But the wedding night presents a problem for Beatrice: she is no longer a<br />
virgin. To keep this secret from Alsemero, she is represented by her untouched lady-in-waiting,<br />
Diaphanta. She fails to see that Diaphanta is also in love with Alsemero and longs to satiate her<br />
desire for him. When she realises this, Beatrice orders the murder of Diaphanta.<br />
In the meantime, the madhouse patients are taking over the Vermandero palace. Beatrice<br />
confesses that she is dependent on De Flores, whom she stabs to death in front of everyone.<br />
But she realises that she still has not freed herself from him. At the end Beatrice is forced to<br />
acknowledge Isabelle’s insight: ‘Now we are all in hell.’<br />
Vipern<br />
15.04.2007 Stadttheater Bern<br />
Vipern is a very archaic piece, about suppressed love and desire which might explode at any<br />
moment. [...] I see the material like a wild animal, which – kept in captivity – paces to and fro,<br />
sometimes threateningly quiet and sometimes spitting, while the observer is scared as to whether<br />
the animal can be kept in the cage. (Christian Jost)<br />
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