Music Theatre since 1990 - Schott Music

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Huw Watkins Crime Fiction Oper in zwei Akten Chamber opera in one act Libretto by David Harsent Origin: 2008/9 Language: English Cast: Woman · alto – Man · baritone – Author · tenor 2009 Orchestra: flute, clarinet in Bb, trumpet in Bb, trombone, violin, cello, double bass Duration: 28‘ Performance material on hire Remarks: 8 loudspeakers backstage and a Sound engineer are required Selected Productions 28.03.2009 Millennium Centre, Cardiff 03.04.2009 Galeri Caernafon Arlene Rolph · Gwion Thomas · Richard Egar Wilson · Michael Rafferty 188
Synopsis This is an opera with no story, but one that explores the critical moment within a story – a crime story – and turns the spotlight on the person who creates this moment: the Author. The primary ingredients of crime fiction are darkness, violence and damaged people plus, of course, plot: the mechanics of the piece. Dark desires have to be played out, motive has to be revealed, lines of investigation have to be followed and a resolution of some sort arrived at. But for the writer, what’s really interesting about crime fiction is not joining the dots, but the dots themselves: the set-pieces, the heightened moments of chaos and bloodshed. In Crime Fiction, the Author is engaged in a struggle with himself to preserve unadorned the moment he’s created, but his characters, the Woman and the Man, are starting to interfere. Crime Fiction 28.03.2009 Millennium Centre Cardiff Clive Barda / Arenapal Crime Fiction comprises 12 miniature scenes in which an Author, imagining a Man about to garrotte a Woman but withdrawing, meditates on the process of devising character and motive. The Man and Woman come and go. In the end, the Author himself dangles the garrotting rope above the supine Woman, and this cryptic, quasi-Beckettian, quasi-Pinterian little drama ends… Watkins’s score opens with a gently pulsing violin figure, and from this the whole structure arises. The fit between the music and the words is as intimate as the action displayed, though not in a sadomasochistic way. Indeed, Watkins, in his first operatic essay, has contrived a textbook equilibrium between those warring elements, the words always clearly projected, the music always interesting but never carried away with itself. I wouldn’t have minded if occasionally it had been, but I was gripped by the tautness, dark colouring, effortless climaxes and subtle close of what was on offer. (Paul Driver, The Sunday Times, 5 April 2009) 189
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Music Theatre since 1990 An annotat
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MUSIC THEATRE SINCE 1990 An annotat
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CONTENTS Works in chronological ord
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Synopsis Das verratene Meer | Gogo
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Synopsis Ingomar Grünauer 1990 in
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Synopsis Outside the palace in Myce
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Synopsis “A murdered victim climb
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Synopsis Dieter Schnebel · Photo:
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Synopsis Ubu is greedy for power, m
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Synopsis The penniless adventurer T
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Synopsis The opera is set in Fehrbe
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Synopsis The plot is imaginary, and
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Synopsis Aribert Reimann’s opera,
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Synopsis St. Petersburg (1.-3. scen
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Synopsis The mysterious, disturbing
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Synopsis The setting is ancient The
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Synopsis The Caribbean island of Sa
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Synopsis In the early hours of Sept
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Synopsis Rodion Shchedrin’s Lolit
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Synopsis Volker David Kirchner gave
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Synopsis A power-hungry Regent stri
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Synopsis Homage to Mozart of a spec
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Synopsis Harvey Milk is inspired by
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Synopsis Rainer Maria Rilke depicts
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Synopsis This is a story based on t
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Synopsis It was surely an act of fa
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Synopsis In Antonio der Dieb [Anton
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Synopsis In the manuscript of the t
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Synopsis Viktor Ullmann composed hi
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Synopsis Emmeline Mosher is only 13
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Synopsis A country doctor is called
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Synopsis The immensely rich Marches
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Synopsis The prima donna, the heroi
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Synopsis Strange things are happeni
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Synopsis A woman has killed her hus
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Synopsis Hopper’s Wife imagines A
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Synopsis ‘The opera takes place i
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Volker David Kirchner · Photo: Pet
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Synopsis A rehearsal of the opera A
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Synopsis Jeremiah has a vision of t
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Synopsis A nurse is reading to an o
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Synopsis Majakowkis Tod [Mayakovsky
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Synopsis ‘Doctor Ox’s Experimen
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Synopsis ‘For me, Der Schimmelrei
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Synopsis Unlike the Brothers Grimm
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Synopsis A modern fable, Fantastic
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Synopsis The chamber opera Albert -
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Synopsis A homeless woman in Centra
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Synopsis Five women have gathered i
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Synopsis This opera is set in the e
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Synopsis The prince is loved by two
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Synopsis In Kantan, a young man dri
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Synopsis Eduard auf dem Seil is the
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Synopsis We have an old man (a surv
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Synopsis The Silver Tassie, Turnage
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Synopsis Gilgameh, king of Uruk, ha
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Synopsis Wilhelm Busch, the German
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Synopsis Ingomar Grünauer · Photo
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Synopsis The opera opens with the m
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Synopsis Jakob von Gunten, a boy of
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Synopsis Pontius Pilate’s doorkee
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Synopsis Father Sergius, Tolstoy’
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Synopsis New York, somewhere in Man
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Synopsis The title Bing refers to B
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Synopsis Strasbourg in the 1440s. W
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Synopsis Das Salome-Prinzip is a ne
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Synopsis A poignant setting of the
Page 137 and 138: Synopsis The opera takes its subjec
Page 139 and 140: Synopsis Revolution is raging in th
Page 141 and 142: Synopsis The events leading to Dian
Page 143 and 144: Synopsis Patrizia and Bruno are a c
Page 145 and 146: Synopsis When his beloved wife Minn
Page 147 and 148: Synopsis The life of the South Tyro
Page 149 and 150: Synopsis Hanjo is the name of the e
Page 151 and 152: Synopsis ‘I would prefer not to
Page 153 and 154: Synopsis The angels are singing now
Page 155 and 156: Synopsis Beatrice, the daughter of
Page 157 and 158: Synopsis Augustinus von Hippo, Sour
Page 159 and 160: Synopsis A progressive drama of tem
Page 161 and 162: Synopsis This is music theatre comp
Page 163 and 164: Synopsis Married Parisian couple Th
Page 165 and 166: Synopsis Gian Lorenzo Bernini: Apol
Page 167 and 168: Synopsis The opera re-enacts the ex
Page 169 and 170: Synopsis As early as the year 1779
Page 171 and 172: Synopsis The deep sea makes up 80%
Page 173 and 174: Synopsis What is Infinity How do yo
Page 175 and 176: Synopsis On a hot Friday in a block
Page 177 and 178: Synopsis This story captures the ev
Page 179 and 180: Synopsis At the battlefield on the
Page 181 and 182: Synopsis The Bonesetter‘s Daughte
Page 183 and 184: Synopsis Based on the 1957 George L
Page 185 and 186: Synopsis Peter Eötvös’ opera Lo
Page 187: Synopsis The opera Gegen die Wand i
Page 191 and 192: Kirchner, Volker David (*1942) Ahas
Page 193 and 194: König für einen Tag .............
Page 195 and 196: Thorne, Joan Vail .................
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Music Theatre since 1990 - Schott Music

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